The Brief

Four months into the fiscal year, the city of Los Angeles has already overspent its budget by nearly $300 million, according to a report released this week by the City Administrative Officer.

The city is in “a particularly challenging financial position,” the report states, noting increased legal liability and labor costs across a number of departments.

L.A.'s reserve fund has dropped to 4% of revenues, according to the report. The city has a policy of keeping the fund at a minimum of 5%. If it drops below 2.75%, the council would need a two-thirds vote to withdraw money from it. That could threaten the city’s bond rating, which would increase the city’s borrowing costs.

“The warning alarms are appropriately going off,” said Bob Blumenfield, chair of the City Council Budget Committee. He said cuts in city services would likely be needed to address the problem in the $12.8 billion budget.

“We’re talking about slowing down the hiring, which has real impacts on services,” he said. “We’re talking about asking departments to absorb some of these deficits within their departments, which also has an impact on services.”

Where did the money go?

More than a third of the overspending is related to increased legal payouts to people who’ve sued the city. The city has overspent its liability claims account by $112 million — more than twice what was budgeted for the entire year.

“It’s pretty stunning to see how quickly we've blown through that money,” said Rob Quan of Unrig LA, a watchdog group.

Legal liabilities include court judgments and legal settlements involving police abuse or negligence, which accounts for 40% of all payouts, but also for things like traffic collisions involving city vehicles and slip and fall lawsuits involving buckled city sidewalks.

Blumenfield blamed the current legal climate on the rising costs of judgments and settlements.

“Juries — not just in Los Angeles, but across the nation — are coming back with much higher judgments and of course that has a ripple effect on the settlements,” he said.

He also said cases slowed by COVID’s impact on the courts are just now getting settled.

“The George Floyd cases are coming due,” said Blumenfield, referring to police abuse cases that occurred during massive street protests in 2020 following the murder of Floyd by a Minneapolis police officer.

Deferred maintenance has played a role, too. “Our sidewalks haven’t been getting better in the last several years, they’ve been getting worse, which means there are more trip and falls,” Blumenfield said.

He predicted legal payouts would be near $300 million by the end of the year.

How will the city cover costs?

The CAO has recommended borrowing up to $80 million to cover some of the legal costs. The move would help with the short term problem, but increase the city’s debt.

Blumenfield said service cuts would likely be necessary, too.

“There’s not a lot of fluff for departments to make cuts that they need to make without impacting services,” he said.

The report identified overspending in a wide range of departments. The Fire Department led the way with more than $90 million in overspending due largely to a new labor contract. Firefighters are getting an annual 3% increase to their base wages, totaling 12% by Fiscal Year 2027-28. They’ll also see a 5% annual increase to their health benefits.

The labor contract mirrored similar agreements with other city unions that the city signed last fiscal year. Each contract continues to weigh on the current budget.

Other departments that overspent include the city attorney ($25 million) police ($20 million) and transportation ($14 million). The rising cost of gasoline was among the reasons cited.

On the bright side, the CAO noted general fund revenue is up $54 million. But he cautioned city leaders against counting on revenues to continue to be higher than anticipated.

“Forecasts specific to the state and local economy predict subpar economic growth throughout 2024 and increasing unemployment with indicators not anticipated to improve until the end of 2025,” the report stated.

The City Council Budget, Finance and Innovation committee will consider the report at a meeting Wednesday at 2:30 p.m. You can view the committee's agenda and watch the meeting live here.

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Ted Turner — the bullish founder of CNN and a suite of other cable channels, not to mention a bison steakhouse, a non profit designed to prevent the proliferation of nuclear weapons and an international sports competition — died Wednesday at the age of 87. He had announced just before his 80th birthday that he had Lewy Body Dementia, a degenerative disease that causes dementia and muscle failure.

Turner never seemed at a loss for brass or chutzpah.

"If Alexander the Great could conquer the known world, why couldn't I start CNN?" Turner once told Oprah Winfrey.

He launched the Cable News Network — the nation's first continuous all-news television station — on June 1, 1980, at a converted Jewish country club in Atlanta. The network broadcast news 24/7 from that point on and indeed built a global array of bureaus.

