The Frame

The film, which opened in theaters in early February, has been rushed onto on demand platforms, which is just fine with director Cathy Yan; with the summer Olympics postponed, where does that leave NBC?; how are stand-up comedians faring in the Covid era?

The story of a camp for disabled teens that was established in the early 1970s in upstate New York is told in a new Netflix documentary; what issues are facing movie exhibitors now that they've been shut down?; and now, they've even closed drive-ins!

With COVID-19 shutting down venues, stand-up comics are left without a platform and Hollywood assistants are struggling to make it; "The Climb" gets delayed; plus M. Ward is releasing a new album; Why Amy Ryan made the Netflix movie 'Lost Girls;' and singer/songwriter Sudan Archives finds inspiration in youtube videos; Plus The Frame team has some recommendations for you.

The film was supposed to open today, but now co-writers, co-stars and best friends Michael Angelo Covino and Kyle Marvin face an uncertain future; who gets paid in Hollywood in the Covid era?; singer-songwriter and violinist Sudan Archives shares her influences.

The veteran French photographer has been creating iconic images since the 1960s; performing artists who rely on touring are taking hit in the Covid era; an Armenian-American guitarist who fell for flamenco.

Akiko Stehrenberger has made a career out of designing posters for feature films; what happens now that most TV production has shut down?; a farewell to KISS as the band tours for the final time.

The singer/songwriter's latest album was inspired by headlines and conversations about immigration; the #PayUpHollywood movement is rallying behind assistants as production is virtually halted; smart dance music by French Vanilla.

Based on a true story, the actress plays a woman whose daughter is among several sex workers who went missing in Long Island and then were found murdered; with movie theaters closed in L.A. and N.Y., what does that mean for exhibitors and streaming services?; 50 years ago, "Abbey Road" won only one Grammy —and it wasn't a major prize.

The violent satire 'The Hunt' finally comes to theaters; 'Pandemic' docuseries in production years before COVID-19; and how loss of Dan Scanlon's dad inspired Pixar's 'Onward' and more...

In the documentary, "Siempre, Luis," the famous father leads hurricane relief efforts on behalf of his native Puerto Rico; how are movie theaters coping with Covid-19?; Europe's version of South-by-Southwest.

Designer Connie Geppert takes on depression and loneliness in her much-anticipated video game; a new effort to diversity the ranks of film and TV critics; in the classroom with a real life 'School of Rock' teacher dude.

Composer Anthony Davis turns the troubling tale into a world premiere for Long Beach Opera; the Hollywood courtship continues for Democratic presidential candidates; singer-songwriter Steve Gunn collaborates with Japanese folk singer Sachiko Kanenobu.

Lauren Morelli created the Netflix reboot of a 1994 PBS series that was ahead of its time; screenwriter Max Landis faces multiple allegations of sexual abuse and harassment; the band Big Thief.

The prolific artist wrote many songs that were recorded by other artists. Susannah Melvoin talks about "Nothing Compares 2 You"; Hollywood gets caught up in China trade war; film composer Bear McCreary ("Child's Play").

The Irish actress plays a Scottish singer trying to make it big in Nashville in what she hopes is her breakout movie role; is "Men in Black: International" the latest proof that audiences are suffering from sequel fatigue?; the Cuban singer known as Cimafunk draws comparisons to James Brown.

Bryan Cranston wins a Tony; Eleni Mandell makes music with prisoners; playwright Lucas Hnath tells brings the true story of his mother's kidnapping to stage. Also, a top film critic wants Hollywood to bring back sex scenes of yore and best friends made a love letter to their city with the film "The Last Black Man in San Francisco."

The legendary singer-songwriter's 1975 tour is revisited in a new documentary by Martin Scorsese; the cultural week-in-review with L.A. Times TV critic Lorraine Ali; the new surf film, "Self-Discovery for Social Survival.”

After a Broadway run, her play about a 1920s obscenity trial comes to Los Angeles; the annual E3 convention draws to a close with plenty of news from the gaming world; the band Making Movies got a boost on its latest album from Ruben Blades.

The singer-songwriter's latest album, "Wake Up Again," was inspired by teaching songwriting at a women’s prison in Southern California; Washington Post movie critic Ann Hornaday wonders why American movies shy away from sex scenes; media critic and feminist Anita Sarkeesian on sexist and misogynist depictions in video games.

A new docu-drama by Don Argott and Sheena M. Joyce explores the car designer's turbulent career and flamboyant life; YouTube’s struggle to dealing with hateful and harmful content; 'Baskets' returns for its fourth season.

The film is loosely based on the story of actor Jimmie Fails. He once lived with his friend Joe Talbot, who would eventually direct and co-write the film; re-capping the Tony Awards, and revisiting our interview with Bryan Cranston, who won Best Leading Actor in a Play.

Emma Thompson talks about her new movie "Late Night." Neil Gaiman adapts his novel "Good Omens" into an Amazon series. Plus, we meet up with Mexico guitar duo Rodrigo y Gabriela in a Los Angeles guitar shop. All that, and more, on this debut episode of The Frame Weekend.