The Frame

Alice Armendariz, aka Alice Bag, became part of L.A.'s punk scene in the late '70s and she's still keeping that spirit alive; members of SAG-AFTRA want a share of revenue from the lucrative video game industry; Gianfranco Rosi’s “Fire At Sea” is about African migrants risking their lives in the Mediterranean.

Actress Naomie Harris wasn’t sure about playing a drug-addicted mother in “Moonlight,” but she couldn’t resist the powerful coming-of-age story; Donald Trump's campaign hosted a Facebook Live show before, during and after the debate; the latest album by Natalie Mering, aka Weyes Blood, was inspired by growing up in a devoutly religious household

Documentarian Dawn Porter had a legal career before picking up a film camera. Now she uses her legal knowledge to look at social issues such as abortion rights in her new film, "Trapped"; "Hamiltunes LA" was created by a group of superfans whose love of the Broadway musical, "Hamilton," led to the sing-along event that's now being replicated nationwide

Actress Rebecca Hall knew nothing of troubled news reporter Christine Chubbuck before she received the script for "Christine." She discusses the larger issues at work in Chubbuck's life; China's Wanda Group announced plans for a huge new studio facility in China and a hefty production incentive to lure filmmakers; After the election, will Donald Trump create his own media empire?

In the HBO series "Westworld," Thandie Newton plays a robot prostitute who's one of the "hosts" in the dystopian theme park. She opens up about how this role is empowering in that it gives her the opportunity to challenge sexism and the objectification of women; Guatemalan singer-songwriter Gaby Moreno talks about why she moved to LA and she reflects on border culture in her new album "Illusion."

Filmmaker Gavin O'Connor worked with Ben Affleck to make sure the actor's portrayal of a character on the autism spectrum was accurate and respectful; Stevie Wonder, Chaka Khan and an army of former Prince collaborators were on hand for the tribute; Jess Wolfe and Holly Laessig from the band Lucius on working with the Pink Floyd legend.

The New Yorker editor David Remnick on Bob Dylan's literary cred; Jonás Cuarón explains why he made a movie about immigration as an action-thriller; Amazon wants your music streaming business; "A Nation Engaged": "Fresh Off the Boat" creator Nahnatchka Khan; Neon Trees singer Tyler Green comes out and leaves the Mormon church.

America Ferrera says she's as much an activist as she is an actress, and she proves it in a documentary for the Epix cable channel; is NBC's attempt at synergy to blame for the Donald Trump/Billy Bush tape debacle?; visual artist Edgar Arceneaux imagines a better future for creatives.

"Improvisos Peligrosos" (Dangerous Improvisations) is diversifying the improv comedy scene in L.A.; Actress Constance Wu on what it means to be an American; "Newtown" is a portrait of the small Connecticut town in the wake of the 2012 massacre at Sandy Hook Elementary School.

How did NBC get beat on its own "Access Hollywood" tape of Donald Trump and Billy Bush? What does this tell us about the blurring of lines between news and entertainment?; the first weekend of Desert Trip was full of music, politics and high-end food; "The Birth of a Nation" underwhelms at the box office; "A Nation Engaged": playwright Jon Robin Baitz

A new study concludes that the people who rate films for the MPAA are becoming desensitized to violence; "Fury" rolls over the weekend box office; and a "Mad Men" actor goes back in time again.

How filmmaker Jorge Gutierrez (far right) got Guillermo del Toro to produce his feature debut, "The Book of Life"; a look at Brad Pitt's WWII drama, "Fury," and other new films out today; and musician Marissa Lauren talks about opening for Lena Dunham.

Director Alejandro Gonzalez Iñárritu flies high with “Birdman"; undocumented students tell their own stories on stage in “Dreaming Sin Fronteras"; and playwright Dael Orlandersmith confronts family matters in “Forever.”

HBO will launch a streaming service, but Warner Bros. studios must cut $200 million in overhead; What makes a hit song? Ask the "Song Exploder"; and California tries cultural diplomacy in China.

"The Walking Dead" debuted to big numbers — meanwhile, Nielsen's hold on the ratings business is being challenged; Foxygen releases a new album; and the Encuentro Theater Festival launches.

The networks seek Latino viewers with "Cristela" and "Jane the Virgin"; "Gone Girl" stays on top at the box office; and director David Dobkin switches genres for "The Judge."

Comedian Dan Mintz talks about his new stand-up album and his "Bob's Burgers" character, Tina; Grae Drake of Rotten Tomatoes dissects this weekend's film releases; and John Lydon, née Rotten, speaks his mind.

Move over Sundance — the L.A. neighborhood adds an independent film festival; The band OK Go on the new album, “Hungry Ghost”; and Joan Baez adapts to her changing voice.

29-year-old writer/director Damien Chazelle (in red shirt) makes his feature film debut with "Whiplash"; Deaf West Theatre hits it big with the 2006 Tony Award winner; and Slate's popular podcast comes to L.A. for a live stage show.

"The Judge" is the first release from Robert and Susan Downey's new production company; PBS' "Makers" series looks at women in the entertainment business; Common Sense Media lends its imprimatur to film studios; and a life in photos with Led Zep's guitarist.

Visual effects artists prepare for the day when virtual reality is a filmmaking reality; a low-budget horror film rakes in the bucks; touring tips from Belle & Sebastian's singer.

Director John Leonetti joins us to talk about 'Annabelle,' the prequel to the wildly successful "The Conjuring"; we visit the unlikely cultural hub of Marfa, Texas for its annual music festival; and Nicolas Cage takes a dubious step into the rapture film genre.