Former CNN chief news executive Eason Jordan says Turner took inspiration from 24-hour radio stations that relayed news headlines, and endless sports highlights on ESPN. Turner remained baffled why the broadcast giants — ABC, NBC and CBS — hadn't launched cable stations.

"To him it was just the most logical thing in the world and he couldn't understand why nobody else was doing it," Jordan says. "So he was going to do it."

Sixteen years later, NBC (in partnership with Microsoft) and Fox would launch sibling cable news channels. Each ultimately found success by embracing strong (though opposing) points of view. Broadcast networks subsequently sought to replicate the original cable ethos with stripped down streaming services.

Turner, a colorful figure with a Southern drawl and rail-thin mustache, had pronounced views himself, often (though not exclusively) of a liberal bent. But he wanted his station to reflect the news, not ideology. He thought human understanding across borders would benefit from reporting on stories and people around the world.

"He was a visionary, a trailblazer, a rabble-rouser, a do-gooder — and he thought there would be a market for it," Jordan says.

Ted Turner sits in his office in October 1986. "He was a visionary, a trailblazer, a rabble-rouser, a do-gooder," says former CNN chief news executive Eason Jordan.

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Turner often carried a mischievous twinkle in his eye. And his values had been incubated in an earlier era.

Jordan joined CNN in 1982 while he was still in college, working overnights as a desk assistant during his first few years. Back then, Turner often slept in a pull-down Murphy bed in his office above the newsroom. He would come down to the newsroom to grab coffee, Jordan recalls, but did not usually interact with the staff. The first time they met, Jordan says, was because Turner had a guest.

"It was Raquel Welch," Jordan says. "They were both in bathrobes. And Ted was so proud of himself for having such good company that he introduced himself and Raquel Welch to everyone in the newsroom at 4 o'clock in the morning."

"Chicken Noodle News"

CNN has been a mainstay of television journalism for so long it's hard to remember that it was often underestimated in its infancy.

In the 1980s, many people didn't understand what the fuss was about, longtime broadcast journalist Joie Chen recalls.

"Many people didn't even have cable yet. I didn't have cable growing up," says Chen, who joined CNN as an international anchor in 1991. "In those early years, you know, CNN was just considered 'Chicken Noodle News' and Ted Turner was at first just considered a dilettante."

CNN became a training ground for journalists who would be hired by better paying outlets. Chen left CNN in 2001, later working at CBS and Al Jazeera.

"Look, we were young and at times very shoddy, but we were the only game in town and we did some extraordinary things," Jordan says.

Over time, whenever news was happening, CNN was there. CNN broadcasted live when catastrophe struck the space shuttle Challenger and its crew in 1986.

And in 1991, CNN experienced a defining moment — effectively owning television coverage of the first U.S.-led war against Iraq. It was the only U.S. network able to broadcast live from Baghdad as bright flashes from bombs lit the sky.

Anchor Bernard Shaw and Pulitzer Prize-winning war correspondent Peter Arnett were among those CNN journalists who projected calm under fire.

Chen recalls Turner never intended for his journalists to become famous and, she contends, he underpaid his staff.

"We were always told Ted's mantra was, 'You are not the star; the news is the star," she says. She left CNN at the end of 2001.

Competition grows

Even as he struck an exuberant tone, Turner's mood could swing to depression. He also battled again and again with rival media tycoon Rupert Murdoch – and even threatened to do so with his fists in Las Vegas, as The Guardian recounted.

Murdoch's New York Post in turn questioned Turner's sanity. Meanwhile, Turner maintained a friendly rapport with the late Cuban autocrat Fidel Castro.

Ted Turner and his actress wife, Jane Fonda, at their wedding ceremony in 1991.

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In later years, as CNN competed not just with other cable channels but digital news outlets and social media, it lagged behind its TV peers in ratings. Executives turned over prime time to higher-rated opinion panel discussions featuring ideological clashes.

Conservatives and pro-Trump commentators repeatedly accused the network of listing to the left.

But it retained its journalistic DNA to a significant extent, rising to the moment as its reporting teams covered political developments, natural disasters and armed conflicts. That was part of Turner's legacy too.

Turner married and divorced three times; his third marriage was to Hollywood and fitness star Jane Fonda in 1991.

He also took on lots of debt – and investors – to make ambitious deals at a time when his main rivals, including Murdoch, were launching all-news cable stations. Eventually, it became too much.

