The Brief

This isn’t a story of stylish renovations, or of celebrity filmmaker intervention. This is the story of one family who fell in love with a movie theater and did (and even lost) everything to keep it up and running.

The single-screen Gardena Cinema has been owned by the Kim family since 1976, and has always figured out ways to serve its community — even through some very difficult financial times.

After struggling through a pandemic and ill-fated efforts to bring people back through its doors, Gardena Cinema finally hit some success after it stopped dealing with first-run releases and pivoted to repertory films. Many nights at this South Bay theater, you can catch a newish — or oldish — classics like La La Land and Invasion of the Body Snatchers.

The Kim family

The Gardena Cinema has always been a movie theater. It opened in 1946 as the Park Theatre, and operated consistently through the years showing first and second run feature films until it went up for sale in the 1970s.

That’s where the Kim family comes in. John and Nancy Kim immigrated from South Korea and had the goal of operating their own business. They dabbled in a few different industries when Nancy found the theater.

“My mom fell in love with it as soon as she came and saw it,” says current Gardena Cinema owner Judy Kim.

It's an incredible space, tucked between a gym and a Superior Grocers on Crenshaw Boulevard. It’s way bigger inside than it looks — at 800 seats, it’s easily one of the biggest theaters in the city. For comparison, The Chinese in Hollywood seats 932.

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#250: As we continue our series "Revival House," How To LA producer Victoria Alejandro is taking us to the South Bay of LA and the Gardena Cinema. The theater has been owned by the Kim family since 1976, and is now a non-profit run by Judy Kim and a team of 40 volunteers. Kim has saved the cinema from closures a handful of times now, and has recently pivoted to showing repertory films at the theater.

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#250: As we continue our series "Revival House," How To LA producer Victoria Alejandro is taking us to the South Bay of LA and the Gardena Cinema. The theater has been owned by the Kim family since 1976, and is now a non-profit run by Judy Kim and a team of 40 volunteers. Kim has saved the cinema from closures a handful of times now, and has recently pivoted to showing repertory films at the theater.

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There are still fireproof window covers in the projection room, a holdover from old film screening safety practices. And there are “cry rooms” upstairs from the 1940s, balcony seating with speakers and a glass window where patrons could sit with a crying baby and not interrupt their viewing experience.

Kim reminisces about her father using a pole hand to change the letters on the marquee. However, she admits that she lacks the arm strength for such a technique, which led her to invest in a scissor lift.

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Kim updates the marquee letters approximately once a week to reflect the upcoming movies that will be showing at the theater.

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Now it's got that vintage hue.

“Now it's cool! It's really cool!,” says Kim. “Now that I have dreams of trying to raise money to make changes, people are like, don't change anything!”

The early days

When the Kims bought the theater, they saw an underserved audience in Gardena. There was a drive-in theater nearby in Torrance called the Roadium that played Spanish-language movies every Wednesday, and the place would be packed.

One day, Judy Kim says, her parents decided to change the format of the theater from English speaking second-run movies from Hollywood to second-run Spanish language movies. In the 1970s and the 80s, the Kims named the theater Teatro Variedades — “variety theater” in Spanish — and focused on Spanish-language films and live events with Latino filmmakers and actors. If the Torrance drive-in was ever rained out, or if folks wanted to catch a movie in Spanish on another day of the week, they’d head to the Gardena.

“It was meant to be like a neighborhood theater that was typical in the post-war era,” says Kim. “There was always a neighborhood movie theater that you could walk to from your home, just a few blocks away … all of those theaters are now gone.”

The Kims held on to their theater and in 1995 renamed it the Gardena Cinema. Judy Kim and her brother helped run the theater and neighborhood kids showed up too, offering to clean or help out in other ways in exchange for a movie ticket.

It served as a community hub.

“We were almost kind of like a Boys and Girls Club,” recalls Kim. After the movie, kids “would hang out in the lobby, and we would play video games, or talk about what was cool and what was not and, as an adult at that time, I made sure that all the kids that were here did their homework.”

“I tutored them,” she adds. “I made sure that they were doing OK in school.”

Kim always expected them to go to college.

Trouble sets in

Despite the joy found in the theater, like most teens, Judy Kim wanted to get away from her parents and spread her wings, so to speak. She left for college out east and had dreams of moving to New York and becoming a Broadway producer.

