The Frame

We continue our series on how police are depicted on TV with the creators of “COPS,” the longest-running reality show in TV history. Creator John Langley tells us about the show’s genesis and why it continues to be so popular; the Latino Comics Expo is unofficially known as the “Latino Comic-Con"; Comedy Central says Larry Wilmore's show failed to gain traction with viewers.

From refugee athletes to individual profiles, Olympics mini-docs are a big part of the broadcast and have been since the 1970s. NBC Sports' Jimmy Roberts joins us from Rio where he's reporting on his 16th Olympics; Part 2 of our look inside the Sundance Directors Lab, where eight budding filmmakers are encouraged to take risks and seize the opportunity of a lifetime.

We visit the Sundance Director's Lab where Robert Redford and a group of industry pros mentor up and coming filmmakers. Variety's chief TV critic Maureen Ryan breaks down the CBS news coming out of the Television Critics Association press tour; Colburn Conservatory of Music graduates endure stressful mock auditions to prepare for the real thing.

Actress Taraji P. Henson opens up about the career path that led her to her Emmy-nominated role of Cookie Lyon on the hit Fox show, "Empire"; amid the bad reviews for "Suicide Squad," we look at the unsustainable — but enduring — Hollywood business model of taking big swings at expensive movies in hopes of finding a franchise.

In our #CopsOnTV series, writer-producer Cheo Hodari Coker reveals what he learned about the LAPD while producing the police drama, "Southland," and how that connected with his experiences as a black man; the bad news/good news of NBC's Olympic ecosystem: broadcast viewership is down, but online streaming is booming.

In the first of a continuing series of conversations, former "Law & Order: SVU" executive producer Neal Baer says studios and networks want police to be depicted as heroes; how soon will virtual reality become a big thing in entertainment?

Stuntwoman and "American Ninja Warrior" contestant Jessie Graff teaches host John Horn some tricks of her trade; the opening ceremony for the Summer Olympics has become a job for film directors; Aubrey Plaza's amateur basketball team, the Pistol Shrimps, has quite the following.

The comic actress' star-turn in "Ghostbusters" and another Emmy nod for "SNL" have her primed for bigger things; fans of the kids' show 'Doc McStuffins' are worried about the future of one of the few kids' shows with a black lead character; DanceSafe provides education and and even drug-testing at raves, but its hands are tied by a federal law.

Artist and animator Jorge Gutiérrez discusses the creative inspirations of the U.S.-Mexico border and the painting spree that led to his gallery show; HBO, Netflix and NBC face the press at the Television Critics Association; screenwriter, producer and former studio chief James Schamus makes his directorial debut with "Indignation."

Director Marc Osborne didn't want to make a straight-ahead adaptation of "The Little Prince," so he came up with a novel approach; "Equity" is the rare movie about Wall Street that stars and is made by women; Claire Boucher, aka Grimes, dissects her song, “Kill V. Maim.”

The legendary R&B singer has a new album and an HBO documentary coming up, but don't expect this to be her swan song; a film about Nat Turner's slave rebellion has set a sales record at the Sundance Film Festival; actresses Alysia Reiner and Sarah Megan Thomas launched Broad Street to counter gender inequity in Hollywood.

With the top award from the Producers Guild, "The Big Short" is now frontrunner for the best picture Oscar. We chat with producers Jeremy Kleiner and Dede Gardner; a Motion Picture Academy officer admits that the organization has been too slow to change; the band Foals has gone from playing house parties to arenas.

Velvet Underground co-founder John Cale has re-imagined an album from his long solo career, "Music For a New Society"; as the "X-Files" returns, we get the story behind its iconic theme music; even at the Sundance Film Festival, the talk of the town is #OscarsSoWhite.

Actor Matthew Spencer, who plays the lead in a new adaptation of George Orwell's dystopian novel, says the story has new resonance today; TV networks are casting doubt about the popularity of original programming on streaming services; Andrew Ahn passed up med school for a film career, and now his directing debut is at Sundance.

Carrie Brownstein, "Portlandia" co-creator and Sleater-Kinney co-founder, pulls back the curtain on her creative process; members of the U.K. punk band Savages reveal how they remain unpredictable on stage and in the recording studio; what's in store at this year's Sundance Film Festival?

In the two years since Lupita Nyong'o won an Oscar for "12 Years a Slave," no actor of color has been nominated for an Academy Award. Academy member Stephanie Allain says the Oscars reflect bigger problems in the industry; James Lecesne continues his advocacy for LGBTQ youth with "The Absolute Brightness of Leonard Pelkey."

Alicia Vikander's breakout year now includes an Oscar nomination for "The Danish Girl"; singer-songwriter Courtney Barnett deconstructs her song, "Depreston"; and we find out which new TV shows are on the must-watch list for the new year.

John Horn and Kyle Buchanan of Vulture.com dig into the snubs and surprises in the Oscar nominations, and the return of #OscarsSoWhite. And we hear from the directors nominated for "Room" and "The Revenant."

Actress Judith Light has been passionate about LGBT issues for decades, which makes her a natural fit for Amazon's "Transparent"; Spotify has partnered with Genius to augment music with a feature called "Fact Track"; Contra-Tiempo is a dance company with a social conscience.

"Making a Murderer" continues to spark debate about the intersection between art, journalism, public reaction and the law; the Directors Guild Award nominees are announced; "Star Wars" opens in China, but the world's second largest movie market is a challenge for the franchise.

We pay tribute to David Bowie's life and career with Los Angeles Times critic-at-large Sasha Frere-Jones, Devo frontman Mark Mothersbaugh, poet Tracy K. Smith, singer/actress Lea DeLaria, and New York Times theater critic Ben Brantley.

In our continuing series of conversations with TV network chiefs, ABC's Paul Lee talks about how diversity has become a cornerstone for the company; the Palm Springs Film Festival is a showcase for foreign films from around the world.