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The Brief

The most important stories for you to know today
  • Christmas classics, Broadway shows and more
    Four actors in shimmery flapper and showgirl drag perform on stage in a production of "La Cage Aux Folles."

    Topline:

    Whether you love holiday favorites like "A Christmas Carol," want to see big Broadway productions like "Wicked" and "La Cage Aux Folles," or explore lesser-known shows with the family, theater coming to Southern California in December has something for everyone.

    Highlights:

    • Christmas fun — Debbie Allen Dance is putting on Hot Chocolate Nutcracker in Redondo Beach, A Noise Within is doing A Christmas Carol, the L.A. Ballet also has The Nutcracker on and the American Ballet Theatre will visit Segerstrom with their version of the Tchaikovsky holiday classic as well.
    • The Lythgoe Family's Panto franchise — England has the ubiquitous tradition of going to see a pantomime. The Lythgoe family's production bring two of those types of shows to L.A. this year: Peter Pan & Tinkerbell in Thousand Oaks and Rapunzel's Holiday Wish in Laguna.
    • Broadway darlings — Still want more Wicked? The musical comes to the Pantages starting Dec. 4! And if you want to check out the hottest drag club in town, La Cage Aux Folles hits the Pasadena Playhouse on Dec. 15.

    There’s a lot of fan service out there for theater buffs this December, whether it’s heading to the movies for a sing-a-long of Wicked (I mean, come on, if you’re a Broadway person you’ve already seen it once at least, or will have by the end of Thanksgiving weekend), booking your tickets to Once Upon A Mattress with the incredible Sutton Foster at the Ahmanson, or seeking out some of the hidden gems in the local theater scene — and I promise this holiday season, those are plentiful.

    We’ve put together a short list of some of the best things to take your friends, family, or just yourself to in the coming weeks.

    Some people say L.A. isn’t a theater town, but I beg to differ! A ticket to any of these shows would make a great holiday or December birthday gift and you’ll support the arts at the same time.

    It’s All Your Fault, Tyler Price 

    Last weekend, I had the pleasure of seeing one of those gems, It’s All Your Fault, Tyler Price, at the Hudson Backstage Theater in Hollywood. The musical is ambitious and punches well above its black box theater weight, telling the story of a family whose daughter Lucy has epilepsy. The family’s struggles are seen through the eyes of their middle school-aged son, Jackson, who stages a musical following a bullying incident at school.

    Reminiscent of recent hits like Dear Evan Hansen and Next to Normal, Tyler Price has serious Broadway power behind it in the form of director and co-writer Kristin Hanggi (Rock of Ages). Catch it before it wraps on Dec. 15.

    Cat Kid Comic Club: The Musical

    Brian Owen and Sonia Roman on stage and in costume in the show "Cat Kid Comic Club: The Musical."
    (
    Jeremy Daniel
    )

    If you have a 7- to 10-year-old in your life, you’re probably only too familiar with the phenomenon that is Cat Kid Comic Club (and its erstwhile companion, Dog Man). After the success of last season’s Dog Man: The Musical at the Kirk Douglas Theatre in Culver City, the TheaterWorksUSA crew is back with Cat Kid Comic Club: The Musical, which teaches kids about imagination and creativity through Dav Pilkey’s popular characters. I took my favorite 10-year-old who is a fan of the books, and he gave it a glowing review but thought kids younger than him would like it even more. It’s on until Jan. 5.

    Once Upon a Mattress

    Michael Urie and Sutton Foster hold hands and stand center stage with an ensemble dancing behind them during a performance of "Once Upon a Mattress."
    (
    Joan Marcus
    )

    It’s not every day that we get the original Broadway cast members in L.A. for a touring production. This December, we get a double bill for the revival of Once Upon a Mattress, with Sutton Foster (Anything Goes, The Music Man) and Michael Urie (whom I last saw in Buyer and Cellar at the Taper back in 2014) on stage for the better part of a month in Once Upon a Mattress. The fun retelling of The Princess and the Pea was praised during its NYC run, particularly the “zany” energy between Foster and Urie, says the NY Times. It plays at the Ahmanson Dec. 10 through Jan. 5.

