The Brief

California law enforcement agencies are required to track and publicly document how they use military equipment, including less-lethal bean bag shotgun rounds, drones and armored vehicles, under a state law passed in 2022.

But Santa Ana’s Police Department has been out of compliance with this law for the past two years, Commander Mat Sorenson told a crowd of about 10 people at a community meeting Wednesday.

“We messed up,” Sorenson said. “ We dropped the ball, now we're trying to fix it.”

The law, Assembly Bill 481, requires law enforcement to make annual public reports describing how and why military equipment was deployed, including summaries of complaints, internal investigations and potential violations related to the equipment.

Police Chief Robert Rodriguez said the department prepared reports for the years of 2023 and 2024. But because of what Rodriguez called an “administrative oversight,” those reports were not shared publicly or presented to city leaders as required by the law to continue using the weapons.

The department retroactively produced the reports and discussed a report covering the past year at the sparsely attended community meeting Wednesday afternoon. LAist spoke with everyone who attended the meeting as a community member. Each one said they were disappointed by the hastily planned meeting and lack of detail in the reports.

David Pulido — who's on the police accountability committee at Community Service Organization Orange County, a group advocating for Chicano rights — told LAist after the meeting, “ I wasn't happy with the presentation. I felt it was kind of like running cover for the department. It was brief, not well publicized, poorly attended.”

What the reports say

According to a report covering May 2024 to April 2025 that was presented Wednesday, the Santa Ana Police Department has access to military equipment like armored vehicles, a “long range acoustic device” and one “tactical robot.” The report says the maintenance of the equipment cost the department around $30,000.

The report lacks summaries of why and how the equipment was deployed. It explains that Santa Ana police deployed military equipment in response to “field based incidents” 30 times — including four instances with the SWAT team — and to “community events” 11 times. Police detained 21 suspects while using military equipment, the report states.

No information was provided on whether the use of these weapons resulted in serious injuries. The report does say that no one was killed by Santa Ana police using military equipment during the review period.

According to the report, the police department did not receive community complaints and the use of these weapons were “deemed appropriate” per an internal review by police.

Problems with the law

The contents of military equipment reports vary by agency. If those in attendance Wednesday are disappointed with the thoroughness of Santa Ana’s reports, Sorenson said they could blame state lawmakers.

 ”The legislature's very good at telling us what we have to do, but not how to do it,” Sorenson told the audience.

He said he looked at other agencies' reports: some that were a few pages long, others that were 65 pages long, and picked a happy medium.

“I  don't know that anybody's gonna go through 65 pages of stuff,” Sorenson said.

Pulido, of the Community Service Organization Orange County, agreed that weaknesses in the report stem from weaknesses in the underlying law.

“ It's not enough to have a report,” he said, adding that a report can be “biased” as it is up to law enforcement agencies on how they want to frame it. The report provided by Santa Ana police was “very brief” and “lacking information,” Pulido said.

Assembly Bill 481 does not lay out any enforcement mechanisms, another weakness according to Pulido.

“If it has no enforcement mechanisms, it's not gonna get enforced,” he said.

Community weighs in

The presentation did not satisfy Bulmaro "Boomer" Vicente, a resident of Santa Ana and policy and political director at Chispa who was at Wednesday’s meeting.

“ I was concerned and disappointed in the report itself because there were some things that were missing, some costs that were missing as it related to transportation personnel costs, training and usage upgrade, things that should have been included,” Vicente said. “His response to not having a more detailed report is he doesn't think people will read them, which is very problematic.”

Vicente added that the report lacked information “ important for transparency, for accountability, and also to ensure that department is being fully compliant with state law.”

Vicente was also disappointed that the meeting appeared to be hastily put together for a time when few people could attend.

The meeting was announced on the police department’s social media accounts on July 10 and held at the department’s headquarters at 4 p.m. before the end of a typical work day. Vicente said that time and location was not accessible for all constituents in the city.

He said he wishes the meeting was held at a time where  working class families can attend and at a “more community central space where people who may not feel comfortable entering the police department can have the opportunity and feel comfortable in expressing their questions, their concerns, and their grievances.”

City leader weighs in 

Councilmember Jessie Lopez was the only city leader present at Wednesday’s community meeting.