In 1996, Turner sold CNN and the rest of his company, Turner Broadcasting System, Inc., to Time Warner for about $7.34 billion – a move he deeply regretted. A few years later – in 2000 – Time Warner sold itself to AOL, against Turner's wishes. The AOL deal is considered one of the worst mergers in U.S. corporate history. Turner has called it "one of the biggest disasters that have occurred to our country."

In 2001, his marriage to Fonda — a source of strength – ended. And shortly after that, he was completely out at AOL, separating from the company he'd spent a half-century building.

"I lost Jane. I lost my job here," Turner said in a 2012 interview on CNN's Piers Morgan Tonight.

He added, earning laughter from Morgan, "I lost my fortune, most of it, got a billion or two left. You can get by on that if you economize,"

Yet he demonstrated resilience. "You carry on. And I found other things to do."

"Other things to do"

Turner had been finding other things to do for years. He was relentlessly competitive and an accomplished yachtsman — he won the America's Cup sailing competition in 1977.

In the 1970s, Turner bought a television station and made it into the national "superchannel" now known as TBS; He also bought the Atlanta Braves to ensure content for it. The Braves became one of the nation's most popular baseball teams during the generation he owned or ran it; the team appeared repeatedly in the World Series in the 1990s and early aughts.

In 1986, Turner launched the Goodwill Games, an international competition meant to bypass the Cold War fights that had broken out over the Olympics. It lasted until 2001.

Turner hoisted the Commissioner's Trophy after his Atlanta Braves won the 1995 World Series against the Cleveland Indians.

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In 1997, as Turner was being honored by the United Nations, he pledged to donate a billion dollars to it. With that money, he created what's known as The UN Foundation that has helped the international institution endure.

As the years progressed, Turner created the Nuclear Threat Initiative to secure loose nuclear weapons in the former Soviet republics and elsewhere. He also gave widely to conservation and anti-global warming efforts. His philanthropy helped inspire the "Giving Pledge" of Warren Buffett, Bill Gates and other billionaires – and he was one of the first signatories to it.

He also founded Ted's Montana Grill with hopes of making bison a popular alternative to beef. Turner had been raising bison on his many ranches, and saw the restaurant chain as a way to reach customers while saving the species from extinction.

"I was 10 years old when I first read about them," he told Bethesda Magazine in 2015. "I said then I was going to work hard, see if I can make some money, and then I'm going to buy some land and raise bison and see if I can get the herd back away from the door of extinction."

In his final years, the flamboyant showman retreated from the public eye. Ever direct, he publicly acknowledged his affliction with Lewy Body Dementia, or LBD, in 2018. He spent much of his later life out of the public eye, whether in Atlanta or riding horses and fishing at his vast properties in Montana.

Copyright 2026 NPR

LAist reports on local issues for — and with — communities across Southern California, but chances are most readers have never spoken with a journalist before. Your stories and experiences power our reporting, so it’s important that people know what to expect when they speak with a reporter.

That’s what this guide is for.

Below are some tips from our newsroom on what to keep in mind when talking to a journalist.

Remember: You are the expert on your own life

Tell the story you want to tell about yourself.

Be honest. Truthfulness and facts are central to journalistic ethics.

Also know your worth. Reporters come to you for a reason. They may be intimidating because they have a mic or a camera, but you have a perspective they need. Media outlets also want to expand their audiences, and that includes you.

Common questions

How can I get a journalist’s attention?

Contact reporters by social media or send them a personal email — at LAist, contact information is available on our staff page. If you meet a reporter, get their business card. It will usually have a direct phone number to talk with them.

Will all my words be published?

Probably not. Journalists are often working with a limited word count or air time. They will likely use one short sound bite or quote from you. It’s also possible they will not use your interview at all. Reporters and their editors decide what will get published.

Can I see a copy of the story before it's published?

Probably not. It is against journalistic ethics to have sources review a story before it’s published. Imagine if a journalist were to do a piece about government corruption. You wouldn’t want the government agency to review the story and edit it. Editors review stories for accuracy.

When will the story be published?

It depends on the type of story. Some stories are short and may air on the radio or be published online the same day you talk to the reporter. Other times a reporter might work on a story for several weeks or months. It’s OK to follow up with the reporter who talked to you and ask when the story might be done and ask them to let you know where you can read or hear it.

