The sculpture Embodied is located in front of the L.A. County Hall of Justice. Artist Alison Saar depicted a non-traditional image of Lady Justice.
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Topline:
In a new series, LAist’s Adolfo Guzman-Lopez tells the stories behind Los Angeles public art pieces. The series kicks off with the L.A. Lady Justice sculpture with no sword, scales, or blindfold… and the Black artist who made it.
Why it matters: As Southern California and the country grapple with how to carry out justice and what the concept means, the sculpture offers alternative ways to see justice.
Why now: Artist Alison Saar created the sculpture just over a decade ago and the piece of public art remains in front of the L.A. County Hall of Justice.
Read on ... about the sculpture and the artist's vision behind it.
Artist Alison Saar remembers being in a meeting before she was awarded the commission to create a sculpture of Lady Justice in front of the renovated L.A. County Hall of Justice. Lee Baca was still the L.A. County sheriff.
“He came into the office," Saar said, "and plopped down a traditional Lady Justice and he says, ‘This is what I want.'"
Baca’s statuette wielded a sword, held scales and her eyes were covered with a blindfold. That traditional depiction is thousands of years old.
To Saar, the image was jarring, given her life experiences and world views.
“The sword… which to me just talked about the violence in the judiciary system… and the scales… they're monetary scales. It felt to me like if you’ve got money, you've got one kind of justice,” she said.
And the blindfold? To Saar, it makes Lady Justice blind to compassion.
The piece is called "Embodied" and it is one of many pieces of public art in Southern California that have rich back stories which reveal important aspects of the region’s history and changing demographics.
This corner has seen a lot of injustice
Stand in front of the statue facing east, toward the L.A. River, and despite the many buildings that block much of the view you can sense the natural slope of the land.
From the 1850s to the 1870s, when most of the buildings were one story, you may have seen mobs congregate here, some in broad daylight, carrying out dozens of lynchings. Vague accusations were made against the victim before they were violently killed.
The sculpture Embodied, is located at Temple and Spring streets in downtown Los Angeles.
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The L.A. County Hall of Justice was finished in 1925 and re-opened in 2014 after repairs from earthquake damage.
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Saar was thinking of that history as she made the sculpture.
“I think the last documented lynching took place up on that hill; a lot of bad stuff happened on that hill,” Saar said.
Walk up to the bronze statue and you’ll see words in English, Spanish, Chinese and other languages. They include “advocate,” “punishment,” “virtud,” and “kousei.”
Words inlaid into the bronze surface of the sculpture Embodied.
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Saar gathered the words from students at the nearby Cortines high school for visual and performing arts, Valley College, from L.A. County Art Department staff, as well as people she encountered outside courthouses. The prompt? What words come to mind when you hear the word “justice.”
“Peace we have, I think, in every language,” Saar said. “The idea that people could come and see this piece and find the word that they submitted, or find words that really were in their language, was really important to me."
Preliminary drawings by artist Alison Saar for the sculpture, Embodied.
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Saar wants people to use their eyes and their hands when they’re up close to the sculpture. She wants "Embodied" to appeal to the intellect and to the touch.
The figure’s face is a composite of different races and ethnicities of people in the L.A. area. From the back of her head, a long braid falls down her back and loops up and over the figure’s right arm. Saar says the braid’s three strands symbolize law enforcement, the courts, and the people. The interconnection of these three is needed for justice to work.
Detail from the sculpture Embodied, by Alison Saar.
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L.A. Louver
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“We see that these things are more crucial than ever,” she said.
“[Public art] is a really important component of what Los Angeles is,” she said.
That's because it’s free and when it’s located where people congregate and meander, it gives them the opportunity to stop and look at the art and meditate on what they see and the art’s ideas, she added.
“I think it's just really important to have art that's available to everybody,” Saar said.
