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The Brief

The most important stories for you to know today
  • Celebrate the Fourth all over L.A.
    The Hollywood Bowl shell is lit up with fireworks.
    Summer is in full force when the Beach Boys perform at the Hollywood Bowl, followed by fireworks.

    This week/weekend (EDIT)

    Watch traditional fireworks for the July Fourth holiday — or a not-so-traditional drone show. Catch a double road trip feature with Easy Rider and Beavis and Butt-Head. Laugh along at the Popular Kids Club.

    Our picks:

    • Firework shows, All Over- Fireworks (or a drone) shows galore in Woodland Hills, Long Beach, downtown L.A., Huntington Beach, and Big Bear.
    • Easy Rider / Beavis and Butt-Head Do America, New Beverly Cinema, 7165 Beverly Blvd., Fairfax- Watch a double feature of two different road trips across ‘Merica.
    • Popular Kids Club, Permanent Records Roadhouse, 1906 Cypress Ave., Cypress Park. 
      Keep the holiday vibes going with a few laughs.

    Watch traditional fireworks for the July Fourth holiday — or a not-so-traditional drone show. Catch a double road trip feature with Easy Rider and Beavis and Butt-Head. Laugh along at the Popular Kids Club.

    Events

    Monday, July 3 and Tuesday, July 4; 7:30 p.m. 

    July 4th Fireworks Spectacular with The Beach Boys
    Hollywood Bowl
    2301 N. Highland Ave., Hollywood
    Celebrate America’s independence by listening to The Beach Boys (with guest drummer John Stamos) as they play Southern California beach anthems with the Hollywood Bowl orchestra. Stick around for the post-show fireworks.
    COST: Tickets start at $39; MORE INFO

    A jazz trio of a bassist, trumpeter and drummer performs on a stage.
    Idyllwild Arts Academy's popular annual fundraiser, Jazz In The Pines, returns on Monday for two weeks of veteran and student jazz artists.
    (
    Courtesy of Idyllwild Arts / www.idyllwildarts.org
    )

    Monday, July 3 - Saturday, July 15

    Idyllwild Arts: Jazz in the Pines 
    Various locations around Idyllwild Arts Academy Campus
    Idyllwild
    If you’re road-tripping to the mountains this week or next, the Idyllwild Arts Academy holds its annual fundraising concert series with a lineup that includes both noted artists and students. Curated by jazz vocalist Rose Colella, headliners include Grammy Award-winning trumpeter John Daversa, Marshall Hawkins’ Seahawk MOJO, along with Euphoria Brass Band, Joshua White, Sherry Williams, Yve Evans, Rose Colella, Tom Hynes, Dan St. Marseille, Bob Boss, Frank Fontaine, Tina Raymond & The Idyllwild Arts All-Star Student Jazz Combo.
    COST: FREE - $500; MORE INFO

    Tuesday, July 4; 7:30 p.m.  

    LA Galaxy vs. LAFC & Fireworks Night
    Rose Bowl
    1001 Rose Bowl Dr., Pasadena
    While the Dodgers and their fireworks show take place farther down the 110, the 2023 AmericaFest event in Pasadena has been replaced by an LA Galaxy vs. LAFC opener, which was postponed from earlier this year. Ticketholders will be allowed to watch the fireworks from inside the stadium, but there are plenty of other places to catch the show around Pasadena.
    COST: Tickets start at $35; MORE INFO

    Tuesday, July 4 - Thursday, July 6; 7:30 p.m. 

    Easy Rider / Beavis and Butt-Head Do America
    New Beverly Cinema
    7165 Beverly Blvd., Fairfax
    Watch a double feature of two different road trips across ‘Merica. The first stars Peter Fonda and Dennis Hopper as bikers/drug traffickers who are joined by lawyer Jack Nicholson on their trek to Mardi Gras. The second stars, well, Beavis and Butt-Head, in a madcap adventure to recover their stolen TV.
    COST: $13; MORE INFO

    Tuesday, July 4; 1 - 7 p.m.

    Fourth of July ADLT SWM
    Tropicana at the Hollywood Roosevelt
    7000 Hollywood Blvd., Hollywood
    Before the fireworks and BBQs, head to the Roosevelt for a pool party featuring DJs spinning house, Nu-Disco and indie dance tunes. Food and drinks will be available for purchase. Ages 21+ only.
    COST: FREE with RSVP; MORE INFO

    Tuesday, July 4; 4 - 9:30 p.m.

