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The Brief

The most important stories for you to know today
  • Paintings and sculptures in LA County libraries
    A wood sculpture of two people, they embrace and look at the viewer.
    El Abrazo (The Embrace) by Elizabeth Catlett. The sculpture was part of the Golden State Mutual Life Insurance collection but is now part of the Los Angeles County Civic Art Collection.

    Topline:

    Art from the renowned Golden State Mutual collection, including Richard Wyatt, Elizabeth Catlett and Charles White, are on view at four libraries and four community centers in L.A. County.

    Why it matters: L.A. County acquired about 120 works from the Golden State Mutual Life Insurance after the L.A. company shut down nearly 20 years ago. Over two decades, William Pajaud, the company's art director, built a pre-eminent collection of Black art. County officials chose four public libraries and four community centers to show the work, keeping it accessible and free of charge.

    Why now: The L.A. County arts department created a new website with a map in March to help people find and see the pieces.

    The signature work: A two-foot-tall sculpture made from one piece of mahogany, "The Embrace" by artist Elizabeth Catlett. Her work is in the collection of New York’s Museum of Modern Art, among many other institutions. It can be seen at the Carson Library.

    Read on… To see photos of the art.

    Walk through the automatic doors at the Carson Library and you’ll see on your left a 1973 painting called "Dominoes" by John Riddle.

    Riddle, a prominent Black artist, has worked in the L.A. County Museum of Art and the Brooklyn Museum, and has been collected by Jesse Jackson and Roberta Flack.

    Riddle's work was previously owned by the Golden State Mutual Life Insurance Company in West Adams. Over two decades, the company’s art director, William Pajaud, an L.A. artist himself, carefully collected hundreds of pieces of Black art. Each piece in the collection, Pajaud said, would be a chapter telling the story of African Americans in the U.S. The collection included oil paintings, watercolors, and sculptures in clay, wood and metal.

    When Golden State Mutual Life Insurance shut down, the company sold most of the best pieces at a private auction in 2007, with some selling for hundreds of thousands of dollars. L.A. County was able to acquire about 120 works, including Riddle's piece.

    To keep the works accessible to the public and free of charge, county officials chose four public libraries and three community centers to show the work. Earlier this year, the county arts department created a new website with a map to make them easier to find. The locations include the Golden State Mutual historic building in West Adams, plus:
    :

    Libraries

    • Carson Library (Carson)
    • A.C. Bilbrew Library (Willowbrook)
    • Masao W. Satow Library (Gardena)
    • View Park Bebe Moore Campbell Library (View Park/Windsor Hills)

    Community centers:

    • Curtis Tucker Behavioral Health Center Health Services (Inglewood)
    • Willowbrook Senior Center Aging and Disabilities (Willowbrook)
    • Mark Ridley-Thomas Behavioral Health Center Health Services (on the Martin Luther King, Jr. Medical Campus).

    “All of these are county-owned spaces that are available, accessible to the public and to patrons to be able to live with the works, learn about the works, see the works, learn about the works,” said Kristin Sakoda, director of the Los Angeles County Department of Arts and Culture.

    A painting shows five dark-skinned people around a table, playing dominoes.
    Dominoes by John Riddle. The painting was part of the Golden State Mutual Life Insurance collection but is now part of the Los Angeles County Civic Art Collection.
    (
    Adolfo Guzman-Lopez/LAist
    )

    As you walk past the checkout desk at the Carson Library, toward the teen section, you’ll see another remarkable piece from the county’s holdings. It’s a two-foot-tall sculpture made from one piece of mahogany. It’s called "The Embrace" by artist Elizabeth Catlett, whose work is in the collection of New York’s Museum of Modern Art, among many other institutions. Catlett depicted two people hugging, their faces and bodies fused together, their eyes looking at the viewer.

    Wood sculpture shows two faces.
    Detail of El Abrazo (The Embrace) by Elizabeth Catlett.
    (
    Adolfo Guzman-Lopez/LAist
    )

    In the auction catalogue for the Golden State Collection, Catlett wrote: “I still work figuratively, trying to express emotion through abstract form, color, line, and space. I attempt to reach out to ordinary people who have little or no experience or understanding of art principles, and extend to them what I may feel about a subject."

