The Frame

Alice Armendariz, aka Alice Bag, became part of L.A.'s punk scene in the late '70s and she's still keeping that spirit alive; members of SAG-AFTRA want a share of revenue from the lucrative video game industry; Gianfranco Rosi’s “Fire At Sea” is about African migrants risking their lives in the Mediterranean.

Actress Naomie Harris wasn’t sure about playing a drug-addicted mother in “Moonlight,” but she couldn’t resist the powerful coming-of-age story; Donald Trump's campaign hosted a Facebook Live show before, during and after the debate; the latest album by Natalie Mering, aka Weyes Blood, was inspired by growing up in a devoutly religious household

Documentarian Dawn Porter had a legal career before picking up a film camera. Now she uses her legal knowledge to look at social issues such as abortion rights in her new film, "Trapped"; "Hamiltunes LA" was created by a group of superfans whose love of the Broadway musical, "Hamilton," led to the sing-along event that's now being replicated nationwide

Actress Rebecca Hall knew nothing of troubled news reporter Christine Chubbuck before she received the script for "Christine." She discusses the larger issues at work in Chubbuck's life; China's Wanda Group announced plans for a huge new studio facility in China and a hefty production incentive to lure filmmakers; After the election, will Donald Trump create his own media empire?

In the HBO series "Westworld," Thandie Newton plays a robot prostitute who's one of the "hosts" in the dystopian theme park. She opens up about how this role is empowering in that it gives her the opportunity to challenge sexism and the objectification of women; Guatemalan singer-songwriter Gaby Moreno talks about why she moved to LA and she reflects on border culture in her new album "Illusion."

Filmmaker Gavin O'Connor worked with Ben Affleck to make sure the actor's portrayal of a character on the autism spectrum was accurate and respectful; Stevie Wonder, Chaka Khan and an army of former Prince collaborators were on hand for the tribute; Jess Wolfe and Holly Laessig from the band Lucius on working with the Pink Floyd legend.

The New Yorker editor David Remnick on Bob Dylan's literary cred; Jonás Cuarón explains why he made a movie about immigration as an action-thriller; Amazon wants your music streaming business; "A Nation Engaged": "Fresh Off the Boat" creator Nahnatchka Khan; Neon Trees singer Tyler Green comes out and leaves the Mormon church.

America Ferrera says she's as much an activist as she is an actress, and she proves it in a documentary for the Epix cable channel; is NBC's attempt at synergy to blame for the Donald Trump/Billy Bush tape debacle?; visual artist Edgar Arceneaux imagines a better future for creatives.

"Improvisos Peligrosos" (Dangerous Improvisations) is diversifying the improv comedy scene in L.A.; Actress Constance Wu on what it means to be an American; "Newtown" is a portrait of the small Connecticut town in the wake of the 2012 massacre at Sandy Hook Elementary School.

How did NBC get beat on its own "Access Hollywood" tape of Donald Trump and Billy Bush? What does this tell us about the blurring of lines between news and entertainment?; the first weekend of Desert Trip was full of music, politics and high-end food; "The Birth of a Nation" underwhelms at the box office; "A Nation Engaged": playwright Jon Robin Baitz

The actress is getting raves for her role in "Room" as a kidnap victim raising a son in captivity; Jeff Russo has gone from rock band guitarist to Emmy-nominated composer; Warner Bros.' big budget "Pan" opened badly, but the company's other divisions are performing well.

The actor/comedian is also a noted art collector and now he's curating a show of work by Canadian painter Lawren Harris; El Teatro Campesino collaborates with Center Theatre Group and Boyle Heights residents for a show at Grand Park; Jafar Panahi is banned from making films in his homeland, but that hasn't stopped him.

Julie Plec has "The Vampire Diaries" and "The Originals" on The CW Network, and she'll soon add a third show, albeit one that's fang-free; it's been two decades since the Scottish band Garbage and singer Shirley Manson burst on the scene; the EEOC is looking into hiring practices for women filmmakers.

Director Danny Boyle says tech titans like the late Apple founder have to be called into account; stage director Peter Sellars collaborated with novelist Toni Morrison on a re-imagining of "Othello"; the Church of Scientology continues its campaign against Gibney's documentary, "Going Clear."

Photographer Eilon Paz and editor Sheila Burgel collaborated on a book about obsessive vinyl fans; the L.A. Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela team up for a Beethoven marathon; can TiVo's new device make a dent in the market?

Scott directed the science fiction classics "Blade Runner" and "Alien," but he says "The Martian" is science fact; a hilarious encounter with Chinese-to-English translations inspired Hwang's play, "Chinglish"; the Chinese dissident artist Ai Wei Wei discovered listening devices in his Beijing studio.

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.