The Brief

The Federal Emergency Management Agency has allocated $2.7 billion in response to the L.A. wildfires, but some survivors say the agency’s support has fallen short of expectations.

According to an LAist analysis of FEMA data, the agency has covered a smaller portion of damage costs in response to the L.A. fires than was seen at this point after other recent natural disasters.

Assistance to eligible survivors has covered an average of about 7% of the damage costs FEMA assessed to their properties so far, less than one third of the proportion covered after the California fires in 2017 or 2018, or the 2023 Hawaii fires.

Eligible survivors of the L.A. fires have gotten an average of around $4,100 in direct FEMA assistance so far — average damage costs assessed by the agency are over $55,000 for those same survivors.

Experts who spoke to LAist cautioned against comparing disasters, but the complicated application process for receiving FEMA assistance has slowed the response here and frustrated some L.A. residents who are trying to decide whether to rebuild or relocate, often requiring them to make multiple appeals after claims that were denied for procedural reasons.

When Furmencio Quiroz’s Altadena home was destroyed in the Eaton Fire, he expected FEMA to help with some of the rebuilding costs not covered by his family’s insurance. After six months and multiple appeals of his application, Quiroz says he thinks the rebuilding process has gone slower than government officials promised.

" It feels like time is flying, and we're nowhere," Quiroz told LAist.

Rebuilding the family home

Quiroz grew up in the Altadena house before living there with his wife and six children, together with his parents and his brother’s family.

Then the Eaton Fire destroyed everything, Quiroz said.

"At first you're like, wow, like you can't even process it." Quiroz said about losing his family’s home. "Then you just start thinking about every little memory you had."

He said his father is a retired construction worker, and while they had insurance on the house they had never filed a claim until the fire. His father would always take care of any repairs himself.

But the insurance they had wasn’t nearly enough to cover the costs of rebuilding, Quiroz said.

After initially receiving a few thousand dollars from FEMA for essential items and temporary housing, Quiroz said his family applied for help with rebuilding costs.

According to FEMA policy, survivors who apply through the Individuals and Households Program (IHP) can receive up to $43,600 for housing assistance and another $43,600 to go toward other needs like child care, medical expenses, transportation or replacing damaged personal property.

Quiroz thought he would be eligible for housing assistance, but FEMA denied his family’s application. He said FEMA told him he was not eligible because he had already received an insurance payment.

"I've appealed the case about three times, because we're underinsured," Quiroz said. Even getting the maximum insurance payment under his policy still covered less than half of the expected rebuilding costs, he added.

FEMA can not duplicate benefits from insurance or other programs that are provided to applicants for the same purpose, according to federal law, but FEMA updated its policy in 2024 to expand eligibility for survivors whose insurance did not cover the cost of damages to their homes or property.

Quiroz said that on top of the costs of rebuilding he also has to find a permanent place where his family can afford to stay while making mortgage payments on the house that burned down.

In the meantime, he has been commuting from an Airbnb in Pomona to his job as a mechanic in Downey. He said he can’t seem to get straightforward answers about FEMA’s process or why he was denied assistance.

He's been going to a disaster recovery center in Altadena and calling FEMA, but he said he has gotten "a different answer every time" he has asked for clarification.

FEMA representatives did not respond to LAist's request for comment.

Navigating a bureaucratic "labyrinth" 

To get assistance, disaster survivors like Quiroz often have to navigate a complicated process that is fragmented across many agencies and programs, according to Chris Currie, director of homeland security and justice at the Government Accountability Office, or GAO, a non-partisan federal watchdog agency that examines how federal funds are spent.

"None of those programs were ever really designed to work together in concert, which makes for a very frustrating recovery process for survivors," Currie told LAist.

The GAO reports to congress and federal agencies, and keeps a list of programs across the federal government that they assess to be high risk, or most in need of reform.

Delivery of federal disaster assistance was recently added to that list, joining issues like federal oversight of food safety and contract management at the Department of Defense.