    A sculpture made of ceramic with tubes and bowls is mounted on a board, and covered in a glass cover.
    Ancestral Fragments by Stanley Wilson.
    (
    Adolfo Guzman-Lopez/LAist
    )

    Meanwhile at A.C. Bilbrew Library, north of Compton, there’s a piece by Charles White, who lived in L.A. County for decades and mentored many artists in the region. His paintings and drawings in the 1960s took on the issues of the Black Civil Rights Movement, and that led well-known Black Americans like Nat King Cole and Eartha Kitt to buy his art.

    County officials are hopeful that the communities around these neighborhoods enjoy the art’s benefits, including “mental health, in our education, our youth development, our sense of inclusion and belonging,” Sakoda said.

  • A writer's discovery in her back yard
    A small brown bird perches on a leafy green branch against a clear blue sky.
    The delightful sounding house finch.

    Topline:

    Do you know what birds are singing in your backyard? LAist editor Suzanne Levy got to know an entire orchestra of SoCal birds when she found a life-changing app.

    What's in a name: The Merlin bird ID app, from Cornell University's Ornithology Lab, opened up Levy's ears to a whole new universe of bird calls. With names like dark-eyed junco, she wondered if they knew they were in SoCal rather than Georgian England.

    Who else was out there? Mixed in with raucous crows were birds like the spotted towhee and the orange-crowned warbler. Or the gorgeous chartreuse Swinhoe's white-eye, a relative newbie to the neighborhood.

    When I lived in the UK, I worked on a BBC television show about birding. It was a strange experience as I couldn’t exactly book guests — “Hello Mr. Sparrow, could you be on location for an interview at 2 p.m.?”

    So instead I spent a lot of time with the crew climbing up mountains with a large tripod on my shoulder. Did you know there’s a bird in the Scottish Highlands whose plumage turns white in winter to blend in with the snow? (It’s called a ptarmigan. Don’t pronounce the p.)

    But it did mean I was attuned to British bird calls. I could hear something and pronounce solemnly: “Ah yes, that’s a lark. And that one's a chaffinch."

    Moving to LA meant learning a new set of bird calls

    When I moved to the U.S., however, it was a whole other story. I really didn’t recognize any of the bird calls. They were all so different. I just shrugged and figured they were part of the backdrop. But one day recently, a woman told me about a free app and said it was life-changing. "Hmm, I’ll see about that," I thought.

    Merlin bird app

    It’s called Merlin, from the Cornell Lab of Ornithology, and it’s kind of like Shazam for bird calls. As in, you click it, and it tells you what bird song you can hear around you. When I opened it in my backyard for the first time, a whole orchestra of bird sounds opened up around me. I admit: it was kind of life-changing.

    Of course it first picked up a crow, which I know only too well, given its loud, raucous sound. But then it identified a house finch. Huh. Who knew they were in my backyard? And as I listened closely, I realized … I knew that sound! It’s the first thing I hear when I wake up at dawn, lovely and melodic.

    A pink-headed finch perches on a bare branch, surrounded by budding leaves against a clear sky.
    The house finch, awakening the day.
    (
    Cornell Lab of Ornithology | Macaulay Library
    )

    So now when I open my eyes in the morning, I say, "Good morning, house finch, communing with fellow beings alive on a vibrant California morning!" It kicks off my day, although I guess I’ve been reading too much Mary Oliver.

    The backyard birds you're probably hearing right now

    But then other birds I didn’t know would pop up on my phone during the day, with names as intriguing as their calls: the spotted towhee, the orange-crowned warbler, or Cassin’s kingbird.

    I mean, they do realize they’re in a backyard in Los Angeles, not some estate in Georgian England? My favorite for a while was the dark-eyed junco. Now we’re talking romantic heroes. Imagine him slyly popping across the apple tree limbs to call to you. Dark-Eyed Junco, at your service.