Then the calls started coming — a lot of calls from her parents. Sometimes twice a day, begging her to return to L.A. She didn’t really understand what the urgency was all about, but she came home and found her parents — and the theater’s — finances in disarray.

“I realized that they were under extreme financial hardship, and they were embroiled in lots of legal problems,” she says.

Kim explains that her parents had been defrauded multiple times. The Kims lost their house, their car. To help, Judy Kim went to law school, became a lawyer and dug in to help untangle them. It took almost 15 years to get everything sorted. “We were basically surviving off of, like, 99 cent hamburgers,” she says.

The upside in all of this — and the part of this story that might be the reason Gardena Cinema is still around — is that about five years ago, Kim negotiated the purchase of a parking lot.

It was a big-time play. Gardena is one of very few independent theaters in L.A. with its own parking and, says Kim, “it saved our butt when the pandemic came.”

“Nobody was open and I had this big parking lot that I could show movies outdoors where people could sit in their car, safely, away from other people and watch a movie,” she says. “All they had to do was tune into the FM station that I told them to tune into.”

A bumpy road to recovery

As theaters in the city started welcoming folks back inside, the Kim family then had to navigate another major loss. “That time period is when my mom was fighting cancer,” says Kim. Nancy Kim died in 2022.

An altar of Kim's mother, Nancy Soo Myoung Kim, is placed in the lobby of the theater in remembrance of her beloved mother.

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John and Judy Kim closed the theater and took a few months to grieve. Judy Kim sold her condo and moved in with her father, putting that money towards the cinema.

“And then I said to my dad, we’re running out of money.”

The Gardena Cinema reopened with Black Panther: Wakanda Forever, expecting it to be a huge hit. But only 10 people showed up to the first screening. Reopening the cinema with first-run movies meant that Kim was actually losing money.

New releases are “loss leaders” for movie theaters. Most of the ticket price is going straight back to the film’s distributor, and contracts mean that new films have to be shown for a certain number of weeks. If a theater isn’t bringing in enough audience members to turn a profit on concessions, theater owners are spending more than they’re making by running a first run film.

“So 2023, I’m running out of money,” says Kim. She says her father was ready to retire and use his “senior citizen card for all the national parks.” Why not sell the theater? Neither Kim nor her brother have children, so “there’s nobody to leave the theater to,” she says.

The theater hit the market, but didn’t sell.

Judy Kim made another last ditch pivot and came up with another plan: “I’m going to set up a nonprofit organization.”

With her father’s blessing, Kim began the process in April of 2023. The theater got official recognition as a nonprofit in July. Between that and the success of summer films like The Super Mario Bros. Movie and Barbie, the Gardena Cinema had a future.

Volunteer 'grandchildren'

Judy Kim was now running a theater and a nonprofit entirely on her own. But, as she learned years earlier, you can’t underestimate the number of people willing to trade work for a free movie. It took months, but Kim now has a team of 40 volunteers who help her run the theater.

“I’ve got a really good core group of people that are very supportive.”

It’s those volunteers who convinced Kim to move away from first-run movies and start programming repertory screenings. Without the strict scheduling and tiny profit margins of a first-run movie, Kim suddenly had a lot more flexibility. If she needed to step away and take care of her father, or just close the theater on a slow night, those options were now on the table.

Movie posters adorn the lobby walls of the Gardena Cinema.

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The Gardena Cinema volunteers are invaluable to the space. They run concessions, clean the theater, sell tickets, run the projector — and this past November, Kim left the theater in their hands entirely to take a trip with her father. “They did a fantastic job … it’s still standing,” she says.

Cifen, a local filmmaker, helps organize events in the theater. He put together a singles’ night and a screening of his independent film, Age of Embellished Relic, this past February. He calls the theater a “safe haven.”

Conor Holt makes the drive to Gardena from East Hollywood. A former ArcLight Cinemas employee, he says he cares about making sure cinemas stay open. “If you care about something, you gotta go the extra mile.”

Adela Tobon used to manage a single-screen movie theater in Northern California. A friend told her about the Gardena Cinema and she says, “I just lost it. I’m like, this is exactly where I belong.”

And Bill DeFrance has taken over a lot of John Kim’s duties in the cinema — cutting trailers, ripping tickets at the box office, building the show in the projector.

It’s a family affair for DeFrance too. On Valentine’s Day, he programmed Wild at Heart — his and his wife’s favorite movie. “I programmed it for Valentine’s Day so I could be at the theater and on a date at the same time.”