Can I speak with a fact-checker?

You are welcome to ask reporters about their fact-checking process or how they make sure a story is accurate. Not all outlets have fact-checkers. If the story is an investigative story or a long-form or magazine format, designated fact-checkers are more common. At LAist, reporters and editors are responsible for verifying information.

What if I am asked about something that makes me feel uncomfortable?

Your story is your own and during an interview you have full control over what you say to a reporter. Answer questions in any way that makes you feel most comfortable, and you can always decline to answer a question.

What do I do if a reporter asks me about my immigration status?

You don't have to disclose your immigration status to a reporter. If it's directly relevant to the story, a trustworthy reporter will explain that and also tell you how they'd handle the information. You can decline to answer.

• More on how LAist handles this topic

How do I determine if the newsroom I'm speaking with has a specific point of view?

It's a great question and relates directly to media literacy — meaning how well you can spot misinformation, disinformation and bias. The reality is that we all have points of view. Here are some tools to check on where a publication falls across the political spectrum:

• FAIR's (Fairness & Accuracy In Reporting), which describes itself as a "progressive media watchdog group" has this media literacy guide.
• PEW Research Center, which describes itself as a nonprofit, nonpartisan nonadvocacy organization, has information on sources most popular with different political perspectives
• You should be able to find information on who funds the work on the site (corporations, individual owners, subscribers, members and so on).
• You can also check out this interactive chart tracking media outlets across the political spectrum (note that you may need a paid version to search smaller outlets). Ad Fontes Media, which describes itself as a "public benefit corporation" which they said means they are "a for-profit business with a stated public mission," has been publishing its analysis since 2018.

Is everything I say usable in a story?

You can come to an agreement with reporters ahead of the conversation about how your words can be used:

• “On the record”: This means that everything you say in your conversation with the journalist can be quoted, published and attributed back to you. By default, you should assume any exchange you have with a journalist is on the record unless you mutually agree otherwise. 
• “On background”: This means that you are sharing information with a journalist that can be referenced in a story, but is not directly attributed to you. 
• “Off the record”: This means that you are sharing information that is not for publication. People may share experiences or tips off the record if they want the journalist to be aware of the information but don’t want it mentioned in a story. Remember that “off the record” only counts if both you and the journalist agree to it. 

It's worth noting that different newsrooms may use these terms slightly differently. You should confirm with the reporter that you have as shared understanding of the meaning.

Do I need to pay to be in a news story? Can I get paid?

No and no. You will not pay or get paid to be in a news story because this is against journalistic ethics. Anyone who receives payment for a story could be swayed to bend the truth.

What if the reporter gets my story wrong?

If you feel that the reporter misrepresented your story, you can ask for a correction or an update to clarify a point. Reporters want to get the story right and they don't want to incorrect or misleading information to go unchecked. That said, corrections deal with information that is factually incorrect, so you should be ready to explain what was wrong and why. Under California law, you have 20 days to demand a correction and the publisher has to respond within a set period of time.

• More on California civil defamation claims and the definition of defamation.

How can I prepare for an interview?

Think about the main points you want to get across in your interview. What are the most critical things for the reporter to know? Some people like to organize their thoughts into three major points. If you are not used to telling your story, you may want to have a friend ask you some questions to practice. Depending on the story, a reporter may also ask if you have any pictures to share that they can use to help tell the story.

Get involved with LAist

Ask LAist reporters questions

You can reach out to LAist reporters through the contact information listed on their bios. All our editorial staff, including the teams reporting, editing and producing news, are listed here.

How else you can be a part of LAist's reporting

Aside from contacting journalists directly, you can share your story with LAist through short surveys and meeting us in person. Learn more here.

This guide was originally written by former LAist early childhood producer Stefanie Ritoper, with contributions from Mariana Dale. Cato Hernández and David Rodriguez also contributed to this guide. 

File this under things that could only happen in L.A.

Paradise Dynasty, the Singapore-based chain known for its signature eight-flavor xiao long bao, has teamed up with Burritos La Palma — the SoCal burrito institution whose birria de res recipe traces back over 45 years — to create a limited-edition birria soup dumpling. The Birria XLB will be available starting Monday (May 11) for a limited time at Paradise Dynasty locations.