    A close up of a bird pirching on a branch; it has a black head, brown chest feathers and a tail that's a selection of different browns.
    Dark-eyed junco, at your service.
    (
    Cornell Lab of Ornithology | Macaulay Library
    )

    Meet Swinhoe's white-eye, a non-native bird spreading across SoCal

    And then there’s Swinhoe’s white-eye. Which sounds a little like an eye ailment, but there you go. It’s a tiny bright yellow bird with a white ring around each eye. So cute! I first noticed them when there were a bazillion of them in a tree outside my house. It was such an unusual sight that I mentioned it to a woman walking her dog, and we stood there, oohing and aahing, until we both realized we’d oohed a little too much, and it was time to go.

    A small bird with a yellow head, white eye-ring and pale belly perches on a thin branch amid green foliage.
    Swinhoe's white-eyes are not native to SoCal, but are thriving.
    (
    Cornell Lab of Ornithology | Macaulay Library
    )

    When I researched them, I was surprised to find they’re not native to SoCal. They’re actually pretty new to the area. There were just a handful in Orange County 20 years ago, probably having been brought over from Asia as pets and escaped. And now, they’re thriving and have spread everywhere from Baja to San Luis Obispo. Who knows where they’ll end up next? If anyone sees a chartreuse cutie in New York, let me know. It'll probably be very tired.

    Yes, you can see I’ve become slightly annoying with my newfound bird interest. I’ll be asking my family what they want for dinner, and I’ll say, “Wait, is that the spotted towhee?” and turn to my phone, and my teenager will wrest it out of my hand and say, “Mom, be in the present!” Which is right. But my morning serenade as the birds come online one by one and greet the new day — well, that’s as present as you can be.

  • Sponsored message
  • Five spots where his legacy lives on
    A grainy photo of musician Elliott Smith on stage. He wears a dark colored t-shit and plays an electric guitar.
    Elliott Smith playing with the band Heatmiser.

    Topline:

    During a life cut short at 34, musician Elliott Smith left traces of his legacy in many cities, perhaps most-notably in Los Angeles.

    Why now: Writer Jamie Fisher spoke with some 140 people for her new book Nobody Broke Your Heart: An Intimate Biography of Elliott Smith.

    Los Angeles spots: We spoke with Fisher to spotlight five places in L.A. where Smith's legacy lives on.

    During a life cut short at 34, musician Elliott Smith left traces of his legacy in many cities, perhaps most notably in Los Angele

    Writer Jamie Fisher spoke with some 140 people for her new book Nobody Broke Your Heart: An Intimate Biography of Elliott Smith.

    Even though some of Smith’s painful struggles with addiction and mental health took place in L.A., Fisher said his time in the city wasn’t all bad.

    “He was always very suspicious of artifice and then I think he found himself enjoying it more than he thought he would,” said Fisher, who worked as a researcher at the New York Times Magazine for a decade. “He liked how big and expansive the city was: you can just kind of vanish into L.A.”

    Smith moved to L.A. in the summer of 1999. He died here about four years later. But in that time he cut some deep grooves into the city, in places from Los Feliz to the San Fernando Valley — if you know where to look.

    Snow White Cottages

    Snow White Cottages
    2906 Griffith Park Blvd., Los Angeles, CA

      Take the Snow White Cottages in Los Feliz, lovingly named for their fairytale-like architecture, where Smith once lived.

      Fisher said the cottages were run down when the musician moved in. One of her sources said a raccoon threw a roof shingle at Smith’s head.

      “It was more of an apartment than a house really. And it was this little community that was tight knit at the time,” Fisher said.

      The Roost

      The Roost Cocktails
      3100 Los Feliz Blvd., Los Angeles

      On Los Feliz Boulevard, just across the 5 Freeway, is the beloved dive bar The Roost in Atwater Village, a joint Smith memorialized on his album Figure 8 — as a fade out on the track "In the Lost and Found (Honky Beach)/The Roost."

      “It’s just this little nod,” Fisher said. “He was always folding the places and people he loved into his music.”