    Back to the Future: The Musical

    Doc and Marty McFly stand on either side of the DeLorean in "Back to the Future: The Musical."
    (
    Matthew Murphy, Evan Zimmerman
    )

    Great Scott! Perfect for kids and '80s-nostalgic adults alike, the Broadway tour of Back to the Future: The Musical is playing at the Pantages through Dec. 1 and then heads south to Segerstrom Center for the Arts in Costa Mesa from Dec. 26 through Jan. 5.

    I saw the show in London last fall and while it sticks mostly to the film’s story (and avid fans will definitely sit there and point out all the overlaps and differences for you), it thrives on its breaks from the movie with some truly out-there numbers that had me dancing in my seat. And I won’t spoil it, but the special effects rival a ride at Universal Studios.

    La Cage Aux Folles

    Cheyenne Jackson and Kevin Cahoon sit on a checkered couch, singing to each other on stage during a performance of "La Cage Aux Folles."
    (
    Jeff Lorch
    )

    The hottest drag club in town is the Pasadena Playhouse — at least until the delightful production of Jerry Herman and Harvey Fierstein’s modern classic La Cage Aux Folles closes on Dec. 15. Starring Cheyenne Jackson (Call Me Kat, American Horror Story: Apocalypse) and Kevin Cahoon (Shucked!), this show is the serotonin hit we all need this fall.

    New Works Festival

    One of my favorite theater events of the year is the New Works Fest at IAMA Theatre Company in Atwater Village, running from Dec. 5-15. Showcasing new plays by local talent, this year’s crop features readings of several new plays including Hit Machine (or True Wes) by IAMA favorite Jonathan Caren and Chloe Hung’s Care Less.

    Fiddler on the Roof

    Jason Alexander and another actor sit on stage in costume, performing the musical "Fiddler on the Roof." Alexander is toasting and smiling.
    (
    Jason Niedle
    /
    TETHOS
    )

    And get in while you can — Jason Alexander (Seinfeld, The Producers) takes his last bow as Teyve in Fiddler on the Roof at La Mirada on Dec. 1. Taking on the role originated by Zero Mostel on Broadway, Alexander steps in as the village elder, seeing his Jewish family through hardship, change, and love in rural Anatevka. Fun fact: Fiddler was the first musical I ever saw (I was 7), so let’s say it’s good for all ages!

    Waiting for Godot

    Just the mention of Waiting for Godot can elicit a strong reaction. People either remember reading the tragicomic Beckett play in school fondly and appreciate its long-lasting cultural relevance or they groan at the memory of making it through, finding it tedious. While a challenging play for sure, this production at the Geffen in Westwood has been getting great reviews and stars Aasaf Mandvi (Ghosts) and Rainn Wilson (The Office) as Estragon and Vladimir through Dec. 21.

    Wicked

    If you haven’t gotten your fill of Wicked at the movies, the Broadway version is coming to the Pantages starting Dec. 4. Go see it and be that person comparing every scene and difference from the stage to film.

    The Lythgoe Family's Panto franchise

    One of my favorite things about holiday time in England is the ubiquitous tradition of going to see a pantomime. Every neighborhood puts on their own version of a twisted fairy tale, with tropes that have withstood the test of time. Here in L.A., we have one of our very own each year — and this year, two! — produced by Lythgoe Family Panto. Peter Pan & Tinkerbell is on at the Scherr Forum Theater in Thousand Oaks from Dec. 13 to Dec. 29, and Rapunzel’s Holiday Wish stars Sally Struthers at Laguna Playhouse Dec. 7 through 29.

    Pacific Overtures

    Gedde Watanabe and Jon Jon Briones in costume for the show "Pacific Overtures."
    (
    Teolindo
    )

    East West Players just extended the run of their latest, Pacific Overtures, through Dec. 8, so you have a few more chances to catch the Sondheim musical at the Asian-American theater company’s home stage in Little Tokyo. The vintage 1976 show may not be Sondheim’s most well-known, but the musical, about Japan's westernization following a period of isolationism, was the first to play at East West Players back in 1979. This iteration features well-reviewed performances from West End vet Jon Jon Briones (The Reciter) and Gedde Watanabe.