    Gloria Molina Grand Park’s 4th of July Block Party
    Grand Avenue to Los Angeles Street and from Temple Street to 2nd Street, downtown L.A.
    This year’s Grand Park festivities will not include traditional fireworks, but instead, partygoers will be dazzled by a 3-D drone show to light up the nighttime sky. More than 500 drones will fly above Jerry Moss Plaza right across from Grand Park beginning at 9 p.m. The family friendly festival includes performances by Maya Jupiter, DJ Ethos, Medusa, Georgia Anne Muldrow and Cut Chemist + Chali 2na.
    COST: FREE; MORE INFO

    Catch old-fashioned fireworks and festivities all over Southern California, including:

    Tuesday, July 4; 9:30 a.m. 

    Santa Monica 4th of July Parade
    Main Street, from Pico Boulevard / Ocean Park Library
    The Ocean Park Association hosts a hometown parade toward the beach featuring dancers, live bands, classic cars and costumed performers. Spectators (including leashed doggies) are welcome all along the route.
    COST: FREE; MORE INFO

    Tuesday, July 4; 6:30 p.m. 

    Tuesday Night Cafe - The Taking Up Our Space Show!! + BBQ Boogie
    Union Center for the Arts 
    120 Judge John Aiso St., downtown L.A.  
    The performing and visual arts series holds its regular happening on July 4th with a BBQ starting at 6 p.m. With the theme, The Taking Up Our Space, the night features a number of Asian American artists whose work “surrounds the way we imagine, take, and create space for ourselves as a community and as individuals.” The lineup features beats by DJ Lomo with Mujo Dream Flight, Tejal Patel, Cynthia Cheng, Mary Rose Go and Audrey Kuo, plus the open mic lottery. Virtual viewing option available.
    COST: FREE; MORE INFO

    Thursday, July 6; 7:30 p.m.

    Nope on 70mm  
    Academy Museum of Motion Pictures
    6067 Wilshire Blvd., Mid-Wilshire
    In celebration of the final weeks of the exhibition Regeneration: Black Cinema 1898–1971, the Academy Museum screens contemporary films that have sprung from the earlier period. Regeneration, Remixed presents Jordan Peele’s sci-fi western Nope (in 70mm) with a pre-screening conversation with writer-artist Harmony Holiday, filmmaker Nicole Miller and cultural critic and educator Jared Sexton with moderator Mason Richards.
    COST: $5 - $10; MORE INFO

    Thursday, July 6; 8 p.m.

    Popular Kids Club
    Permanent Records Roadhouse
    1906 Cypress Ave., Cypress Park 
    Keep the holiday vibes going with a few laughs. The popular outdoor comedy show returns with headliners Iliza Shlesinger and Jon Daly, along with Avra Friedman, Chris Garcia, Nick Taravella and Julia Austin.
    COST: $8 - $12 MORE INFO

    Viewing Pick

    Ring, Ring: A Doorbell Cam Fantasia
    The IRL screening of Ring, Ring: A Doorbell Cam Fantasia takes place at Vidiots in Eagle Rock on Thursday, July 6 at 7:30 p.m. Presented by the Museum of Home Video, a weekly found footage livestream for film fans and stoners alike, the program includes a new feature-length edit of doorbell camera footage (porch thieves, pranksters, et al.) that’s “chilling and all-too-real.” Plus, also watch horror movie ephemera. Tickets run $9 - $12.

    A pair of tongs reaches for a strawberry danish among a number of other pastries.
    Bastion Bakery is the newest addition to the Grand Central Market in downtown L.A.
    (
    Courtesy Grand Central Market
    )

    Dine and Drink Deals

    Here are a few dine and drink options to indulge in this week.