      Back in the ‘90s, the place was more of a working-class joint, and one of the more overlooked bars Smith had a penchant for, Fisher said.

      “One of the bartenders there who really loved Elliott owns it now,” Fisher said.

      Largo

      Largo at the Coronet
      366 N La Cienega Blvd., Los Angeles

      Then, of course, there’s Largo at its old Fairfax location. Fisher said it was a huge part of Smith’s life starting in the late ‘90s, when he spent late nights playing piano with fellow musician Jon Brion.

      New Monkey

      Motor on over to Van Nuys for New Monkey, a music studio Smith founded where artists are still recording to this day.

      Fisher said you can also find equipment that was used to record his final album, From a Basement on the Hill.

      Fisher said Smith put the studio together at a point when he was struggling with addiction, in the last years of his life.

      “It was really hard for him to write music, but buying broken equipment and repairing it and putting the studio together was something he could focus his energy into,” she said.

      Smith wanted New Monkey, Fisher said, to be a place where musicians could affordably access some of the best recording equipment available.

      As Smith lived with addiction and other personal issues, he was mentoring younger musicians and making a lifelong impression on artists such as Jim Fairchild from Modest Mouse and Grandaddy, and Aaron Espinoza from Earlimart.

      “He was so generous with his time,” Fisher said. “He would show up to Earlimart shows and stand right in the front row and make them all extremely nervous.”

      Fisher said she’d braced herself for writing the last chapters of the book about the final years of Smith’s life.

      In 2003, Smith died from two stab wounds in his chest — and the case is still open.

      Fisher said that despite his addiction and mental health struggles, she was surprised by the many “moments of light” during his time in L.A., from his love of cooking to his mentorship of other musicians and his work on New Monkey.

      Figure 8 wall

      Mural of Figure 8 on a brick wall
      (
      Courtesy FMLY used with permission
      )

      Figure 8 wall
      4334 W. Sunset Blvd., Los Angeles

      The go-to spot for fans to remember Smith is still standing in L.A. — the Figure 8 wall in Silver Lake.

      The mural of bending red and black lines famously became the cover art for the Figure 8 album.

      More than two decades after his death, the wall is still alive with new memories.

      “There’s always new notes from people saying, like, Elliott saved their life or quoting their favorite lyric or saying they wished he was still here,” Fisher said.

    • Most cuts are focused on services for immigrants
      An American flag waving in the foreground, with the U.S. Capitol dome visible in the background under a partly cloudy sky.
      The U.S. flag flies in front of the U.S. Capitol.

      Topline:

      President Donald Trump is canceling nearly $1 billion in spending approved by Congress, the White House announced on Friday, using a rare and contested power to axe funding for immigrant services and diversity-focused initiatives.

      What the White House said: Most of the cuts are focused on services for immigrants, including nonprofits that serve refugees and unaccompanied minors accused of being in the country illegally. The administration says the funds are no longer necessary because illegal border crossings have diminished considerably. A White House press release announcing the funding rescissions notes that some of the organizations are led by people who worked in the administration of Democratic President Barack Obama.

      What the response was: Trump’s move was condemned by Sen. Susan Collins, a Republican in a tough re-election campaign and chair of the Senate Appropriations Committee. Collins said in a statement that the action came without warning or consultation. She also said she would work to address with colleagues “these illegal actions.”

      What's next: Typically, Congress can review the president’s proposed spending cuts before they take effect. But Trump made that all but impossible by announcing them with just five days left in the federal fiscal year. The Government Accountability Office says the maneuver, known as a “pocket rescission,” is illegal.

      President Donald Trump is canceling nearly $1 billion in spending approved by Congress, the White House announced on Friday, using a rare and contested power to axe funding for immigrant services and diversity-focused initiatives.

      Trump’s Office of Management and Budget described the funding cut as focused on “the most harmful government spending.”

      Most of the cuts are focused on services for immigrants, including nonprofits that serve refugees and unaccompanied minors accused of being in the country illegally. The administration says the funds are no longer necessary because illegal border crossings have diminished considerably.