    Kooza

    A woman aerial danced dressed in a red body and holding onto a long red, flowing ribbon performs in Cirque Du Soleil's show "Kooza."
    (
    Cirque Du Soleil
    )

    Cirque du Soleil is always a crowd-pleaser. The Canadian acrobats’ latest, Kooza, is on here under the big top at the Santa Monica Pier through Jan. 5.

    BATSU

    The Bourbon Room is curated exquisitely. If there’s a quirky show promoted there, I will always try to see it, and this December is no exception. BATSU is a Japanese game show- slash-theater-slash-improv event that will make its L.A. debut with five performances at the Hollywood venue next month. Playbill videographer Ethan Treiman called the experience, which premiered at Edinburgh Fringe “maybe my favorite thing I’ve ever seen.” Count me in.

    Christmas and beyond

    For more traditional holiday fare on stage, there’s a wealth of Christmas delights, from the sublime to the silly. Debbie Allen Dance is putting on Hot Chocolate Nutcracker in Redondo Beach, A Noise Within is doing A Christmas Carol, the L.A. Ballet also has the Nutcracker on and the American Ballet Theatre will visit Segerstrom with their version of the Tchaikovsky holiday classic as well. If you haven’t had enough of Clara and the Mouse King, Bob Baker’s Marionette Theatre is putting on a charming show at Sierra Madre Playhouse. On the comedy side, Bob’s Holiday Office Party is at the Odyssey and the musical White Christmas is in Simi Valley. Plus, don’t miss the annual L.A. County Holiday Celebration with a wide range of free performances at the Music Center on Christmas Eve.

    And as we head into the new year, the theater scene only gets better. Keep an eye out for the new Larissa Fasthorse play Fake it Till You Make It at the Taper, Harry Potter and the Cursed Child at the Pantages, and Sondheim’s final show Old Friends premiering in a pre-Broadway run at the Ahmanson with Broadway superstars Bernadette Peters and Lea Salonga.

    Sign up for the Best Things To Do newsletter to get your twice-weekly dose of events in L.A.

  • County health warns of possible exposure
    People walk through Union Station in Downtown Los Angeles. A decorated ceiling and six hanging chandeliers can be seen. Some people sit at benches.
    Union Station in downtown Los Angeles on February 20, 2025.
    Topline:
    The Los Angeles County Department of Public Health is warning the public of a potential measles exposure from an unvaccinated individual who traveled through Union Station this month.

    Details: People at Union Station during the exposure window of 8 a.m. to noon on Sept. 12 may be at risk of contracting measles seven to 21 days after exposure, county health officials say.

    What's next: People who were at Union Station between those hours should monitor for symptoms until Oct. 3.

    Go deeper: There are already more US measles cases this year than in all of 2025

    The Los Angeles County Department of Public Health is warning the public of a potential measles exposure from someone who traveled through Union Station in Downtown Los Angeles earlier this month.

    What happened

    The unvaccinated passenger arrived at Union Station on Saturday, Sept. 12, by Amtrak train just after 7 a.m. and departed about four hours later on an Amtrak Thruway bus bound for Bakersfield.

    People at Union Station during the exposure window of 8 a.m. to noon may be at risk of contracting measles seven to 21 days after exposure. The last day to monitor for symptoms is Oct. 3.

    State health officials say the passenger was traveling on buses and trains through L.A. and at least five other California counties before leaving the state.

    "This case, along with previous measles outbreaks in California this year, serve as reminders of the importance of vaccination against measles," said Dr. Rita Nguyen, assistant state public health officer. "Measles is one of the most contagious infections that can lead to severe lifelong consequences, including permanent brain damage, and can also be fatal, especially for children."

    What to watch for

    Symptoms of measles include fever, red, watery eyes, and a rash that usually develops several days after other symptoms and typically starts on the face.

    As of Sept. 14, a total of 59 measles cases have been reported in California this year. In most cases, patients were unvaccinated or had unknown vaccination status.