    • On Wednesday, July 5, Ray Garcia’s asterid in downtown L.A. launches Wine Wednesdays. Diners can enjoy half-off all bottles of wine as well as a rotating featured selection of wines (reds, whites, rosés and orange) available by the glass for $12.  
    • Ms Chi Cafe in Culver City launches a happy hour on Wednesday, July 5, running Wednesdays through Fridays from 4 to 6 p.m. Guests can indulge in a $6 happy hour menu of savory small bites, including Chef Shirley Chung’s lion’s head meatballs, chicken jiaozi and vegan garden dumplings; along with a selection of house wines and draft beers (also $6). 
    • La Venta Inn in Palos Verdes Estates holds a Fireworks Viewing Party on July 4, with great views from the Queen Necklace coastline and fireworks shows all around L.A. Meg Walker of Made by Meg Catering creates classic American BBQ Bites, including burgers, hot dogs, salads and more, plus a few additional food stations in addition to beer, wine and soft drinks. Tickets range from $32.20 – $67.85.
    • On Monday, July 3, from 7 a.m. to 9 p.m., spcaLA holds a fundraiser at Hof’s Hut Restaurant and Bakery (2147 Bellflower Blvd., Long Beach). Help raise funds for shelter pets when dining in or take out, as the restaurant will donate 20% of the meal price (when you mention spcaLA). Please RSVP if you are participating because they must meet the minimum number of RSVPs for the fundraiser to go into effect.
    • La Monarca Bakery has launched four new iced drinks just in time for the summer heat. Enjoy the sweet flavors of Mexico in the Matchata, matcha green tea and horchata mix spiced with cinnamon; horchata de olla — café de olla, horchata, cinnamon, with cold foam; hibiscus lime tajin, a spicy, sweet drink with real Tajin; and the mango lime tajin that’s a fruity, tart and sparkling beverage with real Tajin.
    • New bakery alert: Bastion Bakery (pictured above) by Sara and Julian Partovi, in partnership with Carlos Enriquez of Bakers Kneaded, is now open at Grand Central Market in downtown L.A. Offering seasonal treats including pistachio croissants, gluten-free donuts, freshly baked baguettes, cakes, pies and their own BK Buns. Open daily from 8 a.m.

  • Newsom orders CA agencies to develop new plans
    Governor Gavin Newsom, a man with light skin tone, wearing a dark colored suit, holds up a piece of paper as he speaks behind a podium with signage that reads "Protecting kids."
    Gov. Gavin Newsom speaks during a press conference at the Bay Area Discovery Museum in Sausalito, where he signed 13 bills focused on protecting kids from technology, on Sept. 10, 2026.

    Topline:

    Gov. Gavin Newsom on Friday ordered state agencies to develop safety regulations for artificial intelligence after vetoing tougher rules two years ago.

    Why now: His change of tune on those measures, including requiring AI developers to include a “kill switch” to shut off certain programs in emergencies, comes in response to growing public alarm over the fast-developing technology’s potential “catastrophic” harms such as AI creating a bioweapon or bringing down the power grid.

    The backstory: Newsom has sought in recent weeks to respond to several incidents in which AI agents from leading developers OpenAI and Anthropic broke away from testing environments, gained access to the open internet and carried out cyberattacks on other websites and companies. Earlier this month, a researcher set off a panic when he resigned from Anthropic while warning the technology could “kill all humans;” the researcher’s former colleagues were quick to agree.

    Read on... for more on Newsom's order.

    Gov. Gavin Newsom announced Friday that he is directing state agencies to develop artificial intelligence safety recommendations, some of which were part of a bill he vetoed two years ago.

    His change of tune on those measures, including requiring AI developers to include a “kill switch” to shut off certain programs in emergencies, comes in response to growing public alarm over the fast-developing technology’s potential “catastrophic” harms such as AI creating a bioweapon or bringing down the power grid.

    Newsom is seeking recommendations from the Government Operations Agency and the Governor’s Office of Emergency Services by Nov. 16, meaning they could form the basis of a special legislative session on the issue. He floated the possibility of calling one in Politico on Thursday.

    Newsom has sought in recent weeks to respond to several incidents in which AI agents from leading developers OpenAI and Anthropic broke away from testing environments, gained access to the open internet and carried out cyberattacks on other websites and companies. Earlier this month, a researcher set off a panic when he resigned from Anthropic while warning the technology could “kill all humans;” the researcher’s former colleagues were quick to agree.

    The hackings have captivated the public and seem to confirm AI researchers’ fears that the fast-developing technology is improving its own capabilities beyond human control. Several industry leaders last week endorsed Anthropic CEO Dario Amodei’s call for a slowdown in development.