      A White House press release announcing the funding rescissions notes that some of the organizations are led by people who worked in the administration of Democratic President Barack Obama.

      Trump’s move was condemned by Sen. Susan Collins, a Republican in a tough re-election campaign and chair of the Senate Appropriations Committee.

      Collins said in a statement that the action came without warning or consultation. She also said she would work to address with colleagues “these illegal actions.”

      “Not only is the delay itself an impoundment that was not reported to Congress, but also it is a usurpation of Congress’s appropriations powers,” Collins said. “OMB is an agency of the executive branch. It does not get to decide which programs are worth funding.”

      Typically, Congress can review the president’s proposed spending cuts before they take effect. But Trump made that all but impossible by announcing them with just five days left in the federal fiscal year. The Government Accountability Office says the maneuver, known as a “pocket rescission,” is illegal.

      Collins called it the latest attempt by OMB to “undermine Congress’s Constitutional power of the purse.”

    • Raman gets $7M. Airbnb, police union aid Bass
      A woman in a mustard yellow top speaks with a woman in a gray suit. They are smiling and appear warm toward one another.
      Los Angeles City Councilmember Nithya Raman, left, talks with L.A. Mayor Karen Bass at Hazeltine Park in Sherman Oaks in 2024.

      Topline:

      A hedge fund manager who wants more bike lanes and a construction workers union are the biggest donors in L.A. city elections over the past two months. They put a total of $7 million behind City Councilmember Nithya Raman’s run for mayor, according to the latest campaign filings.

      The other side: Airbnb has pumped in more than $4 million into backing Mayor Karen Bass and three other city candidates. The filings also show the LAPD officers union has spent nearly $3 million against Raman, city attorney candidate Marissa Roy and city council candidate Estuardo Mazariegos, and for council candidate Tim Gaspar. Most of that Airbnb and police union spending was before the June primary election, though police union spending against Raman has picked up recently.

      Big picture: Overall, the filings show Raman’s significant earlier disadvantage in outside dollars has narrowed significantly in recent weeks. So far, the amount of ad spending by outside groups for the general election is similar between the two candidates, with a total of $1.57 million supporting Bass and against Raman, versus $1.53 million supporting Raman and against Bass.

      More to come: Those groups still have millions of donor dollars on hand for future ads. Ballots are set to start hitting voters’ mailboxes the week of Oct. 5.

      A hedge fund manager who wants more bike lanes and a construction workers' union are the biggest donors in L.A. city elections over the past two months.

      They put a total of $7 million behind City Councilmember Nithya Raman’s run for mayor, according to the latest campaign filings submitted by Thursday to meet a state deadline.

      Aaron Sosnick, a hedge fund founder, and the construction workers union — the Western States Regional Council of Carpenters — each gave $3 million to the same committee backing Raman, city filings show. Sosnick gave another $1 million to the pro–Raman political committee of the street-safety group Streets for All.

      Airbnb has pumped in more than $4 million into backing Mayor Karen Bass and three other city candidates. The filings also show the LAPD officers' union has spent nearly $3 million, money that went to oppose Raman, city attorney candidate Marissa Roy and city council candidate Estuardo Mazariegos, and to support council candidate Tim Gaspar. Most of that Airbnb and police union spending was before the June primary election, though police union spending against Raman has picked up recently.

      Overall, the filings show Raman’s significant earlier disadvantage in outside dollars has narrowed significantly in recent weeks. So far, the amount of ad spending by outside groups for the general election is similar between the two candidates, with a total of $1.57 million supporting Bass and against Raman, versus $1.53 million supporting Raman and against Bass. Those groups still have millions of donor dollars on hand for future ads.

      Ballots are set to start hitting voters’ mailboxes by the week of Oct. 5.

      What to know about the mayor’s race

      Sosnick runs the New York-based hedge fund A.R.T. Advisors, which uses computer programs to quickly buy and sell stock, to make money from short-term price changes. He is based in Reno, according to campaign filings, and splits his time between New York and L.A.’s Los Feliz neighborhood, according to Michael Schneider, Streets for All’s founder.

