The Frame

The film, which opened in theaters in early February, has been rushed onto on demand platforms, which is just fine with director Cathy Yan; with the summer Olympics postponed, where does that leave NBC?; how are stand-up comedians faring in the Covid era?

The story of a camp for disabled teens that was established in the early 1970s in upstate New York is told in a new Netflix documentary; what issues are facing movie exhibitors now that they've been shut down?; and now, they've even closed drive-ins!

With COVID-19 shutting down venues, stand-up comics are left without a platform and Hollywood assistants are struggling to make it; "The Climb" gets delayed; plus M. Ward is releasing a new album; Why Amy Ryan made the Netflix movie 'Lost Girls;' and singer/songwriter Sudan Archives finds inspiration in youtube videos; Plus The Frame team has some recommendations for you.

The film was supposed to open today, but now co-writers, co-stars and best friends Michael Angelo Covino and Kyle Marvin face an uncertain future; who gets paid in Hollywood in the Covid era?; singer-songwriter and violinist Sudan Archives shares her influences.

The veteran French photographer has been creating iconic images since the 1960s; performing artists who rely on touring are taking hit in the Covid era; an Armenian-American guitarist who fell for flamenco.

Akiko Stehrenberger has made a career out of designing posters for feature films; what happens now that most TV production has shut down?; a farewell to KISS as the band tours for the final time.

The singer/songwriter's latest album was inspired by headlines and conversations about immigration; the #PayUpHollywood movement is rallying behind assistants as production is virtually halted; smart dance music by French Vanilla.

Based on a true story, the actress plays a woman whose daughter is among several sex workers who went missing in Long Island and then were found murdered; with movie theaters closed in L.A. and N.Y., what does that mean for exhibitors and streaming services?; 50 years ago, "Abbey Road" won only one Grammy —and it wasn't a major prize.

The violent satire 'The Hunt' finally comes to theaters; 'Pandemic' docuseries in production years before COVID-19; and how loss of Dan Scanlon's dad inspired Pixar's 'Onward' and more...

In the documentary, "Siempre, Luis," the famous father leads hurricane relief efforts on behalf of his native Puerto Rico; how are movie theaters coping with Covid-19?; Europe's version of South-by-Southwest.

The director had the unenviable task of making sure Melissa McCarthy was an unsympathetic character in the new movie; Disney's challenge to promote princesses in a changing culture.

For "Roma," filmmaker Alfonso Cuarón meticulously recreated his childhood home and cast lookalikes to play his family, his nanny and his neighbors. He tells John Horn about mining his and others' memories to tell the collective story of his family and his nanny from one tumultuous year in the early 1970's.

José James pays tribute to singer/songwriter Bill Withers with his new album "Lean on Me."

The acclaimed actor takes on the role of the iconic artist in "At Eternity's Gate."

The British actress plays war correspondent Marie Colvin, who died in 2012 while reporting in Syria.

The comic book icon died today at the age of 95. Bob Batchelor, author of "Stan Lee: The Man Behind Marvel," weighs in on Lee's influence; singer/songwriter Mary Gauthier collaborated with military veterans for her album, "Rifles and Rosary Beads."

New York Times pop music critic Jon Pareles on the elaborate 50th anniversary re-issue of the landmark album; Drew Love and Dante Jones are making noise as the hip-hop duo known as They; the Spanish singer Rosalía is updating flamenco.

Susan Rogers talks about being Prince's studio engineer for several years in the 1980s; a landmark L.A. music story fights to stay afloat; on the road with California Poet Laureate Dana Gioia.

Actor Jeffrey Wright produced the HBO film about a group of veterans using art to help heal their psychic wounds; L.A. Times TV critic Lorraine Ali looks at the late-night shows on election day; an exiled Iranian film composer makes his presence felt back home.

"They'll Love Me When I'm Dead" is Morgan Neville's insightful documentary about the ambitious film that Welles was unable to finish; taking a motorcycle ride with cast members from "Mayans M.C."

The story of the Colorado senator's ill-fated campaign to become the Democrats' 1988 presidential candidate is dramatized by director/co-writer Jason Reitman; NBC is being criticized for its decision to air an inflammatory anti-immigration ad.

The actor talks about his transformation into Queen's flamboyant singer in the new biopic; Netflix is amending its policy and will now release films in theaters before they hit the streaming service.