The Frame

You know him from comedies like "Beverly Hills Cop" and "The Nutty Professor," but Eddie Murphy's return to the big screen is the dramatic lead role in “Mr. Church"; Vulture.com senior editor Kyle Buchanan tells us what's hot at the Toronto Film Festival, which kicks off today; Filmmaker Ryan Suffern on his new doc, "Finding Oscar," about the aftermath of the civil war in Guatemala.

"Moonlight" director Barry Jenkins adapted the script for his new movie from a Tarell McCraney play, but it's a truly personal story for him. The movie is set in the Miami neighborhood where both he and McCraney grew up and borrows from both men's biographies; A new USC study looks at 800 Hollywood films and finds the same old thing — a lack of diversity both on and off the screen.

Eastwood directs Hanks in the story of the airline pilot who safely landed his damaged plane in the Hudson River with 155 people onboard; the three-day electronic music festival at the San Manuel Amphitheater saw hundreds of arrests, mostly for drug possession or being under the influence.

The new boxing drama "Bleed For This" tells the real life story of Vinny Pazienza's rise in the boxing world, and how a car accident nearly paralyzed him. The film made its world premiere at the Telluride Film Festival.

Amy Adams is at the 43rd Telluride Film Festival for the North American premiere of her movie “Arrival." She's also being honored by the festival for her body of work. This Q&A was recorded in front of an audience and covers a wide range of topics, from how she got started doing dinner theater and her early years struggling in L.A., to her recent run of successful movies like "American Hustle" and "Her."

Casey Affleck is at the Telluride Film Festival for his new drama, "Manchester By The Sea" and a career tribute for his more than twenty years of acting. He had a live Q&A with The Frame's John Horn in which he reflected on a time when he was disillusioned with acting. He also talked about his creative partnerships with directors Gus Van Sant and Kenneth Lonergan and actors Rooney Mara, Christian Bale, and his longtime friend Joaquin Phoenix.

As part of NPR's "A Nation Engaged," project we look at America's changing role as the world's leading exporter of pop culture; David Schwartz writes wacky music for Maria Bamford’s wacky show, “Lady Dynamite”; a San Francisco theater company wrestles with the use of "yellowface" makeup for "The Mikado"

Actress Tika Sumpter was also a producer on "Southside with You," the film about The First Couple's first date; this weekend's Telluride Film Festival once again features Oscar-hopefuls; Melora Marshall takes on an acting marathon every weekend at Theatricum Botanicum.

Matt and Ross Duffer are the brothers behind the hit Netflix show, "Stranger Things"; as part of our Cops on TV series, professor Kathleen Donovan connects the dots between TV dramas and our attitudes about police; there's a new battlefront in the fight for subscribers between Apple and Spotify.

"Complete Unknown," starring Rachel Weisz, is Joshua Marston's third film, but his first in English; in a new epsiode of "Song Exploder," Andra Day dissects "Forever Mine"; more people than ever are canceling pay TV services, and that has networks worried.

So many questions: why is Leonardo DiCaprio nominated for lead actor and Brad Pitt for supporting actor for “Once Upon a Time in Hollywood”?; why wasn't Robert DeNiro nominated for "The Irishman"?; why is Tom Hanks a supporting actor for “A Beautiful Day in the Neighborhood”?; and how rare are Scarlett Johansson's nominations for both lead (“Marriage Story”) and supporting actress ("Jojo Rabbit")?

The actress had a breakout year, with roles in “Motherless Brooklyn,” “The Morning Show” and the well-reviewed but barely seen “Fast Color”; Clint Eastwood's "Richard Jewell" is being blasted over its depiction of a female journalist; “Joe Pera Talks With You” and we talk with him.

The museum marks its centennial with an exhibit of objects that were either acquired, published or exhibited in the year it was founded; are The Golden Globes legit or not?; “La Bohème aka The Hipsters” gets an ironic revival.

Mark Duplass on playing supporting roles in two projects tackling #metoo stories; Gugu Mbatha-Raw makes the case for seeing her buried movie "Fast Color"; the debate around black criticism of "Queen & Slim," a Netflix documentary exposes the toxic story of yoga guru Bikram Choudhury...

The 19-year-old filmmaker shot the movie while he was still in high school, and it won him awards at the Tribeca Film Festival; the U.S. Justice Dept. may allow studios to once again own movie theaters; the comedians who warm up TV studio audiences.

Bikram Choudhury made hot yoga an international phenomenon, but he allegedly assaulted a number of female students along the way, as told in a new documentary; should films by black artists be immune from criticism by black writers?; Beverly Hills High School had a pivotal role in "It's a Wonderful Life."

The influential event in Park City, Utah has built its reputation on films that advance racial diversity and gender parity; #PayUpHollywood takes the next step; the Sunset Studios in Hollywood mark their 100th anniversary.

The actor, writer, producer and director talks about his current roles for both TV and film; the Thanksgiving weekend box office kicked off the holiday season; the rapper JPEGMAFIA takes us inside his creative process.

Eddie Redmayne and Felicity Jones last acted together in “The Theory of Everything.” Now they’re back together for a film in which they play 19th Century balloonists; two companies behind the vinyl record renaissance.

The Frame is five years old! We revisit memorable interviews, strange locations, some laughs and a few good cries. Meryl Streep, Jordan Peele, Tom Hanks, Lizzo, Guillermo del Toro, Emma Thompson, Ava DuVernay, Zach Galifiankis, Karyn Kusama, Mark Bradford, Jon Robin Baitz and more...

Actor Adam Driver and writer/director Noah Baumbach reunite for the fourth time for "Marriage Story"; composer Gabriela Ortiz's latest commission for the L.A. Philharmonic.

Writer Lena Waithe and director Melina Matsoukas talk about how the traumatic deaths of unarmed black people by police officers shaped their movie's narrative; five years after the Sony hack, what's changed in Hollywood?