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  • A major project is reshaping 5 miles of Studebaker
    Orange traffic cones alongside a street. A man in a bike is waiting for the traffic light to turn green.
    A bicyclist makes his way through the Studebaker Road and Spring Street construction zone in Long Beach on Friday, Sept. 4, 2026.

    Topline:

    Long Beach is embarking on its biggest street redevelopment yet, reshaping over five miles of Studebaker Road into bike friendly lanes with other improvements.

    Why it matters: Long Beach has been working toward this vision since it adopted its bicycle master plan 25 years ago, now with mounting urgency as auto-related fatalities rise.

    Why now: The biggest project so far – the Studebaker Road Transformation Project – is bringing this vision to the doorstep of Studebaker Road residents. But not everyone is a fan.

    Imagine a sprawling network of roomy bike lanes, generously landscaped to calm relentless traffic. Think Amsterdam with newer buildings and fewer waterways. That’s been Long Beach’s goal anyway.

    Instead of wide post-war boulevards, roads would become slower and leaner, transforming Long Beach into a top-five global cycling city, said former city traffic engineer Paul Van Dyk. “Some of that is tongue-in-cheek, but if you shoot for the moon you land in the stars.”

    Long Beach has been working toward this vision since it adopted its bicycle master plan 25 years ago, now with mounting urgency as auto-related fatalities rise. The biggest project so far – the Studebaker Road Transformation Project – is bringing this vision to the doorstep of Studebaker Road residents.

    It has drawn mixed reviews.

    'The intent of the design is malicious'

    “The intent of the design is malicious — it’s immoral,” said Joey Schilling, who drives the road six days a week and wrote a social media post criticizing the project that drew almost 1,000 comments. ”It’s people who do not use the road trying to tell other people how to use the road.”

    Amid red cones and barriers, a woman and her dogs navigate the construction zones at Studebaker Road and Willow Street in Long Beach on Friday, Sept. 4, 2026. Photo by Thomas R. Cordova.The $65 million project runs over five miles from Second Street all the way up to Carson Street. It includes bike lanes, greenways and stonescape with fiber-optic cable running underneath. It is crucial to the city’s long-term plan of knitting together 300 miles of bikeways by 2040 to bring bicycle culture to Long Beach, as well as create safer streets.

    The massive project funded from 13 federal, state and local agencies, gives a glimpse of what’s to come for Long Beach thoroughfares. The Clark Avenue work is in progress. Pacific Avenue and Orange Avenue “backbone” plans are on deck. Now Studebaker Road, the biggest, longest and most expensive, is well underway, spending the most dollars and, arguably, drawing the most resident anger.

    Schilling, who lives near Studebaker Road actually does ride his bike to work in Seal Beach and said he is OK with bike lanes in general. However, he says the project is not practical in a community where he says most drive to work. “It’s not a reasonable solution. It’s not even for the greater good, that would be to appease the 95 percent who use their cars. The cost and the benefit do not match up. The cost is too high, the benefit too low.”

    Wider lanes, sturdier medians

    The Studebaker project features raised bus stops and wider bike lanes than have been seen previously. No more flimsy bollards separating bikes from cars, said Van Dyk, the city traffic engineer who helped usher in the bikeway and traffic-calming street plan before he went on to consult on other urban bike projects.

    The green bollards seen on Bellflower Boulevard and Studebaker before the redo often get hit by cars and can resemble thick blades of stomped grass. “People do not like the way they look, and I agree with their frustrations,” said Van Dyk. “That’s why we moved towards those concrete medians.“ He said planners “learned a lot of lessons along the way.”

    Studebaker will feature roomier bike lanes – 9 feet wide compared with the old 6-foot-across version. Wider lanes will allow riders to travel two abreast for a better ride, Van Dyk said. It also makes them easier to clean. Debris-filled lanes are a sore spot with bikers.

    The old bike lane sweeper the city used to clean narrow paths was notoriously difficult to move and use. (Fourth District Councilmember Daryl Supernaw joked that sightings of the small sweepers were less frequent than Bigfoot.) But a regular street sweeper can get into the broader lanes where it can’t on Broadway and Bellflower south of Atherton. (They actually set a street sweeper in a bike lane before planning and pouring the concrete to make sure it would fit.) Still, protected bike lanes are harder to clean than lanes merely separated by paint and “swept” by passing cars.

