The Brief

Los Angeles Police Officer Daniel Flores thought he was doing the right thing.

Colleagues in the department’s Recruitment and Employment Division were making what he said were racist, sexist and homophobic remarks in the office, and he wanted to report them to superiors.

So he started secretly recording them.

In June, Flores, 43, sued the department, claiming the LAPD had created a hostile workplace. In his lawsuit, he said he made the recordings in what he believed was part of a “lawful investigation as a police officer.''

Now, the tables have turned. It's Flores who is the target.

Los Angeles County District Attorney Nathan Hochman has filed 16 felony counts of eavesdropping or recording confidential communications against Flores.

“We are going to enforce the laws to prevent police officers from using illegal means to achieve their goals, even if that goal in that individual’s mind is to root out bigotry,” Hochman said during a news conference last week.

Flores could face up to 13 years in state prison if convicted. On Monday, he pleaded not guilty in Superior Court.

Reaction to the charges

The district attorney’s decision to file criminal charges against Flores has sparked a firestorm of controversy, with some saying the charges will create a chilling effect on people who want to report misconduct at the Police Department.

“While I understand that it is inappropriate and a crime to record colleagues without their consent, these charges certainly send the wrong message that calling out egregious behavior could land you in prison,” Mayor Karen Bass said in a statement. “I am worried that this will deter whistleblowers and discourage officers from using the appropriate reporting channels in the future."

Los Angeles City Councilmember Hugo Soto-Martínez introduced a resolution Tuesday condemning Hochman for his decision to charge Flores.

Police abuse activists also weighed in.

“I think that’s Nathan Hochman’s intention — is to make sure he maintains that blue wall of silence,” said Melina Abdullah of Black Lives Matter L.A. “DA Hochman is continuing to show whose side he’s on — that he’s not on the people’s side.”

Hochman has said his decision to file the criminal case is appropriate, and that Flores had other legal ways to report alleged misconduct by fellow officers.

“He had a number of legitimate avenues to go through,” Hochman said.

Police Chief Jim McDonnell said Friday that Flores’ complaint triggered an internal investigation into 18 other officers. Seventeen faced disciplinary complaints, he said.

The chief declined to say what discipline, if any, the officers received.

About the 122 recordings

California has one of the most restrictive recording laws in the nation, prohibiting someone from recording anyone without their consent. The law requires all parties to a conversation to agree to be recorded before a recording can begin, unless somebody has a court order allowing them to record.

“These laws do, I think, interfere with people's ability to gather information, including information that might be seen as misconduct by the people that they are recording,” said UCLA Law School Professor Eugene Volokh. “This is what I sometimes call the dark side of privacy."

But there are exceptions for police officers who are engaging in official investigations.

In his lawsuit, Flores claims co-workers made various racist, dehumanizing, misogynistic and homophobic comments.

He said it all started when a new supervisor took over the Police Department’s recruitment division and “repeatedly made derogatory statements and fostered an environment in which other employees were encouraged to do the same.''

The lawsuit said Flores submitted his complaints about his co-workers to LAPD Internal Affairs and the Los Angeles Police Commission in January 2025. That’s what triggered the internal investigation.

Flores turned over 122 recordings in all.

The District Attorney’s Office charged Flores on July 31.

In a 27-page brief filed Monday, prosecutors suggested Flores’ motives were not altruistic. The filing alleges Flores “manipulated conversations by initiating or participating in discussions about a particular topic before activating the recording device, then ceasing his own participation.”

Hochman’s brief referred to some of the officers’ comments as “locker room talk.” Prosecutors also accuse Flores of editing the recordings to hide his own racist, sexist and homophobic remarks.

The district attorney based that claim largely on what the officers — the alleged victims in the criminal case — told detectives. According to prosecutors, the officers said Flores often talked about wanting to win the “LAPD lottery,” meaning he wanted a big payout from his civil lawsuit.

LAist reached out to Flores’ attorney, but did not receive a response. However, the defense has argued Flores is protected by the California Invasion of Privacy Act, which allows secret recordings by police officers.

Volokh, from UCLA, said the law allows police officers to make some kinds of recordings in secret.

“Obviously, we know that there are recordings done by police officers in various kinds of investigations,” Volokh said. “But it's not unlimited latitude. It’s not enough that the police officer be well motivated. He has to be acting within his scope of his authority as a police officer.”