"I don't think anyone at FEMA tried to design these programs to be difficult and time consuming," Currie said. But rules put in place over the years to avoid fraud and abuse have inadvertently created a complex "labyrinth" for survivors to navigate, he added.

The GAO has pointed to the need to simplify the process for years, but Currie said that hasn’t translated to system-wide progress that's needed.

The Trump administration created the FEMA Review Council in January, and Currie is optimistic this could spark more significant reform.

"I think everyone is waiting for the results of this FEMA Council to come out, to provide the framework and the instructions on what specifically is gonna change," Currie said.

President Donald Trump threatened to "phase out" the agency last month, but the administration’s stance toward the agency has since softened, with Homeland Security Secretary Kristi Noem telling NBC News on Sunday that the president now wants to see the agency "remade."

FEMA’s response to other recent disasters

LAist analyzed public data to see how FEMA’s response to the L.A. wildfires compares with other natural disasters in recent years and found some notable differences.

According to monthly FEMA reports and estimates of total damage costs, overall financial support allocated by the agency in response to the fires has covered a much smaller portion of damage costs than seen six months after hurricanes Helene and Milton in 2024.

Currie said there could be a number of reasons for differences in FEMA funding provided after natural disasters, like the types or concentration of damage.

"The scale of the destruction in Helene dwarfs [the L.A. fires], but the concentration of damage in L.A. was horrific. " Currie said. "So the cost you're going to see just to deploy across a massive geographic region in Helene is gonna be way, way higher than L.A."

The largest amount of money from FEMA goes to state and local governments in what the agency calls public assistance for things like repairing public buildings and debris cleanup, Currie told LAist.

Currie said debris cleanup is a key first step toward recovery, and that FEMA, the U.S. Army Corps of Engineers, and leaders at state and local levels worked very quickly to clear debris compared to other large-scale natural disasters.

LAist also looked into differences in direct assistance to individuals and found that so far FEMA has covered a much smaller portion of assessed damage costs after the L.A. fires than were covered after the 2024 hurricanes, though the agency assessed that damage costs for L.A. fire survivors were higher.

This gap affects survivors like Quiroz who believe they should be eligible for more assistance and have experienced denial letters or process delays.

Currie told LAist that applications are often denied by FEMA initially for technical reasons, but they may still be eligible when they have completed more of the process.

"It can just be a very long, difficult process that requires a lot of back and forth between a survivor and FEMA or other government agencies," Currie said.

Quiroz, who has missed work from his job and is currently waiting to hear back from FEMA, said his family still plans on rebuilding but isn’t counting on more support from the agency.

"We had hope . . that they were gonna help us out," Quiroz said, "but it seems like it's not gonna be that way."

Long term recovery

Local agencies and organizations have been working to cover some of the gap in support left after insurance and FEMA assistance.

Jorge Anaya, an emergency management coordinator at the L.A. County Office of Emergency Management, told LAist that the county previously provided assistance to disaster victims of up to $18,000 through the Household Relief Grant program and has kept a comprehensive list of other existing resources for residents.

 "As we approach long-term recovery, there is existing aid," Anaya said, "However, it starts becoming a whole-of-community response, not just a whole-of-government response."

He said the county has partnered with the L.A. Region Community Recovery Organization, or LARCRO, to help people get continued assistance.

"It’s important for us to recognize that FEMA is in no way meant to make people whole with their funding," said Jenni Campbell, the executive director of LARCRO. "The community is responsible for recovery in the long term."

LARCRO is a nonprofit that was organized after the Woolsey Fire in 2018. Campbell said they work closely with FEMA and lead the recovery arm of Emergency Network Los Angeles, or ENLA, which includes other nonprofits involved in disaster response like American Red Cross, the Salvation Army and 211 LA County.

She told LAist that direct assistance from FEMA is just one part of what FEMA refers to as "the sequence of delivery," which also includes insurance, loans from the Small Business Administration and long term recovery groups.