A sign his daughter made hangs on the side of the ticket booth, and boldly states in red crayon: “NO PRANK CALLS!”

“For a long time, my dad was like, well, we don’t need to leave a legacy. There’s no grandkids,” says Kim. But the volunteers pipe up with a chorus: “We can be your grandchildren!”

Gardena Cinema owner Judy Kim.

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Judy Kim is now planning on leaving an endowment for the theater, so it can continue after she and her family have moved on. And intentional or not, the Gardena Cinema now has a legacy of community building and a fighting spirit.

Keep an eye on the Gardena Cinema’s calendar. You can catch anything from a karaoke party screening of La La Land to Dawn of the Dead in 3D to film festivals featuring shorts from local filmmakers.

The Rocky Mountain Biological Laboratory may run the second-longest study of  individually identifiable mammals in the world, but they’re not afraid of trying something new.

The lab is launching a bracket-style competition, Fat Marmot Week, for people all over the world to vote for their favorite chunky ground squirrel.

The UCLA researchers who work there have faced a loss of federal funding in recent years, so they’re now pursuing creative fundraising efforts, including a (G-rated) OnlyFans account for marmot content called OnlyMarms and a meme coin created by supporters of the project.

Where the idea came from

Dan Blumstein, a UCLA ecology and evolutionary biology professor who came up with OnlyMarms, said he’s wanted to do a Fat Marmot Week ever since the success of Fat Bear Week, in which the public votes on grizzly bears bulking up for the winter in Alaska. But it took two of his graduate researchers, Katie Adler and Emily Renkey, along with another volunteer who helps with logistics, to see it to fruition.

“ Science isn't just writing the papers, it's also the communication side of things,” said Adler, who’s also the lab’s field team leader.

Like bears, marmots prepare for the winter by fattening up, with some more than doubling in weight from about 5.5 pounds to as much as 13. But unlike bears, marmots are true hibernators. For months, their body temperature drops very low, and they breathe and have a heartbeat about once a minute. (Blumstein described a hibernating marmot as “sort of a fuzzy stone.”)

These two specimens are called Dawn and Dan's Hat.

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 Adler, who's on her third year of marmot field observations, said the individual marmots are consistent enough that she can "see what they're doing a little bit and then know exactly who it is."

“I think it’s fun to think of this from an outside perspective – why do we like marmots and how can we share that with other people?” Renkey said.

About the marmots

The marmots are all given names to help tell them apart based on markings the researchers dye on their fur.

Their names range from Dawn, who is reportedly a “a very special boy who enjoys the taste of rocks,” to a “proud mama” named 1 and a “girl boss” with no mate named Open Kite.

“Our parties are quite boring to other people because all we do is talk about the marmots,” Blumstein said. “It's a soap opera.”

Funding troubles

Faced with federal funding cuts, Blumstein realized he had to get creative, starting with the OnlyMarms account.

But he said he wasn’t expecting the “extraordinary” response – the $OnlyMarms meme coin has made more than $100,000 in transaction fees, though it’s still short of the $225,000 to $300,000 they need to fundraise to bring in more graduate student research.

Blumstein said while all funding is welcome, including the OnlyMarms subscriptions, it’s much easier for them to accept direct donations for tax purposes. The money will go to support researchers like Renkey and Adler’s contributions to the nearly 65 years of marmot research at the lab.

The tournament

Eight competitors will face off — five females and three males. There’ll also be a “true” winner announced at the end based on the lab’s measurements on which marmot gained the most weight this spring and summer.

The first round of voting will be Monday, Aug. 24, followed by the semifinals on Wednesday, Aug. 26, and the final showdown on Friday, Aug. 28. Voting runs from 6 a.m. to 6 p.m. PDT.

“Everyone should vote. It's very exciting,” Renkey said. “They're huge this summer.”

The younger bald eagle that Shadow has been seen hanging out with around Big Bear’s famous nest lately has a new name.

The bird, which is believed to be a female, is banded as KD1. Friends of Big Bear Valley, the nonprofit that runs the popular YouTube livestream, has dubbed her Kaydee.

The organization generally doesn’t name visiting eagles, but Kaydee is sticking around so far and could become a new online star after Shadow’s long-time mate Jackie died last week.

So, who is this new eagle in the nest?