    Newsom’s Friday executive order directs the state agencies to recommend changes in state law to implement an external evaluation requirement, as well as requirements that AI companies’ safety frameworks required under the newest law be independently verified. He’s also seeking recommendations on how to require a kill switch, and how to expand the safety incidents companies must report to include “a range of loss-of-control incidents” such as the recent reported hackings.

    Regulation is unlikely from the federal government; President Donald Trump remains all-in on speeding up AI development in the face of competition from China and said the calls for a slowdown are a “conspiracy.”

    Newsom, a likely 2028 presidential contender, said Friday in a press release that should “alarm every American.”

    “We’re going to speed up our work on substantial and responsible AI oversight before it's too late,” he said.

    California under Newsom has enacted several first-in-the-nation laws to curb the potentially existential risks of AI. In 2025 he signed Senate Bill 53, which requires large AI model developers to publish frameworks on how they manage safety incidents and assess catastrophic risk — defined as incidents involving 50 or more deaths, chemical or biological weapons or more than $1 billion of theft or damage. They also must report critical safety incidents to the state. Illinois and New York have similar laws.

    But the measure was a compromise — a requirement for transparency rather than regulatory control — after Newsom in 2024 vetoed Senate Bill 1047.

    Both bills were authored by Democratic Sen. Scott Wiener, whose San Francisco district is home to the most prominent AI companies.

    The vetoed measure would have required the largest AI developers to receive safety auditing from third-party, external monitors, develop a kill switch and be subject to clearer legal liability if their technology causes harm. The measure divided Silicon Valley and received fierce opposition from several, but not all, of the largest AI developers.

    Newsom wrote then in a veto letter that while he agreed with the need to require safety protocols, the bill could restrict AI development at large companies “at the potential expense of curtailing the very innovation that fuels advancement in favor of the public good.”

    “I agree with the author — we cannot afford to wait for a major catastrophe to occur before taking action to protect the public,” he added.

    Since then, more in the industry have embraced third-party evaluations. This year, Newsom signed two laws to verify and set standards for those external monitors. But the new laws did not require companies to use them.

    In a recent call for a slowdown in AI development that was endorsed by several other industry leaders, Anthropic CEO Dario Amodei also called for third-party monitoring; both that company and OpenAI say they will commit to the practice.

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

  • Sponsored message
  • City Council votes to withhold rebuilding permits
    A slightly low angle view of a warehouse building with bags of trash outside next to a gated fence.
    Workers continue to clear out the Lineage warehouse in Boyle Heights.

    Topline:

    The Los Angeles City Council on Wednesday approved a series of measures that halt the rebuilding of the burned Lineage warehouse in Boyle Heights and that steer funding toward fire recovery efforts.

    Why it matters: In a unanimous vote, the City Council barred the Los Angeles Department of Building and Safety (LADBS) from issuing any rebuild permits until after the Los Angeles Fire Department completes its investigation.

    More resources: The council also directed city staff to explore the feasibility of establishing a fund of up to $10 million to support the affected Lineage community. It also called for the reallocation of up to $940,000 in Los Angeles County Fire Assistance Grant Funds to the Boyle Heights WorkSource Center for Lineage Fire Recovery to support impacted workers and businesses.

    Read on... for more on the vote.

    This story first appeared on The LA Local.

    The Los Angeles City Council on Wednesday approved a series of measures that halt the rebuilding of the burned Lineage warehouse in Boyle Heights and that steer funding toward fire recovery efforts.

    In a unanimous vote, the City Council barred the Los Angeles Department of Building and Safety (LADBS) from issuing any rebuild permits until after the Los Angeles Fire Department completes its investigation.

    The council also directed the Department of City Planning, the city attorney and the LADBS to present an interim control ordinance prohibiting permits or certificates of occupancy for large cold-storage warehousing and distribution near residential neighborhoods and sensitive areas like parks, schools, day care centers and libraries in Boyle Heights. 

    The ordinance, if approved, would be in effect for 45 days, with an option to extend by 10 months and 15 days. It could be extended by an additional year, or until the “appropriate land use regulatory controls have been prepared,” according to a city staff report. 

    “This Lineage fire exposed the cost of systems that have concentrated industrial risk in working-class communities of color for generations,” said Councilmember Ysabel Jurado during the council meeting. 

