The Frame

Alice Armendariz, aka Alice Bag, became part of L.A.'s punk scene in the late '70s and she's still keeping that spirit alive; members of SAG-AFTRA want a share of revenue from the lucrative video game industry; Gianfranco Rosi’s “Fire At Sea” is about African migrants risking their lives in the Mediterranean.

Actress Naomie Harris wasn’t sure about playing a drug-addicted mother in “Moonlight,” but she couldn’t resist the powerful coming-of-age story; Donald Trump's campaign hosted a Facebook Live show before, during and after the debate; the latest album by Natalie Mering, aka Weyes Blood, was inspired by growing up in a devoutly religious household

Documentarian Dawn Porter had a legal career before picking up a film camera. Now she uses her legal knowledge to look at social issues such as abortion rights in her new film, "Trapped"; "Hamiltunes LA" was created by a group of superfans whose love of the Broadway musical, "Hamilton," led to the sing-along event that's now being replicated nationwide

Actress Rebecca Hall knew nothing of troubled news reporter Christine Chubbuck before she received the script for "Christine." She discusses the larger issues at work in Chubbuck's life; China's Wanda Group announced plans for a huge new studio facility in China and a hefty production incentive to lure filmmakers; After the election, will Donald Trump create his own media empire?

In the HBO series "Westworld," Thandie Newton plays a robot prostitute who's one of the "hosts" in the dystopian theme park. She opens up about how this role is empowering in that it gives her the opportunity to challenge sexism and the objectification of women; Guatemalan singer-songwriter Gaby Moreno talks about why she moved to LA and she reflects on border culture in her new album "Illusion."

Filmmaker Gavin O'Connor worked with Ben Affleck to make sure the actor's portrayal of a character on the autism spectrum was accurate and respectful; Stevie Wonder, Chaka Khan and an army of former Prince collaborators were on hand for the tribute; Jess Wolfe and Holly Laessig from the band Lucius on working with the Pink Floyd legend.

The New Yorker editor David Remnick on Bob Dylan's literary cred; Jonás Cuarón explains why he made a movie about immigration as an action-thriller; Amazon wants your music streaming business; "A Nation Engaged": "Fresh Off the Boat" creator Nahnatchka Khan; Neon Trees singer Tyler Green comes out and leaves the Mormon church.

America Ferrera says she's as much an activist as she is an actress, and she proves it in a documentary for the Epix cable channel; is NBC's attempt at synergy to blame for the Donald Trump/Billy Bush tape debacle?; visual artist Edgar Arceneaux imagines a better future for creatives.

"Improvisos Peligrosos" (Dangerous Improvisations) is diversifying the improv comedy scene in L.A.; Actress Constance Wu on what it means to be an American; "Newtown" is a portrait of the small Connecticut town in the wake of the 2012 massacre at Sandy Hook Elementary School.

How did NBC get beat on its own "Access Hollywood" tape of Donald Trump and Billy Bush? What does this tell us about the blurring of lines between news and entertainment?; the first weekend of Desert Trip was full of music, politics and high-end food; "The Birth of a Nation" underwhelms at the box office; "A Nation Engaged": playwright Jon Robin Baitz

Writer Lena Waithe and director Melina Matsoukas talk about their provocative film about a tragic incident involving a black couple and a white policeman; five years later, what has Hollywood learned from the Sony hack?

L.A.'s Marachi Arcoiris bills itself as the first LGBTQ group that plays traditional Mexican music; what should we make of the Golden Globes?; the Huntington Museum turns 100 with a centennial exhibition.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics," is on the shortlist for best international feature film at the Academy Awards.

Greta Gerwig shares her passion for "Little Women"; one TV journalist surveys how Jewish women are portrayed on TV; Jonathan Pryce dons the robes of Pope Francis for "The Two Popes"; a photographer turns objects confiscated from detainees at the border into art; The Black List turns 15; the ambitious filming of "1917".

The actress not only stars in the movie about the downfall of Roger Ailes at Fox News, she is also credited as a producer; assistants in Hollywood want better pay and treatment; "Not at the Dinner Table" is a release valve for uncomfortable holiday gatherings.

Director Sam Mendes and cinematographer Roger Deakins collaborated to film the movie in a single, continuous shot; will "Cats" snuggle up to moviegoers?; songwriter Kathryn Bostic is on the shortlist of nominees for the Academy Awards best original song.

Jonathan Pryce talks about playing the reluctant Pope Francis and screenwriter Anthony McCarten talks about mixing fact and fiction; top screenplays in The Black List.

The director willed her way onto the project to tell the 1868 Louisa May Alcott story in a new way; a photographer turns items confiscated at the U.S.-Mexico border into subjects for an exhibition.

Abby McEnany stars in and co-created the series, which tells the tragi-comic story of a gender non-conforming woman struggling with her lot in life. She and executive producer Lilly Wachowski talk about the series; Kyle Buchanan, who writes The Carpetbagger blog for The New York Times, on awards season in Hollywood.

Charlize Theron produces and stars in "Bombshell"; Lilly Wachowski and Abby McEnany find comedy and connection on their series "Work In Progress"; Matthew Bourne brings "Swan Lake" back to LA; Jad Abumrad argues that Dolly Parton is the great unifier in our fractured country with his new podcast.

The podcast from Radiolab host Jad Abumrad explores the amazing career of "The Backwoods Barbie"; Netflix is accused of breaching awards etiquette and journalism ethics in its courting of Critics Choice Association members; the Australian band Good Morning has a surprising following in the U.S.

Choreographer Matthew Bourne, who shocked the dance world with his staging of the classic ballet, brings the production back to L.A.; why are insurance companies willing to offer policies that protect behavior of figures like Harvey Weinstein?; the podcast, “Prince the Story of 1999,” takes us inside the making of the landmark album.