    David Raslevich, a 41-year-old cyclist who frequently rides on the new lanes on Clark, said he has noticed branches, leaves and other debris. “I feel safer riding with the traffic, because they (cars) move debris out of the way for you.”

    Buses stop in traffic, not turnouts

    One new component of Studebaker and the other newer lanes are raised bus stops. The new stops designed to accommodate bikes and buses are about five inches off the ground and separated from the road by a curb. Buses will stop in the No. 2 lane, halting traffic behind them, and pick up passengers, instead of easing out of a bus turnout.

    Van Dyk said that change evolved from talks with Long Beach Transit, which revealed that buses would sometimes get hit when pulling into traffic. Planners reasoned it’s better to have cars waiting for a bus to pick up passengers instead of forcing a bus waiting to pull into the No. 2 lane.

    “It’s math my second grader can do: What’s better, 40 people on a bus wait or four people in cars,” Van Dyke said. “Which is the greatest cost to society? The bus is going to be more efficient.” He also contends the new system is safe; there is less ambiguity as a bus will slow down in front of a car, so the car would be more likely to stop instead of zipping around a protruding bus bumper.

    It is too early to know how this plan will play out – the new bus lane curbs on Clark show missing chunks already from drivers that likely didn’t see them. Raslevich said he has seen cars turn into the curb by the raised bus stop. “They don’t know that there’s an island there, so they’re hitting that island, pretty much daily.”

    Councilman Supernaw, whose district encompasses the $65 million project, had reservations about the price tag before ultimately supporting it.

    'All anyone asked for is a repave'

    “All anyone asked for is a repave, to get rid of potholes and have a smooth surface to drive on,” Supernaw said. “Should we just forgo the bike lanes and do a straight repave? The answer was no, we wanna use the grant money for the bike lanes.”

    The city saw it as a grander vision, weaving together a puzzle of state and federal grants along with $8.5 million in local sales tax money for new transit stops, sidewalks and curb ramps that improve how all people can move through the city.

    “It’s not just ‘I wanna ride a bike for fun.’ People need it to get to work,” said Jocelin Padilla, a spokesperson for the city’s Public Works Department.

    'Communication via spraypaint'

    A series of community meetings were held in 2024, drawing limited feedback. But when residents later saw painted pavement markings showing the planned curbs and bike lines, “they got involved in a big way,” Supernaw said.

    “We call this communication via spraypaint,” said Supernaw. “Constituents see lines marked out and contact the council office.”

    Aside from the cost and the bus islands, some residents are frustrated by the execution. Leslie Goldman, who lives near Studebaker and Stearns, said large piles of dirt – at times higher than cars – have blocked residents from crossing the street or seeing oncoming traffic. Some concerns were addressed, including a bus shelter that was added due to feedback from residents.

    “We’re not saying we don’t want construction done ever, that’s life in the big city,” she said. But Goldman contends the “assembly line” construction approach, as opposed to the work done in shorter phases, is leading to more “noise, vibration, dust, traffic, blind spots, trash, roadblocks, … All at sporadic intervals unknown to residents. It’s not just an inconvenience, it’s a hardship.”

    A 'once-in-a-generation' timeline

    Padilla of Public Works acknowledged the hardship, but said the benefits would outweigh the short-term pain. She said doing the work in shorter segments would increase costs and project timelines – not a good thing when it needs to be finished by the Olympics. “This is a once-in-a-generation project,” she said.

    Not all residents are wary. “Studebaker is gonna be awesome when it’s done,” said Dan Olsen, who lives near Studebaker and Atherton. “It’s new, it’s fresh, the neighborhood is going to benefit. It’s been a total pothole disaster for so long. … Even though there are catches and hooks, it’s still worth it.”