    “A facility should not be able to request a like-for-like rebuild while the fire investigation remains active and the surrounding community is still living with the consequences,” she added. 

    Jurado pushed forward the measures, noting that “recovery doesn’t finish when the site is cleaned up.”

    “Our responsibility is also to demand accountability and strengthen protections so residents do not experience a disaster like this again,” she said. 

    Jurado said the measures will ensure Boyle Heights residents “aren’t left to navigate recovery alone or bear the financial burden of an emergency they did not create.”

    The council also directed city staff to explore the feasibility of establishing a fund of up to $10 million to support the affected Lineage community. 

    It also called for the reallocation of up to $940,000 in Los Angeles County Fire Assistance Grant Funds to the Boyle Heights WorkSource Center for Lineage Fire Recovery to support impacted workers and businesses. 

    Additionally, council members instructed the LADBS and the city attorney to provide recommendations for increasing penalties for notices of violations “on projects that impose a significant impact to the community,” as seen in the Lineage fire. Recommendations should include a fee and fine structure that ranges from $25,000 to $1 million per fine, according to a city staff report.

  • A year later, how are film and TV workers faring?
    Several people stand around California Governor Gavin Newsom, speaking at a podium with a sign on it that reads "Lights, Camera, Jobs" in white letters on a blue background. Above them is a ceiling of exposed wooden beams and they're standing on a plywood floor of what appears to be a soundstage.
    California Governor Gavin Newsom speaks at a news conference, where he announced a major expansion of the state's film and TV tax credit program, raising the cap to $750 million in an effort to keep entertainment productions in California, at the Ranch Lot Studios in Burbank, California on July 2, 2025.

    Topline:

    In 2025, California majorly boosted its film and TV tax credit program for the first time since 2014 in an effort to keep jobs in the Golden State. One year out, we asked film and TV workers in Los Angeles how they're faring.

    The responses:

    • Chineza Ezinkwo, production coordinator/supervisor: “It feels incredibly uncertain, but I will say there's more hope these past two years than there was certainly [in] the past three or four years.”
    • Pam Elyea, prop house owner: “Are we at where we were before? No. But we certainly are so much better, and so it kind of gives you hope moving forward.”
    • Andrea Wheeler, costumer: "Everybody is on eggshells. Everybody's just like, "Oh, thank God we're working. ... You feel like you're in a dying industry right now."

    Read on ... for more on the state of the entertainment industry in Los Angeles.

    “Was it like this during the Great Depression?”

    It’s a question that prop house owner Pam Elyea says she’s asked herself in recent years, as the film and TV industry has weathered multiple hits — the pandemic, the dual industry strikes of 2023, the 2025 fires — and a loss of production jobs to other states and countries that began decades ago.

    Elyea, along with her husband Jim, opened History for Hire, a prop house in North Hollywood, in 1985. Before the pandemic, they had a staff of 20 people, but now employ only nine full-time employees.

    “As an employer and a business owner, the feeling you're always trying to overcome is that feeling of weariness,” Elyea says. “ That it was just dragging on and on, and there's really no big hope in sight.”

    ‘It got everybody excited’

    Elyea says she was heartened by the boost to California’s film and TV tax incentive program in July of 2025 — from $330 million to $750 million: “It got everybody excited."

    Elyea says she started to see positive effects sooner than she expected, about three months in, first with new TV productions that were tax credit recipients coming to History for Hire for props, and more recently feature films.

    A group of five people pose for a picture outside the U.S. Capitol building. The sky is blue and cloudless around the dome of the building.
    Members of the Set Decorators Society of America in Washington, D.C., lobbying for a federal film and TV tax incentive on September 16, 2026.
    (
    Courtesy of Pam Elyea
    )

    She’s also now lobbying for a new federal film and TV tax incentive, which President Donald Trump recently said he’d support.

    “Are we at where we were before? No,” she says. “But we certainly are so much better, and so it kind of gives you hope moving forward.”

    ‘Flickering back to life’

    Elyea’s experience is reflective of some of the data on film and TV productions in Los Angeles over the last year.

    On the LAist podcast Imperfect Paradise, entertainment journalist Dawn Chmielewski notes that Film LA, which tracks permitting for on-location shoots in and around Los Angeles, showed that when it comes to television production, there was a 51% increase in the second quarter over the first.