I've eaten my weight in both soup dumplings and burritos, so naturally, I'm a fan of both.

Paradise Dynasty has been on a steady ascent as a major player in L.A.'s dumpling scene, with locations at South Coast Plaza in Costa Mesa and The Americana at Brand in Glendale.

Meanwhile, Burritos La Palma — known for its simple, savory burritos and finely crafted flour tortillas — has been capturing hearts and stomachs since Alberto Bañuelos opened the first eatery in L.A. in 2012. It’s since grown to several spots across L.A. and Orange County, earning a Michelin Bib Gourmand award in 2024 for its high-quality, Zacatecan-style handmade flour tortilla burritos at an affordable price.

How the collab came together

So what exactly is a birria soup dumpling? A delicate wrapper, lightly packed with tender birria de res — slow-braised beef stewed in chilies and spices — juicy, savory and gone in one bite.

It all began with a call from Paradise Dynasty, when Jason Kuo, district manager for Paradise Dynasty USA, reached out to Bañuelos, calling it, simply, a perfect match between the two dishes.

Kuo said the idea came straight from the community.

"When we started asking guests and people around us what flavor they would want to see in a soup dumpling, birria kept coming up again and again — it was very clear. If we're going to do birria, it has to be done right. Burritos La Palma was the first name that came to mind."

Bañuelos was "beyond thrilled" to have been approached.

"We come from a small town in Mexico, and to be able to elevate to the level of Paradise Dynasty and that culinary perfection, I can't even really put it into words," he said.

It took months of R&D to get the right consistency. Bañuelos said the process required dialing down the moisture and upping the spice potency and landed on serving a fresh red salsa with thin slivers of serrano peppers alongside — a riff on the black vinegar and pickled ginger traditionally served with soup dumplings.

The Birria XLB's juicy interior is part of what makes it work — the dish is served with a fresh, tomato-based salsa and slivers of serrano pepper in place of the traditional black vinegar and pickled ginger.

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How it tastes

I got a chance to try the dumplings ahead of the public launch and was struck by how well the combination worked. The juicy nature of birria is almost turbocharged in dumpling form, its savory, herbaceous flavors fully encapsulated in the thin skin, creating an exceptional texture in every bite. The dish hits even harder when dipped in the light tomato-based salsa — a rush of freshness that cuts through the richness, with a spike of heat from fresh serrano. (Feel free to skip the peppers if spice isn't your thing.)

But what's most impressive is how organic it all feels. This isn't fusion for fusion's sake — it's a natural meeting of two dishes that are deeply embedded in the Southern California diet, each playing to the other's strengths.

It feels like a logical meeting of the minds — birria and soup dumplings have both been part of L.A.'s culinary zeitgeist for the better part of a decade, and it makes sense that these worlds should collide.

When asked whether a collaboration like this could happen anywhere else, Bañuelos was quick: "It has to start in L.A. You just can't compete."

Where to try it

Nine Democratic House members from California are demanding information about how the Trump administration is treating unaccompanied migrant children who are pregnant and in federal custody. They’ve signed a letter, along with 39 other House Democrats, to Trump officials expressing their concern that the girls are not receiving adequate medical care or access to abortion.

The letter comes in the wake of an investigation by the California and Texas Newsrooms, public media collaboratives in those states. LAist is part of The California Newsroom.

The joint investigation found that the federal government is detaining pregnant migrant girls in a single group home in South Texas. Doctors and reproductive-health experts interviewed for the investigation said prenatal care is severely limited in that region.

The letter says the detention violates federal regulations because the children are “entitled to the full range of medical care, including reproductive health care.”

Rep. Gil Cisneros, who represents the central San Gabriel Valley, says he worries that pregnant migrants who are apprehended in California will be put at risk if they’re sent to a part of Texas that is short on obstetric care. Of particularly concern: High-risk pregnancies are common among minors.

“If they were in California," he said, "they would be able to have more choices of the type of health care that they would get when it comes to reproductive health care.”

Rep. Judy Chu, who represents the West San Gabriel Valley, wrote in a statement that “this administration is so intent on restricting abortion that it is using immigration detention as a tool to control these girls’ bodies.”

Mark Betancourt is a regular contributor to The California Newsroom.