    Long Beach still isn't Amsterdam

    Long Beach is not yet Amsterdam; it’s still a patchwork of protected lanes and unprotected ones of varying degrees of newness. But Studebaker should be done in 2027. Pacific Avenue and Orange Avenue are next. The bike lanes and streets won’t uniformly connect, but there will be more of them – Artesia Boulevard to service Jordan High, Clark Avenue near Long Beach City College and now Studebaker. “Long Beach’s cycling network is reaching critical mass,” Van Dyk said.

    Van Dyk and other bike proponents say it’s a long game. Amsterdam itself was car-dominated until the 1970s when the Stop de Kindermoord movement was launched in response to the high number of child deaths. “It’s a generational effort; it took multiple generations to give us the infrastructure we have today,” he said.

    Will any of this make the streets safer?

    Will they help make transportation safer for cars and bikes? The city racked up 53 traffic deaths in 2025, the highest in a decade, and 32 bike/pedestrian and e-scooter deaths. This year has seen 36 traffic deaths through mid-September. The city is also trying other tools; speed cameras are being installed, and tickets will go out this fall.

    It’s not yet any safer to ride through Long Beach than it was 10 years ago, “but it’s not safer to do anything in Long Beach,” said Kurt Canfield, a cyclist and organizer for Car Lite Long Beach, a bike advocacy organization. He often rides the Broadway bike path, which he considers a success despite debris in the lane and other issues.

    “They wanna bike, they wanna walk, people are driving 300 horsepower crossovers. We’re in conflict for the same space,” he said. “But this infrastructure gives us the ability to be safer.”

  • Two shows bring live music to Griffith Park
    A man in a red jacket and jeans sits on the edge of a piano trailer at sunset, facing a wide lake with distant hills, one hand resting near the other, smiling out at the water.
    Hunter Noack takes in the view at Summer Lake, Oregon, ahead of an In a Landscape performance.

    Topline:

    Pianist Hunter Noack brings his grand piano to Griffith Park for two shows in September, part of a nationwide series organized in partnership with the nonprofit Trust for Public Land.

    Why it matters: The Sept. 26 and 27 performances mark the first time the "In a Landscape" series has played Los Angeles in its 11-year run.

    Why now: The shows nod to Trust for Public Land's work in the Griffith Park hills. The nonprofit helped raise the funds that kept Cahuenga Peak and the ridgeline around the Hollywood sign from being developed.

    A grand piano, hauled in on a Ford F-350, will make its way next weekend to Griffith Park.

    Then, right below the Hollywood sign, the flatbed will unfold into a stage for a recital by pianist Hunter Noack, who has played everywhere from Yosemite Valley to Joshua Tree National Park.

    His Sept. 26 and 27 performances are all part of In a Landscape: Classical Music in the Wild, organized in partnership with the nonprofit Trust for Public Land. (The show is sold out, but you can sign up for the waitlist.)

    For a decade, Noack has hauled his Steinway — the same model used at Carnegie Hall — through rough terrain to perform in unusual places: 370 concerts and counting.

    The piano has survived fire, wind and 112-degree heat

    "We've had the piano lid be ripped off by the wind. We've had the piano trailer tires catch fire on Highway 1. We've almost driven off the side of Mount Bachelor. We've played in 112-degree heat and negative 2 degrees in the winter," Noack said. And the piano has come out unscathed, including after it was towed down the washboard gravel along Schweitzer Mountain in Idaho — the only thing that happened was that it went out of tune.

    How the show actually works

    Among the pieces on the program at Griffith Park is "Nature Boy," the song Eden Ahbez wrote while living outdoors under the first L of the Hollywood sign. The song was later made famous by Nat King Cole.

    Audiences at the Griffith Park show will be provided with wireless headphones for concert-hall quality sound, he said. "Some people just set up their picnic chairs or blankets right near the stage. Other people lay down," Noack said. "When there's so much else that's happening visually ... the music kind of automatically becomes a soundtrack, and we all get to experience that together."

    The philosophy behind the series' name

    The series is named after "In a Landscape," a piece by John Cage, who believed any sound could be music — even "somebody crinkling on a bag of chips," Noack said.

    During his first show in 2016 at the Columbia River Gorge, Noack was midway through a soft Schumann piece about a delicate flower when 40 Harley-Davidsons on a memorial ride rolled up and circled the piano.