    “Overall, the numbers are still down year over year,” Chmielewski says. “But it's showing that the industry is sort of flickering back to life.”

    Another promising data point Chmielewski points out: ProdPro, which tracks productions around the world, “showed that both the number of films being shot and overall production spend are both up in California for the second quarter of this year.”

    But there are also statistics that point to a less rosy picture.

    Film LA research that shows the number of shoot days in Los Angeles has decreased by nearly 50 percent since 2017. And it’s estimated that since the peak of the streaming era in 2022, nearly 50 thousand production jobs have been lost in Los Angeles.

    ‘It feels incredibly uncertain’

    Costumer Andrea Wheeler describes the current climate in the industry as one where “everybody is on eggshells,” with so many people she knows who’ve had to pivot to other careers that “you feel like you’re in a dying industry right now.”

    A woman with long brown hair, wearing a blue and white winter hat and a maroon sweater and scarf, smiles while sitting at a table. Behind her is a bar that is out of focus.
    Andrea Wheeler is a costumer who has worked on TV shows like "Lopez v. Lopez" and movies like Marvel's "Eternals."
    (
    Courtesy of Andrea Wheeler
    )

    While Wheeler was recently able to find work on a show that moved from Vancouver to California because of the tax credit boost here, she says the pay and working conditions didn’t match up to the kind of work she was able to find in the past.

    From around 2016 to 2019, she says, “if you were in a job that was really atrocious, just like really bad working conditions ... You could just leave and find another job the next day. There was a lot of security there, [but] not now.”

    A woman wearing a black t-shirt reading "Shondaland" sits in a director's chair and smiles at the camera. Next to her is an empty director's chair that reads "Netflix" and behind her is a softly lit red backdrop.
    Chineza Ezinkwo is a production coordinator based in Los Angeles. She most recently worked on "Tyrant," a Charlize Theron film that shot in LA.
    (
    Courtesy of Chineza Ezinkwo
    )

    Chineza Ezinkwo, a production coordinator who’s worked in the film and TV industry in Los Angeles since 2011, echoes Wheeler.

    “ Yes, there's more work happening, but also it's hard to find,” Ezinkwo says. “You can't really plan to build a life in the way that you felt like you used to even a few years ago.”

    Still, she says there is also a bit of a renewed sense of optimism in the industry right now.

    “It feels incredibly uncertain, but I will say there's more hope these past two years than there was certainly [in] the past three or four years.”

  • No cohesive policy in place
    A close up of a ChatGPT icon on a smartphone, with the words ChatGPT in the background.
    Faculty and students say UC schools don't have a consistent approach to AI use.

    Topline:

    Years after generative artificial intelligence software became widely accessible, the University of California system still does not have a systemwide approach to how AI is used in classrooms. “The situation is contradictory and also extraordinarily fluid,” professor Rita Raley told the university system’s Board of Regents on Wednesday. “In one class, students are permitted to use AI, in another, they're cautioned against it, and in a third, they're told it's prohibited.”

    What comes next for the UCs: The University of California has an AI steering committee tasked with “developing a coordinated approach that allows UC to use its systemwide scale while recognizing the distinct needs of its campuses, medical centers, laboratories, faculty, researchers, staff, and students,” according to a University of California spokesperson.

    Keep reading: For more faculty and student thoughts on AI use at UC schools.

    Years after generative artificial intelligence software became widely accessible, the University of California system still does not have a consistent approach to how AI is used in classrooms, according to its faculty and students.

    “The situation is contradictory and also extraordinarily fluid,” professor Rita Raley told the university system’s Board of Regents on Wednesday. “In one class, students are permitted to use AI, in another, they're cautioned against it, and in a third, they're told it's prohibited.”

    Raley, a professor of English at UC Santa Barbara, heads the breakout group that will define what AI literacy means for UC, and will make recommendations on how to cultivate AI in classrooms across the UCs. The big question the working group is grappling with, Raley said: What every student needs to know about artificial intelligence.

    “If we are indeed moving toward automated education, then we have to ask what a UC degree will mean. It will have to mean more than skills because these too can be automated,” she said. “... [W]e must now give students the critical judgment to ask what this technology is, who needs to be accountable for it, how to use it, when to refuse it, and what it could be instead.”