LARCRO and ENLA have been organizing long term recovery groups to support the Pacific Palisades, Malibu and Altadena areas, bringing together nonprofit organizations, disaster case managers and community leaders to support survivors who won’t be able to recover on their own.

Those groups will soon start holding weekly meetings, but Campbell said community organizations like hers have been involved in supporting survivors since the beginning of the recovery process.

Quiroz told LAist he has gotten support from local churches to help buy food and from 211 LA County, which provided his family with Airbnbs like the one they're staying in now.

Campbell said LARCRO has connected with more than 5,000 people affected by the fires to coordinate disaster case management, and that disaster victims can learn more on their website.

A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

Now he’s doing that with vinyl records, too.

“We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

“It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.

Reggae star Ziggy Marley has spent decades carrying one of music’s most celebrated legacies. But until now, he had never written a song directly about his father, Bob Marley.

That’s changed with “Many Mourn for Bob,” a track on Marley’s ninth solo album Brightside, his first release recorded in his new studio in North Hollywood.

Marley was just 12 when his father died of cancer in 1981. Now 57, Marley says the song instinctually emerged after years of life experience and producing the biopic One Love, which revisited his father’s struggles like an assassination attempt amid political violence in Jamaica.

“He went through some things that was really tough on a human being – and just understanding him in that light is to have a little bit more emotional, deeper connection to his experience,” Marley said in an interview at his studio.

Searching for the bright side

The deeply personal track is part of a splashy return for Marley, who's touring behind Brightside and will perform at the Hollywood Bowl on June 21.

The new album blends political themes, optimism and musical experimentation.

Its lead single, “Racism Is a Killa,” featuring Big Boi, pairs the heavy topic with an upbeat groove that he hopes will make the song more accessible to young people.

“We just wanna come out straightforward, like I never want to come out tiptoeing,” Marley said. “I want to say something that can catch your ears or catch your thoughts.”

That tension between darkness and hope runs throughout Brightside. Marley described the album as a reflection on enduring difficult periods – from the pandemic to the Los Angeles wildfires – without losing sight of optimism.

“Sometimes we get lost in that so much that we don't realize that there is always a bright side,” Marley said.

The 432 Hz experiment

The album also experiments sonically: Marley recorded Brightside using 432 hertz tuning instead of the standard 440 hertz in most mainstream music. Advocates of 432 hertz believe it produces a warmer, more meditative sound better synced to the natural world. (You can hear the difference for yourself here.)

“It's a lower musical frequency, but it's a higher frequency in a next sense of your spirituality and emotion,” he said. “So even though the numbers go down, the frequency actually go up.”

Marley sees the move as part of a larger search for new creative approaches.

“I'm very open-minded and always trying to evolve and just experiment with life and music,” Marley said.

The Grammy winner, who joins James Blake and Ed O’Brien of Radiohead as the most high-profile artists to record at the lower frequency, floated the idea of a larger movement among artists.

“Let's just have a revolution in the music industry,” he said. “Let's change the frequency.”

Building a dream

Marley works out of his Rebel Lion Studio in North Hollywood, its name a nod to his 2018 album Rebellion Rises while also a play on the word “rebellion.”

He described the studio as an extension of the independent spirit his father built with Tuff Gong Studio in Jamaica.

Musicians set up for rehearsal ahead of the next leg of Ziggy Marley's tour.

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“My father had a dream, and I had a dream too,” Marley said.

Like with Tuff Gong, Marley also plans to expand the studio operation to include vinyl pressing as records continue their resurgence in the streaming era.

“There’s always gonna be a vinyl present going on,” Marley said. “A thousand years from now, people that we're still gonna need vinyl records to listen to music.”

Ziggy Marley in the hallway of his new studio in North Hollywood.

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For years, Marley said, he worked out of smaller home setups and rented facilities before deciding to build a larger permanent space in L.A.

Marley said the city has become central to his own creative evolution over the last two decades of living and working here.