    Rather than pack it in, he answered with Frederic Rzewski's "Winnsboro Cotton Mill Blues," a piece built to mimic the aggressive clatter of a cotton mill. "It was a conversation between the piano and these roaring Harleys," he said.

    In a Landscape: Classical Music in the Wild

    Where: Griffith Park, 3200 Canyon Dr., Los Angeles
    When: 3 to 4:30 p.m., Saturday, Sept. 26 and Sunday, Sept. 27
    Tickets: Both shows are sold out, but you can join the waitlist.

    The show is held in partnership with the Trust for Public Land, a nonprofit that helps preserve Cahuenga Peak and the ridgeline around the Hollywood sign for the public.

  • Asian immigrants disproportionately arrested
    A lone protester walks past graffiti tagged on a wall across the street from the Metropolitan Detention Center on Sunday, April 11, 2026 at Los Angeles, CA.
    A protester walks past graffiti tagged on a wall across the street from the Metropolitan Detention Center in April.

    Topline:

    California accounted for the largest share of ICE arrests involving people from Asian countries during the first 18 months of President Trump’s second term, according to a new data tracker.

    Why now: The new Asian and Pacific Islander ICE Tracker shows how arrests, detentions and deportations are rising faster among Asian immigrants than among immigrants overall.

    Go deeper: ICE raids quiet SoCal's Asian hubs

    California saw the largest share of immigration arrests of people from Asian countries during the first 18 months of President Trump’s second term, a new tracker shows.

    More than 25% of arrests by Immigration and Customs Enforcement agents took place in California, home to the country's largest Asian population, followed by Texas and New York.

    The findings come from the new Asian and Pacific Islander ICE Tracker launched by Stop AAPI Hate.

    These communities are often missing from the national debate over immigration enforcement, said Cynthia Choi, co-founder of Stop AAPI Hate during a briefing on the tracker.

    “Asian and Pacific Islander communities deserve better than to be an afterthought in this crisis," Choi said. With the tracker, "we are aiming to ensure we cannot be ignored any longer."

    The data shows that ICE actions targeting Asian immigrants rose much faster than enforcement against groups overall between January 2025 and August 2026.

    Arrests were up 436% compared to a similar time period during the Biden administration; detentions up by 512%; deportations up by more than 1,100%.

    The number of arrests peaked this past July with 1,950 recorded nationwide.

    In California, there have been more than 5,300 arrests of Asian immigrants and more than 11,400 detention stints, which includes separate stays at different facilities during a single detention.

    As for deportations, they were not broken down by state.

    The largest numbers involved people from India and China, the countries of origin for the largest Asian immigrant populations in the U.S.

    Stephanie Chan, Stop AAPI Hate’s director of data and research, noted that a rise in anti-Indian rhetoric centered on H1-B visa holders and truck drivers.

    "You see a lot of elected officials saying things like, 'Indians are coming to take the jobs,'" Chan said.

    Researchers also found that people from smaller communities — such as those from Laos and Uzbekistan — were arrested at rates far disproportionate to their share of the Asian noncitizen population.

    The tracker draws from ICE records obtained through public-records requests by the Deportation Data Project at UCLA and UC Berkeley.

    Leaders at Stop AAPI Hate said the Trump administration's immigration crackdown is not only harming the people being swept up by ICE. Chan said the group’s annual survey of Asian Americans and Pacific Islanders found more than half have felt the effects.

    “That includes things like fearing that their status will be questioned,” Chan said. “That they will be arrested, detained, or deported.”

    Choi drew parallels with how Asian Americans were scapegoated during the COVID-19 pandemic.

    U.S. Rep. Ro Khanna, a California Democrat who joined the briefing on the tracker, said the findings felt "very personal" because of the state’s large share of arrests.

    A member of the Republican-led congressional China Committee focused on U.S. competition with the Chinese government, Khanna predicted Democrats would win the mid-terms and shift the tone of that panel.

    "It's going to be much more about a celebration of Asian Americans — and documenting that — than the demonization of other countries," Khanna said.