    Jayha Buhs-Jackson, UCLA’s undergraduate student body president, says she does not like AI, so she does not use it.

    She agreed that the university does not have a “succinct” AI policy. Some of her professors, Buhs-Jackson said, strictly do not allow AI in the classroom; others allow it for research and coding.

    She said UCLA has its own internal AI committee, which she was just appointed to.

    “ I'm curious to see … how I could use my voice as president to discuss and uplift the undergraduate student voice related to AI at UCLA,” she said.

    UC vs CSU approach

    The UC system currently does not have a single systemwide AI product or mandatory AI protocols in place.

    Instead, “eligible employees have access to frontier AI tools from a variety of vendors including OpenAI, Microsoft and Google. Access is intended to support activities such as analysis, research, learning, and operational efficiency,” a University of California spokesperson said.

    The university system also has a Master Service Agreement in place with OpenAI, but it does not include a minimum spend commitment or prepurchased licenses. Schools under the UC umbrella can purchase OpenAI products through the agreement.

    UC’s approach stands in contrast to the one California State University took.

    In 2025, the nation’s largest public university system signed a nearly $17 million contract with OpenAI and made a suite of ChatGPT tools available to all its faculty and students.

    At the time, CSU spokesperson Amy Bentley-Smith told LAist, the goal was for all students to have “the same access to the tools and learning opportunities that will prepare them for the future,” regardless of which campus they attend.

    Still, the rollout was heavily criticized as students and faculty were left on their own to figure out how to use AI. And in a 2025 survey of CSU students, over 60% said AI has negatively affected their learning experience.

    What's the best approach for schools?

    The different approaches taken by California’s public university systems demonstrate that higher education is still grappling with how to confront — or embrace — this technology.

    Universities across the nation have to find ways to work with AI, said Justin Reich, a professor of digital media and the director of the Teaching Systems Lab at MIT.

    We don't want our brains to atrophy while we're trying to get better at what we're doing.
    — Stephanie Valadez, UCLA student

    But we also do not have a framework for what to do or how to implement AI in higher education, he added.

     ”The right strategy is to come up with a systematic series of experiments, where you're testing hypotheses, in particular, by looking at student learning experiences and student learning outcomes,” Reich said.

    The University of California’s AI steering committee overall is tasked with “developing a coordinated approach that allows UC to use its systemwide scale while recognizing the distinct needs of its campuses, medical centers, laboratories, faculty, researchers, staff, and students,” according to a University of California spokesperson.

    Reich said it is great that the University of California has multiple voices involved in the steering committee.

    “I  would encourage any university system to have students play a central role in directing their AI response pretty much at all levels,” he said. “Especially in a system as complex as UC, where you have so many students that have so many different kinds of expertise.”

    The UC AI steering committee has one student voice on it. Stephanie Valadez, an ethnomusicology graduate student at UCLA and president of the UC graduate and professional student council, says she would like to see more. She’s concerned about the environmental impact of AI and the negative impact on “underrepresented communities that are living near these data centers,” she said.

    In the classroom, she hasn’t had to use AI.

    “ All of my professors say, ‘Don't use AI. Just don't use ChatGPT, don't use Claude, don't use any of that stuff,’ for multiple reasons,” she said. “Being in the music department, as an artist, we also are very conscious of having our work stolen, having what we produce then go on to train AI.”

    The training a Ph.D. student is seeking, Valadez said, you would not get from AI.

    “ We don't want our brains to atrophy while we're trying to get better at what we're doing,” she said.

    What comes next for UC

    UC San Diego and UC Irvine, Valadez said, have rolled out TritonGPT and ZotGPT, but she’s heard from other board members that students aren’t using  the AI tools as much as the university would like them to, adding that there has been “a lot of pushback from students.”

    James Milliken, the University of California president, said the committee’s guiding principle is AI “for humans and for humanity” and how it “ can advance human potential, not diminish it.”

    The committee had its first meeting in June, where five working groups were created to explore how to use AI in clinical research, curriculum development and “public benefit” among other things.

    Come October 2027, the committee will come to Milliken with a proposal for a UC sovereign AI cloud. This means UC could have its own hardware and processing power to build, run and train AI models.