One expert told LAist that Kaydee is more than 4 years old and was probably wandering much further than Big Bear before it was spotted on camera.

“This is kind of the banders dream, right? You put bands on a bird so that you can possibly get … a one-off observation of where it is at some point in its life, and we're getting way, way more than that,” said Jenna Carpenter, a field biologist and environmental specialist with the Orange County Water District.

“In this instance, we're getting 24/7 views and people are so tuned into it that they're keeping really good track of where KD1 is, and it's really awesome.”

Meet Kaydee

Kaydee was first recorded on the livestream cameras in the Big Bear habitat on Aug. 6 — a few days before Jackie died — according to Friends of Big Bear Valley.

The nonprofit said the eagle started to perch by Shadow in several trees, which it has continued to do in the weeks since. The group recently referred to Kaydee as Shadow’s “shadow.”

Kaydee is from the Prado Basin area, where its parents Ricky and Lucy nest nearby. Carpenter said Ricky and Lucy have raised around a dozen eaglets since 2021, when they first started setting up shop in the area.

The eagle wears two bracelet-like bands on its legs, including a lavender-colored one, which can be used to track Kaydee in different areas.

“If someone sees [the color band] with a scope or binoculars or a zoom camera, it can be reported and put into a research database, which adds to the opportunity to progress conservation for raptors and eagles,” Carpenter said.

You can learn more about reporting a bird with a federal band or color marker here.

Will Kaydee stick with Shadow?

Kaydee is what's known as a subadult eagle, a stage in which Carpenter said raptors are still trying to figure out what they want to do and where they want to be.

“Big Bear’s a nice habitat, obviously they've been visiting this nest, you know, there's some interest there whatever it may be,” she said. “So it's possible that they stick around and find a mate, whether that be Shadow or another adult eagle.”

But it’s also possible Kaydee moves onto another habitat after the off-season. Whatever happens, Carpenter said us humans get to go along for the ride through the livestream, which she described as a privilege.

“We get this chance to witness something that we would not normally get to witness, because we know exactly who this bird is and we happen to have cameras in the area,” she said. “It might be everything and it might be nothing, and either way, I think that's really exciting that we get to have a little peek into this world.”

The Esquivel family opened their first taqueria at Playas de Tijuana 15 years ago, with a focus on individually crafted tacos, each with its own pairing of salsa.

Since then, Taqueria Tijuanero — formerly Tijuanazo — has become an increasingly popular SoCal taco chain.

Owner Aria Esquivel sat down with AirTalk Friday host Austin Cross to talk about how it all started from a humble Tijuana brick-and-mortar and how they stay true to their distinct North Mexican menu.

The art of the taco

Esquivel’s father and mastermind behind Taqueria Tijuanero, Antonio Esquivel, began working in kitchens when he was 16 years old, working his way up from dishwasher to cook at French restaurants in Beverly Hills.

“What he really loved about the taco and the art of the taco in Tijuana is how these ingredients mesh so well together,” Esquivel said.

That’s when the family opened up their own restaurant in Playas de Tijuana in 2011.

Mexico's taco diversity

Because of Mexico’s diverse landscape of crops, history and even weather patterns, taco styles can actually vary quite a bit depending on where you are in the country.

“ The tacos in Mexico City are different," Esquivel said. "The tacos in Sonora are different. The Tijuana tacos are different."

Fresh al pastor

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Al pastor taco

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Bill Esparza, the James Beard Award-winning food writer who's spent the last two decades chronicling L.A.'s taco scene, helped curate Taqueando After Dark, a new food festival that will feature eight L.A. taco vendors, including Taqueria Tijuanero.

“When I see theirs, I see what I see in Mexico,” Esparza said of Taqueria Tijuanero’s tacos, adding, “It’s a taco that really has a lot of intentionality behind it.”

How to experience Taqueando After Dark festival

Taqueando After Dark takes over Level 8 for two nights, Aug. 27 and 28. (Courtesy of Level 8)

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Courtesy Taqueando After Dark

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Read more: LA taqueros meet Baja’s best for two-night DTLA taco festival

New location coming:

• The family is in the process of opening its third SoCal location in Echo Park.

How to visit:

• Address: 355 S Atlantic Blvd., East Los Angeles
• Hours: Closed on Mondays | Tuesday-Sunday, open from 11 a.m. to 10 p.m.
• Costs: Tacos are $3.95 each