“ I appreciate them being honest,” she said. “Their acknowledgement that a mistake happened and this is why they haven't had community meetings and I think it's a good starting point.”

Lopez, like the community members, did not find the report adequate, calling it a “quick presentation.”

“ We're a city of over 300,000 residents, and so there wasn't even 20 people in that room. It was being hosted at 4 p.m. during a workday. There was no Zoom link available,” she said about the limited community engagement.

The new reports will come in front of the City Council Tuesday. Lopez said the meeting Wednesday will help her prepare for the council meeting.

“ It helps me draft and come up questions that I'll be asking from the dais,” she said.

How to watchdog your police department

One of the best things you can do to hold officials accountable is pay attention.

AB481 requires police departments, including those at transit agencies, school districts and university campuses, sheriff’s departments, district attorney’s offices and probation departments, to provide reports about the use of military equipment..

So how do you know if they're in compliance? It’s simple, search for the law enforcement agency name and AB 481 on any search engine and a public page should pop up.

You can learn more about the use of equipment at community meetings law enforcement agencies are required to hold to provide transparency and discuss the policies that affect your community.

You can also attend City Council meetings where this is discussed.

• Read tips on how to get involved.
• The next scheduled Santa Ana City Council meeting is Tuesday, Aug. 19. You can check out the Santa Ana City Council full calendar here and learn how to submit a public comment. 

If your law enforcement agency is not in compliance and you would like to share a tip, reach out to yfarzan@laist.com.

The Academy Awards were Sunday night in Hollywood, hosted by Conan O'Brien.

One Battle After Another took home best picture, in addition to awards for Paul Thomas Anderson for best director and best adapted screenplay. Sinners star Michael B. Jordan won best actor, and Hamnet's Jessie Buckley won best actress.

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Copyright 2026 NPR

As Sunday's Oscars ceremony approached, it seemed to be shaping up to be a showdown between the vampires and the revolutionaries, between Sinners and One Battle After Another. In the end, One Battle After Another won both best picture and best director, but it was a very good night for Sinners, too, including an original screenplay award for writer and director Ryan Coogler.

There were some surprises over the course of the evening, including a rare tie in the live action short category, a remembrance of Robert Redford that included Barbra Streisand singing a bit of "The Way We Were," and Jimmy Kimmel stepping in just long enough to make some pointed comments about media censorship. But let's go over some of the major takeaways.

A celebrated director gets his Oscar.

Paul Thomas Anderson won best director for One Battle After Another after three previous nominations for There Will Be Blood, Phantom Thread and Licorice Pizza. Anderson had already won several major Oscar precursor awards this year, including top directing prizes at the BAFTAs and from the Directors Guild of America, so he was the odds-on favorite. The other nominees in the category were relative newcomers: Ryan Coogler, Josh Safdie and Joachim Trier were all first-time directing nominees; Chloé Zhao was nominated (and won) for Nomadland at the ceremony in 2021.

Michael B. Jordan won a rare acting award for a genre movie.

Michael B. Jordan won best actor for his portrayal of twin brothers in "Sinners."

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Sinners is a drama, but it's also very much a genre film. It's horror. It's vampires. Those are not the kinds of films that most often win Oscars for actors. But Jordan, with his first nomination, won over performers from much more traditionally awards-friendly films. Three of those actors (Leonardo DiCaprio, Timothée Chalamet and Ethan Hawke) already had multiple acting nominations before this year.

The last actor to win for a genre film might have been Joaquin Phoenix for Joker, since that was technically a comic-book movie, but that one did away with most of its genre trappings and pressed itself into a dramatic mold, which Sinners emphatically does not. Before that, while definitions of genre aren't bright lines, you might have to go all the way back to ... Anthony Hopkins in The Silence of the Lambs, if you consider that horror? Maybe even further? At any rate, it's a great win for an actor who has been beloved at least since The Wire almost 25 years ago, who's been doing rich and varied work ever since. His victory is also a win for his lengthy and fruitful collaboration with Ryan Coogler in Sinners, but also in Fruitvale Station, Creed and Black Panther.

Amy Madigan, the award-winning straight-up monster.

Amy Madigan won best supporting actress for her performance in "Weapons."

