The Brief

L.A. County is considering plans to remove potentially thousands of unhoused people from areas around sports venues ahead of the Olympic Games in 2028.

County officials issued a strategy report last week advising local governments on how to clear people from encampments near major events and move them into temporary housing. However, the same report notes that there are concerns there won't be enough beds and there's no new funding for such an effort.

Sarah Mahin, L.A. County's director of Homelessness Services and Housing, submitted the report at the direction of the Board of Supervisors. It was also sent to the cities of Los Angeles, Long Beach and Inglewood, according to a county spokesperson.

It’s one of the first indications of how homelessness in the region might be approached ahead of and during the Olympic Games.

Shayla Myers with the Legal Aid Foundation of Los Angeles said the strategy is aimed at eliminating visible signs of homelessness for the Olympics, rather than addressing the root causes of the housing crisis.

" You're not actually getting people off the streets. You're simply attempting to make specific locations clear," she said of the county's approach. "It is about taking resources to clear encampments in the most visible locations when you have cameras and tourists all putting their focus on Los Angeles."

Rachel Kassenbrock, a spokesperson for L.A. County's Homeless Services and Housing Department, said via email that the county "does not intend to displace anyone without connecting them with adequate housing resources and support," and that the county remains focused on permanent housing as 2028 approaches.

Efforts to remove unhoused people will focus on the security perimeters of Olympic venues, according to the report.

"The County will use any established security perimeters…to identify and coordinate with host jurisdictions to prioritize encampments that may be affected," Mahin wrote.

LA28, the private nonprofit planning the Olympics, also told the county that those security perimeters would be its focus, according to the report. The boundaries haven't yet been determined, but LA28 indicated to the county that the largest security perimeter will likely be for the Opening Ceremonies, which will be at SoFi Stadium and the L.A. Memorial Coliseum.

“In the event that LA28 is advised that relocating unhoused individuals may be necessary for their own safety, we will ensure that the appropriate local government stakeholders have sufficient time to plan for the necessary services and housing support,” LA28 wrote in a statement to LAist. 

A spokesperson for L.A. Mayor Karen Bass said her office was in touch with the report's authors to "discuss next steps in continuing efforts to address this humanitarian crisis."

As part of the regional strategy, the county has developed a tool to estimate costs for cities looking at removing encampments around venues. That tool allows local jurisdictions to enter the expected number of people, the percentage of individuals who will go into shelters, and how many people will need long-term housing support.

Myers with the Legal Aid Foundation said she appreciated the county's focus on moving people into shelters, but that the guidance would open up unhoused people to possible criminalization.

"The first round is to offer shelter, and the second round is often to bring in cops or to put up fences or to invest in citations," she said.

The report includes the latest "point in time" count of people living outside in the council districts of Los Angeles hosting Olympic events, as well as other host cities like Long Beach and Pasadena. In total, that number is more than 5,300 people.

"However, the number of unsheltered individuals in the areas immediately surrounding event venues should be reassessed closer to event dates to ensure an accurate estimate," the report states.

County supervisors Hilda Solis and Janice Hahn introduced a motion asking for the report in 2024, referencing concerns about public perception of local government's approach to homelessness ahead of many major events coming to Los Angeles.

"Efforts to address homelessness in advance of international sporting events in other jurisdictions have had uneven results, leading to accusations that governments are busing unhoused individuals to the outskirts of host cities without addressing the underlying lack of shelter capacity," the motion states.

The county's guidance points out that additional resources for plans to clear encampments at this point don't exist. And Kassenbrock, the spokesperson, said in a follow up email that the region faces "a significant deficit for homelessness and housing programs next fiscal year due to losses in federal, state, and other one-time funding, and cost increases."

Representatives for Long Beach also told the county that it could be challenging to secure motel rooms for interim housing at typical rates around the Olympics. The city expressed concern about unsheltered people and at-risk tenants being displaced. 

Clearing encampments without enough housing resources could lead to displacing more unhoused people and those at risk of homelessness, Mahin wrote.

The U.S. job market unexpectedly stalled in July.

A report Friday from the Labor Department shows that employers cut 23,000 jobs last month, and job gains for May and June were revised sharply lower.

The unemployment rate dipped to 4.1%, but only because more than 260,000 people dropped out of the workforce.

It was the second month in a row that the monthly jobs tally came in weaker than forecasters had expected.

"We are increasingly hearing from workers that they are anxious about their job security and they are frustrated by the fact that they are stuck in roles that are not necessarily good for them," said Daniel Zhao, chief economist at the job search website Glassdoor. "And that's on top of workers who are not in a job right now and feel frozen out of the job market."

Glassdoor's worker confidence index slumped in July to a record low.

The Fed's job gets harder

Restaurants and retailers cut thousands of jobs last month, and local government also saw large job losses. Healthcare continued to add workers, but at a more modest pace than earlier in the year.

