The Frame

The film, which opened in theaters in early February, has been rushed onto on demand platforms, which is just fine with director Cathy Yan; with the summer Olympics postponed, where does that leave NBC?; how are stand-up comedians faring in the Covid era?

The story of a camp for disabled teens that was established in the early 1970s in upstate New York is told in a new Netflix documentary; what issues are facing movie exhibitors now that they've been shut down?; and now, they've even closed drive-ins!

With COVID-19 shutting down venues, stand-up comics are left without a platform and Hollywood assistants are struggling to make it; "The Climb" gets delayed; plus M. Ward is releasing a new album; Why Amy Ryan made the Netflix movie 'Lost Girls;' and singer/songwriter Sudan Archives finds inspiration in youtube videos; Plus The Frame team has some recommendations for you.

The film was supposed to open today, but now co-writers, co-stars and best friends Michael Angelo Covino and Kyle Marvin face an uncertain future; who gets paid in Hollywood in the Covid era?; singer-songwriter and violinist Sudan Archives shares her influences.

The veteran French photographer has been creating iconic images since the 1960s; performing artists who rely on touring are taking hit in the Covid era; an Armenian-American guitarist who fell for flamenco.

Akiko Stehrenberger has made a career out of designing posters for feature films; what happens now that most TV production has shut down?; a farewell to KISS as the band tours for the final time.

The singer/songwriter's latest album was inspired by headlines and conversations about immigration; the #PayUpHollywood movement is rallying behind assistants as production is virtually halted; smart dance music by French Vanilla.

Based on a true story, the actress plays a woman whose daughter is among several sex workers who went missing in Long Island and then were found murdered; with movie theaters closed in L.A. and N.Y., what does that mean for exhibitors and streaming services?; 50 years ago, "Abbey Road" won only one Grammy —and it wasn't a major prize.

The violent satire 'The Hunt' finally comes to theaters; 'Pandemic' docuseries in production years before COVID-19; and how loss of Dan Scanlon's dad inspired Pixar's 'Onward' and more...

In the documentary, "Siempre, Luis," the famous father leads hurricane relief efforts on behalf of his native Puerto Rico; how are movie theaters coping with Covid-19?; Europe's version of South-by-Southwest.

“GLOW” (Gorgeous Ladies of Wrestling) is a new Netflix series loosely based on women’s wrestling from the 1980s. Creators Liz Flahive and Carly Mensch reveal some behind-the-scenes stories from the set; Kirsten Tan's debut film, "Pop-Aye," is a road movie where the buddies on the surreal journey are an aging architect and his long lost elephant.

Filmmaker Edgar Wright has made an action movie that revolves around an extensive playlist of pop, rock and R&B songs; the National Geographic channel presents "Earth Live," a real-time special broadcast from six continents.

Writer-director David Lowery had a tiny budget for "A Ghost Story," but he managed to attract Casey Affleck and Rooney Mara to the cast; Errol Morris is known for his serious documentaries, but he switches gears with The B-Side," a profile of photographer Elsa Dorfman.

Jay-Z's new album, "4:44," may be a hit, but the business model behind his music streaming service Tidal is in question; Two leaders of Outfest — the Los Angeles LGBT film festival — discuss how far has event has come and the history of queer cinema in Hollywood; How the New York Times became an outlet for documentary filmmakers.

Comedian Hasan Minhaj is doing more with his stand-up act than just making people laugh. He’s representing a vision of America. With the release of the album "The Hamilton Instrumentals," super fans like the people behind Hamiltunes LA get their wish. And keyboardist Benmont Tench, plays his ode to LA in the backseat of a car.

Two music supervisors who work on TV shows like "Fargo" and "Breaking Bad" say they love what they do but they discourage others from going into the field. And 50 years later, a new book looks at the legacy of the Summer of Love.

This year, the Emmy Awards will finally recognize music supervision. In the first of a two-part interview, John Horn chats with Maggie Phillips (“Fargo”) and Thomas Golubic (“Breaking Bad”) about their work; Andrew Jay Cohen makes the leap from writing to directing with “The House,” a comedy starring Will Ferrell and Amy Poehler.

“The Big Sick” tells the true story of how comedian Kumail Nanjiani and writer Emily V. Gordon became a couple; The Academy of Motion Picture Arts and Sciences invited a record 744 actors, writers, directors and other movie industry workers; Ginnifer Goodwin and Allen Leech star in “Constellations," a play that combines a love story with physics.

Writer-director Jeff Baena turned a series of 14th-Century novellas set in a convent into a bawdy sex comedy; The Kronos Quartet is expanding the repertoire of contemporary music for string quartets; American movie studios benefit from taking on Chinese partners.

Paul Dano stars in “Okja,” the story of a seemingly benevolent conglomerate working to help feed the world through genetically modified animals. Dano speaks about the issues raised in the film, and about working with director Bong Joon-Ho; The Arroyo Seco Weekend attracted about 24,000 people for each day of the two-day music festival on the grounds of the Rose Bowl. Two L.A. Times music writers have different takes.

Broken Social Scene wants to make music memories. They talk about their love of festivals and bringing music "to the people." And Pasadena City Councilmember Steve Madison says why he wanted to bring music to his city with the Arroyo Seco Weekend. And where are all the film scoring jobs going these days? Two people in the industry tell us why California needs to include film scoring in its production incentive program.

Coal magnate sues John Oliver for defamation just days have the HBO host's scathing "Last Week Tonight" segment. The tumultuous love story of Frida Kahlo and Diego Rivera is now a bilingual opera called "Frida." And two of the lead actors in the play "The Pride" open up about the personal and political reasons they wanted to tell this story of gay men in love.