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(We don't mean Amy Madigan the person, of course.) Madigan won best supporting actress for her deeply unsettling and entirely singular performance as Aunt Gladys in Weapons, which is even more fully a horror movie than Sinners. While the nominated cast members from Sinners — Jordan, Delroy Lindo and Wunmi Mosaku — play regular people who are swept into an unreal situation, Madigan is playing, essentially, the boogeyman (boogeywoman?). It's thrilling to see the Academy recognize a performance that is as weird and funny and scary as just the last few minutes of what Madigan does in Zach Cregger's terrifying story of a town that sees a whole classroom full of its children disappear.

The casting Oscar makes its debut.

Cassandra Kulukundis won the Academy's first award for achievement in casting for her work on "One Battle After Another".

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This was the first year that there was an Oscar for casting, which is very much overdue — there have been casting Emmys for ages. It was easy to argue for any of the nominated casting directors. Marty Supreme and The Secret Agent both deploy nontraditional actors in some roles, Sinners and One Battle both use a wide variety of well-known and well-regarded stars in interesting ways, and Hamnet places most of the weight of an enormously heavy story on the shoulders of just a couple of performers, including best actress winner Jessie Buckley.

Cassandra Kulukundis, who won for One Battle After Another, not only has been working with Paul Thomas Anderson for ages, but she also worked on casting (get this) for both The Brutalist and Harold & Kumar Go To White Castle. But all the nominees have tremendous resumes. Francine Maisler, who was nominated for Sinners, was the credited casting director for Arrival, Creed, Baby Driver, Widows, and Challengers! Honestly, the biggest problem in the category was that everybody couldn't win.

A first in the cinematography category.

Autumn Durald Arkapaw accepts the award for best cinematography for "Sinners."

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Autumn Durald Arkapaw, who won best cinematography for her work on Sinners, was only the fourth woman, and the first woman of color, to be nominated in the category. She becomes the first woman to win. Sinners is a sumptuously, inventively, beautifully shot film, and the cinematography is one of the core crafts that makes it so effective.
Copyright 2026 NPR

When Alberto Román was a boy growing up in the Mexican state of Durango, his father was often far from home. Most times, he’d be gone for months.

Román’s father, Javier, had a third-grade education. And when work was scarce in Mexico, he’d venture north to the United Sates and take whatever job he could find.

Javier washed cars. He worked in factories. He picked crops. He built houses.

“He was a guy you would find at Home Depot,” Román told LAist. “He did whatever it took to put food on the table and provide [his family] with shelter.”

Román missed his father terribly, and he relished the time alone with him. When his father would return to Mexico, they'd hike to a majestic statue of the revolutionary Pancho Villa, where Román and his father could also look out at their city.

Román did not know it then but, soon, that view would become a memory. When he was eight, his father returned; but, this time, Javier took his son, his daughter, and his wife with him back to the U.S. The family settled in Rialto, in California's Inland Empire. Suddenly, Román had a new home and new challenges to contend with.

A young Alberto Román (right) with his sister, mother and father in Durango, Mexico.

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The move to Rialto unfurled a series of labels and experiences. Román became undocumented; an “English language learner”; a teenage father; a parenting student. With time, he became a naturalized U.S. citizen and, then, a first-generation college graduate who would one day earn a doctorate.

Today, Román serves as chancellor of the Los Angeles Community College District, which includes nine campuses and more than 200,000 students.

A lot of these students are parents like he was, Román said, and the vast majority of them have to work to help put themselves through school.

And many of them are also immigrants.

Leading LACCD's response to immigration policy

Román was appointed chancellor last May. Soon after, the Trump administration unleashed its militarized mass deportation effort, which included raids and a show of force throughout L.A. County.

One of the chancellor’s responsibilities is managing LACCD’s response to the Trump administration.

Undocumented college students in the U.S. are racially and ethnically diverse. California has an estimated 100,000 undocumented students, who make up a small percentage of the overall higher ed population. The majority of those undocumented students are enrolled in community colleges.

In conversation with LAist, Román referred to the ongoing raids and immigration detentions as “inhumane.” He also described the experience of a student whose father didn’t come home one night. After being detained by immigration agents, Román said, the student’s family “didn't know where he was for two months.”

The student was 20 years old when her father was taken. Overnight, she became the head of her household. Now, on top of fulfilling her responsibilities at school, she has to figure out how to keep herself and her younger siblings housed and fed.