      Sosnick has been a major donor to prior streets-focused campaigns in L.A., including 2024’s Measure HLA. That voter-approved initiative requires the city to add planned bike lanes, bus lanes and pedestrian upgrades when it repaves major streets.

      Two years after voters approved it, the city had completed only about 300 feet of HLA improvements as of March, Streetsblog L.A. reported at the time. The city paused some repaving and shifted to smaller repairs that stay under the measure's trigger, Streetsblog reported.

      The construction workers union — which has said most of its nearly 100,000 members are in Southern California — endorsed Bass in 2022, before switching to Raman in August. The union broke with Bass over her affordable-housing directive, ED1, which doesn't require union wages.

      Another donor to pro-Raman ads, through the Streets for All committee, is real estate developer Todd Wexman, who gave $50,000. Last year the state issued a $2.3 million wage theft fine to him and other developers over allegations about 124 construction workers.

      The LAPD officers' union has put more than $2 million into groups opposing Raman. A recent ad funded by the union highlights Raman’s remarks about opposing a city ban on homeless encampments near schools. In the ad, Raman is shown saying she doesn’t "think a kid’s gonna be safer because a tent is 500 feet away from a school."

      The police union committee also received $525,000 from Douglas Emmett Inc., the landlord behind the largest attempted eviction from rent-controlled housing in the city in decades. The city declined to legally intervene on behalf of the renters, who ended up suing and winning a 2024 court ruling that found the evictions were illegal.

      Airbnb has given more than $4 million to groups backing Bass, city attorney candidate John McKinney and City Council candidates Jose Ugarte and Gaspar. The city attorney's office has a current lawsuit against Airbnb over alleged price gouging after the January 2025 fires. Whoever wins in November will inherit the case. This year, Bass advanced a proposal backed by Airbnb to relax city regulations by letting Airbnb hosts rent out second homes and investment properties through 2028.

      Dodger Stadium parking-lot co-owner Frank McCourt's real estate firm also gave $25,000 to a group backing Bass. McCourt needs approvals from the Metro board, which Bass chairs, for a proposed gondola project.

      Much of Bass' other outside support comes from unions, including the SEIU union that represents most city government staff, whose pay is negotiated by the mayor and approved by the city council.

      City attorney

      Beyond $2 million from an Airbnb-backed committee supporting McKinney, the police union’s committee has spent $357,000 against city attorney candidate Roy.

      Smart Justice California, a criminal-justice-reform advocacy group that wants to reduce incarceration, and a group of trial lawyers are major backers of a committee supporting Roy. The city attorney oversees the city’s misdemeanor prosecutions and defends the city against lawsuits, including those brought by plaintiffs' firms.

      City Council: Gaspar and Ugarte far ahead in outside money

      In Council District 3, Gaspar’s biggest outside supporters include about $550,000 from an Airbnb-backed group, around $230,000 from a major association for apartment landlords and $136,000 from the police union. His opponent, Barri Worth Girvan, has received a much smaller amount of outside backing, largely from unions, including one that represents construction workers.

      In Council District 9, outside spending for Ugarte includes about $300,000 by Airbnb and about $230,000 by the landlords association. Among their many responsibilities, the city council votes on rent rules.

      Ugarte’s opponent, Estuardo Mazariegos, has received much less outside support, largely from the main union for L.A. Unified School District teachers and a tenant organizing group known as ACCE.

      How the biggest donations flow

      Direct giving to the candidates’ campaigns is legally restricted to $1,800 per donor each election cycle for L.A. mayor and city attorney, and $1,000 for city council. So the biggest donors instead spend through “independent expenditure” committees, or “IEs.” Donors can give unlimited amounts to these committees, as long as the spending isn't coordinated with the candidates' campaigns.

      That IE money often flows through multiple committees — many of which combine money meant for candidates in multiple races — on its way to election ads, which can make the money hard for the public to easily track.

      The general election will take place Nov. 3.

      How to reach me

      If you have a tip, you can reach me on Signal. My username is ngerda.47.