For that reason, Hochman said, Flores stepped over the line.

“In our all-party consent state, where California has been one of the nation's leaders in protecting privacy and deterring illegal eavesdropping for over a half a century, one cannot simply choose to break the law because one wants to pursue a personal agenda,” Hochman said Friday.

Holding the line

Soto-Martínez said Tuesday that Hochman should drop the charges immediately.

“The District Attorney is sending a chilling message: If you report misconduct through the appropriate channels, you could be prosecuted,” said Soto-Martínez. “Beyond that, dismissing racist, misogynistic and homophobic behavior as ‘locker room talk’ is unacceptable.”

But Hochman said at the Friday news conference that he believes allowing a police officer to secretly record colleagues would signal to fellow officers that other misconduct would be acceptable, too.

“If we don’t hold the line there, where does it next take us?” he said.

Hochman used the example of an officer using illegal means to arrest a drug dealer by planting evidence. He said that there are implications for non-police officers as well.

“We want to make sure nobody cuts corners and decides they want to go ahead and record a conversation when they come over to your home, when they come over to your workplace, when they come over to a social setting.”

Flores remains free on his own recognizance while the case is pending.

Walk through the automatic doors at the Carson Library and you’ll see on your left a 1973 painting called "Dominoes" by John Riddle.

Riddle, a prominent Black artist, has worked in the L.A. County Museum of Art and the Brooklyn Museum, and has been collected by Jesse Jackson and Roberta Flack.

Riddle's work was previously owned by the Golden State Mutual Life Insurance Company in West Adams. Over two decades, the company’s art director, William Pajaud, an L.A. artist himself, carefully collected hundreds of pieces of Black art. Each piece in the collection, Pajaud said, would be a chapter telling the story of African Americans in the U.S. The collection included oil paintings, watercolors, and sculptures in clay, wood and metal.

When Golden State Mutual Life Insurance shut down, the company sold most of the best pieces at a private auction in 2007, with some selling for hundreds of thousands of dollars. L.A. County was able to acquire about 120 works, including Riddle's piece.

To keep the works accessible to the public and free of charge, county officials chose four public libraries and three community centers to show the work. Earlier this year, the county arts department created a new website with a map to make them easier to find. The locations include the Golden State Mutual historic building in West Adams, plus:
:

Libraries

• Carson Library (Carson)
• A.C. Bilbrew Library (Willowbrook)
• Masao W. Satow Library (Gardena)
• View Park Bebe Moore Campbell Library (View Park/Windsor Hills)
  

Community centers:

• Curtis Tucker Behavioral Health Center Health Services (Inglewood)
• Willowbrook Senior Center Aging and Disabilities (Willowbrook)
• Mark Ridley-Thomas Behavioral Health Center Health Services (on the Martin Luther King, Jr. Medical Campus).

“All of these are county-owned spaces that are available, accessible to the public and to patrons to be able to live with the works, learn about the works, see the works, learn about the works,” said Kristin Sakoda, director of the Los Angeles County Department of Arts and Culture.

Dominoes by John Riddle. The painting was part of the Golden State Mutual Life Insurance collection but is now part of the Los Angeles County Civic Art Collection.

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As you walk past the checkout desk at the Carson Library, toward the teen section, you’ll see another remarkable piece from the county’s holdings. It’s a two-foot-tall sculpture made from one piece of mahogany. It’s called "The Embrace" by artist Elizabeth Catlett, whose work is in the collection of New York’s Museum of Modern Art, among many other institutions. Catlett depicted two people hugging, their faces and bodies fused together, their eyes looking at the viewer.

Detail of El Abrazo (The Embrace) by Elizabeth Catlett.

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In the auction catalogue for the Golden State Collection, Catlett wrote: “I still work figuratively, trying to express emotion through abstract form, color, line, and space. I attempt to reach out to ordinary people who have little or no experience or understanding of art principles, and extend to them what I may feel about a subject."

Ancestral Fragments by Stanley Wilson.

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Meanwhile at A.C. Bilbrew Library, north of Compton, there’s a piece by Charles White, who lived in L.A. County for decades and mentored many artists in the region. His paintings and drawings in the 1960s took on the issues of the Black Civil Rights Movement, and that led well-known Black Americans like Nat King Cole and Eartha Kitt to buy his art.