To support students in mixed-status families, the district’s Dream Resource Centers provide them with legal support, temporary housing options, additional mental health services and food vouchers.

Alouette Cervantes-Salazar coordinates East Los Angeles College’s Dream Resource Center, which provides support and services for undocumented students; DACA and TPS recipients; and students in mixed-status families.

According to Cervantes-Salazar, the Trump administration’s deportation effort has transformed campus life. When the raids began last summer, she said, “quite a bit” of students who used to take classes in person moved to complete the semester online.

For some, Cervantes-Salazar added, online coursework has become preferable because it enables students to better juggle school and work. For others, the fear of getting to and from campus amid roving immigration patrols has become a decisive factor.

Whether the Dream Resource Centers' support will be enough to meet student needs remains to be seen, but Román takes their stories to heart.

“These are the stories of our community,” he said. “These are the stories of our students. These are the stories of their parents. And they are our stories, because they come to us for an education.”

From 'English language learner' to college graduate  

Román’s story in the U.S. began in the 1980s. After moving to California, it took Román about two years to learn enough English to communicate with his classmates. Until then, his time in school was lonely.

Back then, dual language immersion programs — an educational model that teaches students in English and another language (such as Spanish or Mandarin) to achieve biliteracy — were rare in the U.S. At Román’s elementary school, he said, they were nonexistent.

To help him learn English, Román’s educators placed him in a separate room for about three hours a day. He was given a stack of books. His job was to put on headphones, listen to audio recordings of the texts and do his best to follow along.

When Román tried speaking English, some students made fun of his accent. A bilingual child who struggled with Spanish was tasked with serving as his interpreter.

Román said he cried to his parents. “I'm not happy here,” he told them. "Let's go back.”

His parents made it clear that returning to Mexico was not an option. They’d been poor and had limited schooling, and they wanted something different for their children. Though neither of Román’s parents got to finish high school, he said, they were determined to send their children to college.

Román’s older sister graduated at the top of her class and went on to UCLA. Román aimed to follow in her footsteps.

But, when he was a high school senior, Román learned his girlfriend was pregnant. He was 17, and he wasn’t sure how fatherhood would square with pursuing higher education.

When Román told his parents there was a baby on the way, they remained steadfast. "Now you have all the more reason to go to college," his father told him. That fall, Román enrolled at UC Riverside.

To help provide for his son, Román got a job at Payless ShoeSource, where he worked up to 40 hours a week. When possible, Román stacked his classes on Tuesdays and Thursdays, to keep the rest of the week open for work.

“It was tough,” Román said. “I was getting home at 10, 10:30 at night, trying to read, trying to do essays, trying to be a father.”

“In moments of weakness,” he added, he contemplated quitting school. But, like his parents, Román wanted a better life for his son.

Román and his son in the 1990s, when the now-LACCD chancellor was an undergrad at UC Riverside.

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Román graduated with a bachelor’s degree in political science in 1999. When he crossed the stage at his commencement ceremony, his child, his parents and his sister beamed from the audience.

Today, Román connects his lived experience to that of students at the district, 70% of whom study part-time. “That’s because they're working, because they have families,” he said.

Last spring, Román watched thousands of new graduates embrace their loved ones after receiving their diplomas at a commencement ceremony at the Greek Theatre.

“When I see my students on stage waving their degrees — despite all the challenges they face — that award is so much more meaningful,” he said. “I know what they went through.”

Eid Mubarak to all those celebrating the end of Ramadan this week! If doughnuts are part of your tradition, find out why, as LAist’s Yusra Farzan digs into the history of this Eid specialty.

Licorice Pizza has your music picks; on Monday, you can celebrate the best in pop at the 2026 iHeartRadio Music Awards at the Dolby Theatre, while on Tuesday, R&B singer Son Little plays the Troubadour. Tuesday and Wednesday, New Orleans songstress Madeleine Peyroux presents WE ARE AMERICA: Songs That Give Us Hope at the Blue Note. Also on Wednesday, shoegaze stars Nothing are at the Belasco, and a whole bunch of bold-faced names will be at “Toby Gad & Friends” at the Hotel Café. On Thursday, hip-hop legend Talib Kweli plays the Blue Note, Australian dance artist 1tbsp plays the Fonda, Irish indie-pop duo 49th & Main play the El Rey Theatre and Canadian folksters The Barr Brothers play their first of two nights at the Troubadour with support from Benjamin Lazar Davis.