Drawn initially by music, friends and the city's small but tight-knit Jamaican community, he says being surrounded by creatives from different backgrounds helped push his artistry in new directions.

“I left my safety and my community, my tribe, and come out by myself to L.A.,” he said. “But it's a great experience. It really helped my growth as a human being being here.”

What’s next

Fresh off the release of Brightside, Marley says he’s already working on another album – a notably quicker turnaround since his last album, the family-music release More Family Time in 2020,

“We're doing back to back,” he said.

Ziggy Marley will be performing at the Hollywood Bowl on June 21 as part of a tour supporting his new album Brightside.

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He’s also busy writing a children’s book based on his feel-good hit anthem “True to Myself” and eyeing opportunities in front – or behind the camera – inspired by his time working on One Love and making the video for “Racism Is A Killa.”

“Same philosophy, same message, but within visuals, you know?” Marley said excitedly. “I want to create some stories and try out. I feel it coming. I can feel it.”

A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half.

The ad hoc committee on Measure ULA voted 2-1 to set aside a proposal by Councilmembers John Lee and Marqueece Harris-Dawson that would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

However, the ballot measure proposal was also referred to the City Council’s rules, elections, and intergovernmental relations committee, which could still choose to move it forward.

Instead, the ad hoc committee advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects.

The pilot program won't need voter approval in the form of a ballot measure. Committee Chair Ysabel Jurado, who introduced the substitute language, said she believes the city should avoid a ULA ballot measure because it’s still too early to evaluate the measure’s long-term effects.

“ I'm against going to the ballot, but I'm for making fixes that make this better,” Jurado said.

Voters will see a separate proposal on their ballots by the Howard Jarvis Taxpayers Association to effectively repeal Measure ULA.

If the L.A. City Council does not approve reforming the measure, the only decision on the ballot in November may be whether to keep the mansion tax in its current form or end it.

About the mansion tax

L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department.

The city projects it will generate about $500 million in the coming fiscal year — about half of what proponents initially promised. It has funded about 800 new affordable units and helped stabilize thousands of renters facing eviction, according to the housing department.

But critics say the tax has suppressed housing development. Several studies link the tax to a slowdown in apartment construction in Los Angeles, but ULA supporters say high interest rates and broader economic conditions are to blame.

The City Council's ad hoc committee on Measure ULA was formed earlier this year to study how the measure is working and develop potential reforms. That work took on more urgency inside L.A. city hall after the Howard Jarvis Taxpayers Association qualified a statewide ballot measure for November that would effectively repeal Measure ULA entirely.

Joe Donlin, director of the United to House LA coalition, which campaigned for the original measure, said the City Council committee made the right call by rejecting broader exemptions.

“By not taking up the extreme calls for broad, 15-year waivers that could cost the program about a third of its revenue, the committee acknowledged that ULA is working,” Donlin said in a statement.

A separate group of housing developers, union workers and advocacy groups calling itself the “Mend It, Don’t End It” coalition has been urging city hall to make changes to ULA. On Friday, the group said it supports the measure, but believes targeted reforms are still needed.

“Independent research shows that Measure ULA has slowed housing production in Los Angeles at a time when we need more housing, not less,” said Melanie Mendoza, a coalition spokesperson.

What the data show

The debate over ULA's impact played out in the committee room Friday morning. The city's chief legislative analyst reviewed seven independent studies on ULA’s impact. Three of those studies concluded ULA had suppressed housing production and reduced property tax revenues, while four found no meaningful negative impact.

Before ULA took effect, Los Angeles collected about $22 million a month in transfer tax. After that, it dropped to about $13 million. But city legislative analyst Henry Flatt told the committee a similar decline happened in cities without the tax, including Glendale, Long Beach, Pasadena and Santa Clarita.

“We are not currently convinced that Measure ULA has had an extremely negative impact on general fund revenues,” Flatt told the committee.