County officials are hopeful that the communities around these neighborhoods enjoy the art’s benefits, including “mental health, in our education, our youth development, our sense of inclusion and belonging,” Sakoda said.

When I lived in the UK, I worked on a BBC television show about birding. It was a strange experience as I couldn’t exactly book guests — “Hello Mr. Sparrow, could you be on location for an interview at 2 p.m.?”

So instead I spent a lot of time with the crew climbing up mountains with a large tripod on my shoulder. Did you know there’s a bird in the Scottish Highlands whose plumage turns white in winter to blend in with the snow? (It’s called a ptarmigan. Don’t pronounce the p.)

But it did mean I was attuned to British bird calls. I could hear something and pronounce solemnly: “Ah yes, that’s a lark. And that one's a chaffinch."

Moving to LA meant learning a new set of bird calls

When I moved to the U.S., however, it was a whole other story. I really didn’t recognize any of the bird calls. They were all so different. I just shrugged and figured they were part of the backdrop. But one day recently, a woman told me about a free app and said it was life-changing. "Hmm, I’ll see about that," I thought.

Merlin bird app

It’s called Merlin, from the Cornell Lab of Ornithology, and it’s kind of like Shazam for bird calls. As in, you click it, and it tells you what bird song you can hear around you. When I opened it in my backyard for the first time, a whole orchestra of bird sounds opened up around me. I admit: it was kind of life-changing.

Of course it first picked up a crow, which I know only too well, given its loud, raucous sound. But then it identified a house finch. Huh. Who knew they were in my backyard? And as I listened closely, I realized … I knew that sound! It’s the first thing I hear when I wake up at dawn, lovely and melodic.

The house finch, awakening the day.

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Cornell Lab of Ornithology | Macaulay Library

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So now when I open my eyes in the morning, I say, "Good morning, house finch, communing with fellow beings alive on a vibrant California morning!" It kicks off my day, although I guess I’ve been reading too much Mary Oliver.

The backyard birds you're probably hearing right now

But then other birds I didn’t know would pop up on my phone during the day, with names as intriguing as their calls: the spotted towhee, the orange-crowned warbler, or Cassin’s kingbird.

I mean, they do realize they’re in a backyard in Los Angeles, not some estate in Georgian England? My favorite for a while was the dark-eyed junco. Now we’re talking romantic heroes. Imagine him slyly popping across the apple tree limbs to call to you. Dark-Eyed Junco, at your service.

Dark-eyed junco, at your service.

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Cornell Lab of Ornithology | Macaulay Library

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Meet Swinhoe's white-eye, a non-native bird spreading across SoCal

And then there’s Swinhoe’s white-eye. Which sounds a little like an eye ailment, but there you go. It’s a tiny bright yellow bird with a white ring around each eye. So cute! I first noticed them when there were a bazillion of them in a tree outside my house. It was such an unusual sight that I mentioned it to a woman walking her dog, and we stood there, oohing and aahing, until we both realized we’d oohed a little too much, and it was time to go.

Swinhoe's white-eyes are not native to SoCal, but are thriving.

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Cornell Lab of Ornithology | Macaulay Library

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When I researched them, I was surprised to find they’re not native to SoCal. They’re actually pretty new to the area. There were just a handful in Orange County 20 years ago, probably having been brought over from Asia as pets and escaped. And now, they’re thriving and have spread everywhere from Baja to San Luis Obispo. Who knows where they’ll end up next? If anyone sees a chartreuse cutie in New York, let me know. It'll probably be very tired.

Yes, you can see I’ve become slightly annoying with my newfound bird interest. I’ll be asking my family what they want for dinner, and I’ll say, “Wait, is that the spotted towhee?” and turn to my phone, and my teenager will wrest it out of my hand and say, “Mom, be in the present!” Which is right. But my morning serenade as the birds come online one by one and greet the new day — well, that’s as present as you can be.

During a life cut short at 34, musician Elliott Smith left traces of his legacy in many cities, perhaps most notably in Los Angele

Writer Jamie Fisher spoke with some 140 people for her new book Nobody Broke Your Heart: An Intimate Biography of Elliott Smith.

Even though some of Smith’s painful struggles with addiction and mental health took place in L.A., Fisher said his time in the city wasn’t all bad.

“He was always very suspicious of artifice and then I think he found himself enjoying it more than he thought he would,” said Fisher, who worked as a researcher at the New York Times Magazine for a decade. “He liked how big and expansive the city was: you can just kind of vanish into L.A.”