The softening job market may complicate the Federal Reserve's job, since it's also battling stubborn inflation. The Fed may be more cautious about raising interest rates at a time when the labor market appears less stable.

For people who are working, average wages have risen 3.2% in the last 12 months. That's likely not enough to keep pace with inflation, however, so workers' paychecks don't stretch as far as they used to.

"Part of the reason that workers are feeling bad about today's job market," Zhao says, is that "a lot of those wage gains have been eaten up by rising energy prices."

Copyright 2026 NPR

It seems that jazz is everywhere in Los Angeles. Blue Note opened a club last year, venues like Sam First, Catalina’s, Vibrato and the Baked Potato draw large crowds, and hotels and bars are adding jazz to their schedules.

But every week, a semi-secret event at the tony Los Angeles Athletic Club lets anyone experience a near-private concert from legends such as Rickey Woodard, who played saxophone for Ray Charles, Ella Fitzgerald, Sarah Vaughn and others; and Nolan Shaheed, trumpeter for Duke Ellington, Marvin Gaye and more.

That’s before you get to the evening’s singer, who might be 96-year-old pianist Betty Bryant, former Raelette Val Monroe or singer and Grammy-winning songwriter John Proulx.

Until recently, the Sunday night Jazz Salon was free. Now it charges a nominal $10 per person, which is still an outrageous bargain, so be sure to add something to the tip jar on the piano, and maybe try one of the cocktails or the steak frites.

Inside the club 

Walking into the club earlier, you see black-and-white photos of all types of healthy pursuits on the walls, as well as trophies and mementos of the club’s nearly century-and-a-half history. Plush sofas, high ceilings and book-filled shelves are the order of the day, and alongside members in gym gear or lugging laptops, you go up in one of the elevators to the third floor, where the Jazz Salon takes place.

Dave Ross, bassist and founder of the Jazz Salon.

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James Bartlett

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LAist

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The bassist who built it 

Earlier in the day, Dave Ross, 76, was setting up the amps, drum kit, mixer and mic stands. He also administers the website, acts as MC and plays double bass as part of the ensemble. He began the venture over a decade ago, when he persuaded the LAAC, of which he had long been a member, to host concerts in their redecorated restaurant and bar.

Ross draws from a repertory group of about 15 artists, and the concert takes place opposite the bar in a wood-paneled room of just a few dozen leather chairs and tables. This small scale makes the night intimate and unique.

“No gig is ever the same,” says Ross. “We don’t rehearse, and every time we play a song, we're never trying to play it the same way we played it before.”

That makes the night fun, too. Since you’re right near the musicians, you can hear their laughter and banter, as well as their impressive solos. Ross, stage left, stays out of the limelight — which is how he prefers it — and often says he's just happy to be there playing.

“You're there to keep the beat, the pulse of the music,” he says. “And then, secondarily, the notes that you play help the other musicians understand what the chord, what the harmony is. I'm just doing it for the pleasure of playing the music.”

The Jazz Salon is a $10 Sunday night concert at the Los Angeles Athletic Club.

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James Bartlett

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LAist

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Why $10 barely covers it 

Once a month, Ross and some of his stable join a touring artist — recently five-time Grammy-nominee Karrin Allyson — in the club’s 250-seat ballroom for a more formal ticketed event, but there have been just two complete sellouts of them this year: tributes to Bill Evans and Dave Brubeck/Paul Desmond.

Donations and the tip jar on Sunday evenings sometimes haven’t been enough to break even, either, which led to Ross reluctantly introducing the $10 charge. No matter what, he is determined the Jazz Salon will keep going.

“When I was younger, there was a receptionist I knew who was a nun. She said: “‘You know what your problem is? You’re too optimistic!’”

Daniel Shemtob has been going around Los Angeles asking strangers this question: "What's your mom's best dish?"

He then turns their answers — from Filipino oxtail adobo to the Ashkenazi Jewish favorite of gefilte fish — into a taco for his new five-episode web series, "Better Than Your Mom."

One episode breaks from the format entirely: a head-to-head chopped salad taco challenge between Shemtob and Vanessa Silverton, daughter of famed L.A. chef Nancy Silverton, judged blind by Nancy herself.

Daniel Shemtob, founder of The Lime Truck and creator and host of Better Than Your Mom.

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Courtesy Daniel Shemtob

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A two-time winner of "The Great Food Truck Race" on the Food Network, Shemtob is no stranger to reality TV — he also founded The Lime Truck, serving Cali-Mex cuisine in Orange County.

What starts as a quick, chaotic street-corner challenge opens into something bigger — a Long Beach woman honoring her late mother-in-law's gefilte fish recipe, and a chef processing his own mother's death and the loss of his home in the 2025 Palisades Fire.