The county assessor's office read the same period differently. Scott Thornberry, an assistant assessor with L.A. County, told the committee that commercial and industrial property sales are falling in the city but not elsewhere in the county.

“We are seeing, we believe, a trend line of impact to property tax revenue growth in the city of L.A. specifically," Thornberry said.

What the committee did

Instead of the ballot measure, the committee voted to develop a five-year pilot program cutting the ULA tax to 1.5% for newly constructed affordable housing projects that meet specific requirements.

Lee, whose ballot measure was replaced with language advancing the pilot program, said he hadn't seen the substitute prior to Friday’s meeting and voted against it.

“This was just placed in front of me,” he said. Lee objected to a provision in the substitute recommendations calling for $30 million in new spending on homelessness support.

“Without knowing where this money's coming from, I'm going to have to vote no,” he said.

Lee told LAist he supports stronger oversight and technical improvements to Measure ULA, but believes a ballot measure is the right approach.

“Voters deserve the opportunity to consider targeted changes that would preserve the intent of the measure while addressing its unintended impacts on housing production and real estate activity in Los Angeles,” the councilmember said, in a statement.

Friday's meeting was the committee's final scheduled hearing. The committee, which is set to dissolve June 1, also voted to advance a narrower nonprofit tax refund limited to organizations that can prove all sale proceeds went directly to affordable housing.

The committee continued a separate motion on fire exemptions for Palisades fire victims, which will be heard by another council committee. A motion to loosen eligibility rules for the ULA Citizens Oversight Committee was noted and filed.

Councilmember Imelda Padilla, who introduced several of the committee's motions, said the process had been guided by a commitment to protect the measure.

"My goal has always been to listen carefully, bring people into the conversation, and protect ULA while honoring the voters' intent," she said at Friday’s meeting.

In her closing remarks, Jurado reflected on the three-member committee’s past work.

“We released $14 million in rental assistance to the most vulnerable Angelenos and $300 million for affordable housing,” she said. “We did in six or seven meetings what others couldn't do in five years.”

The ad hoc committee's recommendations now move to the full City Council.

Harris-Dawson and Lee’s ballot measure motion will be considered by the City Council’s rules committee at a later date, officials said.

Monsterpalooza, the annual movie-monster bash for horror fans, returns to the Pasadena Convention Center this weekend, starting Friday night (May 29) and lasting through Sunday.

What to expect

Now in its 18th year, devotees can rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at practical effects that’ll make your flesh creep.

Dozens of panels and presentations are scheduled, including a deep-dive into the 95th anniversary of the Dracula and Frankenstein movies by writer Julian David Stone.

Writer Julian David Stone gives a presentation at a past Monsterpalooza event.

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Stone said that the two classic movies have left a lasting impact.

“Dracula is a movie about supernatural horror..... and Frankenstein is about technological or man-made horror," he said. "You can just trace those two themes all the way forward to this past year with Sinners and Megan 2.0."

Richard Redlefsen's Armageddon Rat at the PPI Booth at a past Monsterpalooza.

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Stone first attended the convention in 2008, returning over the years as a fan, spectator and presenter.

“It’s just a terrific convention that celebrates all things horror,” Stone said. “There’s a lot of celebrities you can meet who were in these horror films and you can get pictures with them." He added that he’ll never forget when he met Carla Laemmle in 2010 — the last living cast member of the original 1931 Dracula.

Mike Mekash and Chris Nelson re-created Twisty the Clown on Dan Gilbert at the PPI Booth at a past Monsterpalooza.

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Who's attending

If you’re jonesing to be photographed with high-profile entertainers (expect a fee for many), this year's event has a line-up that includes musician Alice Cooper, actress Lin Shaye from the Insidious movie franchise and David Howard Thornton, who plays Art the Clown in the popular Terrifier movie series.

Cosplay and crazy costumes are encouraged, although a T-shirt celebrating a classic horror movie will also do. Just come ready to adore all things that gnaw and gash.