Smith moved to L.A. in the summer of 1999. He died here about four years later. But in that time he cut some deep grooves into the city, in places from Los Feliz to the San Fernando Valley — if you know where to look.

Snow White Cottages

Take the Snow White Cottages in Los Feliz, lovingly named for their fairytale-like architecture, where Smith once lived.

Fisher said the cottages were run down when the musician moved in. One of her sources said a raccoon threw a roof shingle at Smith’s head.

“It was more of an apartment than a house really. And it was this little community that was tight knit at the time,” Fisher said.

The Roost

On Los Feliz Boulevard, just across the 5 Freeway, is the beloved dive bar The Roost in Atwater Village, a joint Smith memorialized on his album Figure 8 — as a fade out on the track "In the Lost and Found (Honky Beach)/The Roost."

“It’s just this little nod,” Fisher said. “He was always folding the places and people he loved into his music.”

Back in the ‘90s, the place was more of a working-class joint, and one of the more overlooked bars Smith had a penchant for, Fisher said.

“One of the bartenders there who really loved Elliott owns it now,” Fisher said.

Largo

Then, of course, there’s Largo at its old Fairfax location. Fisher said it was a huge part of Smith’s life starting in the late ‘90s, when he spent late nights playing piano with fellow musician Jon Brion.

New Monkey

Motor on over to Van Nuys for New Monkey, a music studio Smith founded where artists are still recording to this day.

Fisher said you can also find equipment that was used to record his final album, From a Basement on the Hill.

Fisher said Smith put the studio together at a point when he was struggling with addiction, in the last years of his life.

“It was really hard for him to write music, but buying broken equipment and repairing it and putting the studio together was something he could focus his energy into,” she said.

Smith wanted New Monkey, Fisher said, to be a place where musicians could affordably access some of the best recording equipment available.

As Smith lived with addiction and other personal issues, he was mentoring younger musicians and making a lifelong impression on artists such as Jim Fairchild from Modest Mouse and Grandaddy, and Aaron Espinoza from Earlimart.

“He was so generous with his time,” Fisher said. “He would show up to Earlimart shows and stand right in the front row and make them all extremely nervous.”

Fisher said she’d braced herself for writing the last chapters of the book about the final years of Smith’s life.

In 2003, Smith died from two stab wounds in his chest — and the case is still open.

Fisher said that despite his addiction and mental health struggles, she was surprised by the many “moments of light” during his time in L.A., from his love of cooking to his mentorship of other musicians and his work on New Monkey.

Figure 8 wall

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Courtesy FMLY used with permission

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The go-to spot for fans to remember Smith is still standing in L.A. — the Figure 8 wall in Silver Lake.

The mural of bending red and black lines famously became the cover art for the Figure 8 album.

More than two decades after his death, the wall is still alive with new memories.

“There’s always new notes from people saying, like, Elliott saved their life or quoting their favorite lyric or saying they wished he was still here,” Fisher said.

President Donald Trump is canceling nearly $1 billion in spending approved by Congress, the White House announced on Friday, using a rare and contested power to axe funding for immigrant services and diversity-focused initiatives.

Trump’s Office of Management and Budget described the funding cut as focused on “the most harmful government spending.”

Most of the cuts are focused on services for immigrants, including nonprofits that serve refugees and unaccompanied minors accused of being in the country illegally. The administration says the funds are no longer necessary because illegal border crossings have diminished considerably.

A White House press release announcing the funding rescissions notes that some of the organizations are led by people who worked in the administration of Democratic President Barack Obama.

Trump’s move was condemned by Sen. Susan Collins, a Republican in a tough re-election campaign and chair of the Senate Appropriations Committee.

Collins said in a statement that the action came without warning or consultation. She also said she would work to address with colleagues “these illegal actions.”

“Not only is the delay itself an impoundment that was not reported to Congress, but also it is a usurpation of Congress’s appropriations powers,” Collins said. “OMB is an agency of the executive branch. It does not get to decide which programs are worth funding.”

Typically, Congress can review the president’s proposed spending cuts before they take effect. But Trump made that all but impossible by announcing them with just five days left in the federal fiscal year. The Government Accountability Office says the maneuver, known as a “pocket rescission,” is illegal.

Collins called it the latest attempt by OMB to “undermine Congress’s Constitutional power of the purse.”