The Brief

Here's a story of a lovely house that recently sold for a loss.

The home, better known as "The Brady Bunch house," in Studio City went on the market in May for $5.5 million and sold on Monday for just under $3.2 million to a self-described fan with no intention of living there.

Its new owner is Tina Trahan. Together with her husband, former television executive Chris Albrecht, Trahan is something of a collector of iconic real estate who has, over the years, been buying up floors of Stone Manor, a colossal lakefront property in Wisconsin that's nearly 125 years old.

When the famed 1970s sitcom home first appeared on the market, Trahan reportedly told her agent she was "obsessed" with the single-story, mid century ranch style house, according to the Wall Street Journal.

"I thought that was hilarious," she said, adding that she intends to use the home for charity and fundraising events.

"Nobody is going to live in it," Trahan told the WSJ. "No one is going in there to make pork chops and applesauce in that kitchen. Anything you might do to make the house livable would take away from what I consider artwork."

Technically, only exterior shots of the house were used on television. The actual show was filmed on a soundstage. But when HGTV purchased the home in 2018 – outbidding *NSYNC singer Lance Bass at $3.5 million — the network rebuilt it to replicate the house in which the motley Brady crew lived.

During the process of A Very Brady Renovation, designers more than doubled the size of the home, from 2,500 square feet to 5,500. Much of that came with the addition of a second story. Now, according to the listing, there are five bedrooms and five bathrooms which have been "meticulously restored."

By the end of the project, which also involved some cameos from the the former cast, HGTV had spent an additional $1.9 million.

According to the listing on the Compass real estate site, "From the infamous staircase that anchors the home, to the bright orange formica kitchen counters, to the blue bunk beds and pink twin beds, and let's not forget about the groovy attic. ... Curated furnishings and accessories are included in the sale and will take you back in time to a unique era. This is a collector's dream."

Indeed, the house is filled with iconic mid century furniture, including avocado green Knoll-style Tulip chairs and a pedestal table in the kitchen with a matching refrigerator, low slung credenzas, and the Mondrianesque paneled screen above the staircase.

The listing also notes that some of the fireplaces, appliances and fixtures throughout the home are "decorative only."

Those are likely among the reasons that Trahan described the purchase as "the worst investment ever."

Reflecting on her latest acquisition and its aging fans, Trahan said, "I can't even say the word investment — I'm going to say liability."

Geffen Playhouse Artistic Director Tarell Alvin McCraney won the Academy Award for Best Adapted Screenplay for the movie Moonlight, but don't expect to see him at this year's Oscars ceremony.

"I tend to stay away from the awards show," McCraney said. " I think I might have PTSD."

McCraney is referring to the viral moment from the 2017 Oscars ceremony, where La La Land was mistakenly announced as the Best Picture winner instead of Moonlight.

McCraney isn't new to theater. In fact, you could consider it his original home before his play In Moonlight Black Boys Look Blue launched him into the Hollywood spotlight. But when the Geffen Playhouse asked him to be their artistic director two years ago, it called him back to the stage in a different way. Tapping a screenwriter for the position was a first for the theater, but McCraney said the roles actually overlap in more ways than one.

 "The job of the screenwriter most times is to make sure that everybody is understanding where the story is going and what the 'action' of the piece is," McCraney said. "So it's not that much different than being an artistic director.  My job here is to set the artistic goal for the organization. [To] point out its virtues and pitfalls, the dangers and the obstacles, and then move collectively as a single storyteller towards that goal."

McCraney said one of the great things about living in Los Angeles is its nuanced racial and ethnic communities, and he rides his bike around the city to better experience them.

"The landscape is constantly shifting and changing," McCraney said. "For example, Westwood has drastically changed over the past 15 years and will change irrevocably with the coming of the new train station down on Wilshire. It will change again with LA28 happening."

Just like Los Angeles, the Geffen Playhouse has had multiple transformations over its more than 30 year existence. Their world premier show, Silvia Silvia Silvia, is playing until March 8. Dragon Mama, starring Sarah Porkalob, begins March 4.

"Sarah is an incredible singer and writer and has created this incredible arc through a family that is both powerful and witty, but also deeply nuanced," McCraney said. "She's sharing that family with us, and family is our first community. They are the people we learn the most from. We learn unconditional love. We learn collective bargaining. Investigating family, investigating why we stay together and how we stay together through dire circumstances is a critical investigation for us right now."

When it comes to this year's Oscars ceremony, McCraney said he's rooting for all the nominees.

"It's been an incredible season," he said. "But Sinners is an incredible film that I've seen three or four times, so I'm really excited to see how it does."

The Long Beach Community College District has agreed to pay $18 million to more than 1,450 part-time professors to settle a class-action lawsuit that alleged they were forced to work unpaid hours outside the classroom, grading papers and tests, meeting with students, preparing lessons and other duties.

The settlement, which the district board quietly approved last month, still needs the judge overseeing the case to sign off. A hearing on the matter is scheduled for July 1 in Los Angeles County Superior Court. It’s likely that Judge Stuart Rice will approve the deal. Last year, he ruled that the part-timers, commonly called adjuncts, were entitled to the pay they sought, writing he found “a myriad of problems” with the district’s claims that its practices did not violate state law.

The case has made “a major impact throughout the state already,” as some districts have begun negotiating contract terms to give adjuncts what they’ve long sought — pay for time they spend prepping and grading, not just for class time, said the plaintiffs’ lawyer Eileen B. Goldsmith, in an interview. (EdSource published an investigative series in the issue, Gig By Gig At California’s Community Colleges, in 2022.)

The Long Beach district recently set aside $20 million for the settlement and associated costs, its spokesperson, Stacey Toda, told the Long Beach Post in an email. “Resolving this matter allows the District to avoid prolonged litigation and manage risk responsibly, consistent with standard practices across public higher education,” Toda wrote.

The settlement “is a big deal, it is tremendous,” said John Martin, chair of the California Part-Time Faculty Association, and a community college adjunct professor in Shasta and Butte counties.

Martin, a long-time advocate for better pay for adjuncts, is also the plaintiff in similar ongoing lawsuits, including one against the state Community College system.

In legal papers filed in the Superior Court, Goldsmith wrote that the proposed settlement, if approved, will result in 1,456 class members receiving more than “$11,000 — a very meaningful result for these class members, particularly given the novel issues in this litigation.”

The Long Beach Post contributed to this story.