Elsewhere on LAist, you can check out the history of restaurant menus in Koreatown, meet the local veterans performing Shakespeare or grab a ticket for our dance class with Alvin Ailey Dance Theater on March 24 — no experience required!

Events

JR: Horizons

Through Saturday, April 25
Perrotin
5040 W. Pico Blvd., Mid-City
COST: FREE; MORE INFO 

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Back in 2017, I took a road trip to Tecate, Mexico to see French photo artist JR’s enormous installation — a towering image of a child peering over the Mexican border across to the same, dusty Southern California landscape on the other side. It was a powerful message about humanity, immigration and social justice. He brings that photo and many more to a new solo show, Horizons, on view now at Perrotin.

WORDTheatre's The Ocean: Our Liquid Universe

Thursday, March 19, 7:30 p.m.
Saban Theatre
8440 Wilshire Blvd., Beverly Hills
COST: FROM $30; MORE INFO

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If you haven’t been to a WORDTheatre event, you’re in for a treat, as actors and musicians take to the Saban stage to present stories and songs from the sea. Producer Cedering Fox pairs performers with stories that speak to them, and brings short pieces to life in unique ways. This one kicks off with Sharon Stone and Lily Tomlin, and features performances from Dave Bayley of Glass Animals, Bruce Vilanch, Bellamy Young (Scandal) and many more who will share moving works about the importance of our oceans ahead of L.A. Climate Week. Plus, Best Things to Do readers can use the code LAist for 15% off all tickets.

Yoga at Hollywood Forever Cemetery

Ongoing
6000 Santa Monica Blvd., Hollywood
COST: DONATION; MORE INFO 

Did you know there’s donation-based yoga, outside among the friendly spirits of Hollywood Forever Cemetery, several times a week? Start your day off with Kundalini, Vinyasa flow, or meditation with some of L.A.’s top teachers. Check the schedule and bring your mat, towel, water and, of course, sunscreen.

Richard Hell 

Thursday, March 19, 7 p.m.
Beyond Baroque 
681 Venice Blvd., Venice
COST: FREE, SOLD OUT BUT MAY BE AVAILABLE ONSITE DAY-OF; MORE INFO

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Punk icon Richard Hell heads to (where else) Venice to read from his novel, Godlike. A story about love between two young poets — a 27-year-old man and a teenage boy — is “based on Arthur Rimbaud and Paul Verlaine’s notorious affair, but set in the epochal downtown poetry scene of filthy 1970s New York.” Take yourself back to a grittier (and simpler) time. The event is sold out, but tickets may be available in person on the day of the reading.

Vendredi Sur Mer

Wednesday, March 18, 8 p.m. 
The Roxy 
9009 W. Sunset Blvd., West Hollywood 
COST: $35.25; MORE INFO 

I’ve been using French music and ChatGPT to practice my French language skills lately, so I’m pretty into Swiss songstress Vendredi Sur Mer. She brings her dreamy French synth-pop that evokes time in the Swiss Alps to the Roxy; her latest album, Malabar Princess, is out now.

St. Patrick’s Day Parking Lot Party 

Tuesday, March 17, 12 p.m. to 10 p.m. 
Cat & Fiddle
742 Highland Ave., West Hollywood
COST: FREE, DRINK AND FOOD SPECIALS; MORE INFO 

Corned beef and cabbage, Guinness, whiskey specials and a burlesque show are all on tap at the annual St. Patrick’s Day party at the Cat & Fiddle pub. Raise a glass and say sláinte to another year of Irish luck.

ACB presents Blanchine: Twin Masterpieces

Through Friday, March 27
Bank of America Plaza
333 S. Hope Street, Downtown L.A.
COST: STARTING AT $65; MORE INFO

Show Timothée Chalamet who’s boss and go to the ballet. We have a great dance community in L.A., and this special performance from American Contemporary Ballet of two classic George Balanchine pieces — La Source (presented for the first time in Los Angeles in more than 40 years) and Concerto Barocco — displays the extraordinary talent required for ballet and the art form's lasting impact.