A dish for his mother

Despite loving fine dining, Shemtob said nothing beats the experience of having someone invite him to their mother's home for dinner.

"It's by far my favorite thing," he said.

Gundry watched as Shemtob reworked her mother-in-law's recipe in real time — a process that normally takes her more than two hours, done in 20 minutes.

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Screenshot via Better Than Your Mom

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That urge to connect with other people also came from wanting to celebrate his late mother's legacy and the impact she had on him in the kitchen.

"Eating was like a big part of how we shared and celebrated," Shemtob said. "It was a culture that was built around food."

A stranger says, 'yes'

While most walk past him or decline to talk, Shemtob said he's been surprised by how many strangers say yes almost immediately — like Anne Gundry, a retired biology teacher in Long Beach.

She answered with a dish from her mother-in-law from her first marriage — gefilte fish served cold.

Shemtob's take on Dena Levenstein's gefilte fish, reimagined as a taco with an apple-horseradish slaw.

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Courtesy Daniel Shemtob

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Gundry recalled her first meeting with Dena Levenstein, who would become her mother-in-law. The relationship started out cold — but cooking together changed their dynamic.

"That's where I honestly think we had the deepest bond with her," Gundry said.

Gundry described yearly visits to Levenstein's house as a cooking "apprenticeship," where Gundry was taught to cook by feel — adding ingredients by the handful, testing a dish's consistency by touch.

"She used to say, 'How does it feel?'" Gundry recalled. "And I'd say, 'I don't know, I don't know how it's supposed to feel.'"

Over the years, she learned. Now, Gundry teaches her own children that recipe the same way — without referring to what's written down.

Watching Shemtob cook on "Better Than Your Mom," Gundry was skeptical. Her own process takes over two hours; his took 20 minutes — until she tasted the apple-horseradish slaw he added.

"Brilliant," she said. "I've been trying to duplicate it at home."

You can find Shemtob's videos on his YouTube channel.

Next week Phoebe Bridgers fans in Southern California will get an otherworldly way to enjoy her new album ahead of its official release Friday.

And a Costa Mesa institution will enjoy the chance to introduce indie music lovers to what it does beyond astronomy lectures and field trips.

The Orange Coast College Planetarium is one of dozens of planetariums around the world – and the only in Southern California – hosting listening sessions next week for Lost Weekend, one of the year’s most anticipated indie releases and Bridgers’ first solo studio album in six years.

The Pasadena native is not expected at any of the planetarium shows. But that doesn’t matter to her fan base.

Phoebe Bridger fans can listen to her album in the planetarium's 125-seat dome theater.

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Courtesy Orange Coast College Planetarium

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Twelve shows in the 125-seat theater sold out within four hours of going on sale Thursday, according to the planetarium. So staff added 16 more, bringing the total to 28 screenings over four days, Aug. 10 through 13. (At last check, tickets for showings earlier in the day were still available.)

“We have never had an event that was this anticipated,” Rhiannon Graffio, lead speaker and educator at the planetarium.

There’s two ways to experience the record from start to finish, which is a little over 50 minutes long.

One is a full-dome show featuring images taken by renowned astrophotographer Babak Tafreshi.

“It's gorgeous,” Graffio said. “There's some that are of the night sky, where you can see the paths of the stars as the Earth rotates, or auroras or lightning.”

The other option is a laser show created by Laser Fantasy, with scenes and storylines moving in time with the music.

Graffio said the planetarium had been approached by Bridgers’ label Dead Oceans to host the shows, which are being presented in partnership with Spotify.

Rhiannon Graffio, a lead speaker at the Orange Coast College Planetarium, has been working with Phoebe Bridgers' label on next week's listening sessions.

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Courtesy Rhiannon Graffio

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The events are strictly phone-free. To prevent album leaks, attendees will have to put their phones in pouches provided by Yondr, a company that works concerts and other events. Smartwatches, and Meta glasses also aren’t allowed.

The Lost Weekend events are the most high-profile but certainly not the planetarium’s first experiment with mixing music and visuals.

The theater regularly hosts laser shows set to music, cycling through different artists like Taylor Swift and Beyoncé each month while keeping some crowd favorites like Pink Floyd in rotation. Graffio said in the last year KPop Demon Hunters laser shows have been especially popular.

Accommodating the Lost Weekend shows has meant bringing extra staff to handle the weekday crowds at the community planetarium.

But Graffio said there's a big upside to introducing music fans to a place they may never have thought to visit.

“It’s a wonderful experience,” she said. “And most of the shows that we do are also educational in some sense. As cool as the visuals are, they are about the universe and what we know about it.”

And for those who can't make it to the planetarium shows, there's a more traditional route to marking Bridgers' new album. A dozen record stores around Southern California are hosting listening sessions at midnight Friday.