The Frame

Veteran music producer Harvey Mason, Jr. produced dozens of songs for the animated film, "Sing"; Sandra Hüller is a standout in the likely Oscar nominee, "Toni Erdmann"; a N.Y. judge rules that pre-1972 songs don't have copyright protection.

When Dennis Lehane's novel "Live By Night" was adapted by Ben Affleck into a feature film, it was just the latest gritty, crime-filled book of his to get the movie treatment; voice actor Rob Paulsen has been going strong in the business since the early 1980s, but a recent bout with throat cancer almost derailed his career.

Gibney's documentary about cyber warfare all but predicted the hacking of the Democratic National Committee; the operator of an illegal venue says the city should not take a blanket approach to its crackdown; life as a voiceover actor (part 1).

The 2016 election has ignited Beau Willimon to action. The creator of "House of Cards" has formed the Action Group Network to embark on a new form of advocacy; singer-songwriter Angelica Garcia opens up about how moving from L.A. to a small colonial-era Virginia town gave rise to her debut album, “Medicine For Birds."

Actress Brit Marling and director Zal Batmanglij talk about their mysterious new Netflix series, "The OA"; comedian Chonda Pierce has built a huge career outside the show biz mainstream; Hollywood and the gun industry have a mutually beneficial relationship.

Mills' movie is a tribute to his mother, a unconventional woman who raised him in '70s Santa Barbara; "The Joy Luck Club," released in 1993, was supposed to usher in a new era for Asian-American storytelling in Hollywood. That hasn't been the case.

The song cycle, "Notes of a Native Song," by the duo Stew & Heidi, plays like a love letter to James Baldwin; SAG Award noms are out! Alex Jung of Vulture.com discusses the TV categories; We visit members of the L.A. theater troupe, Impro, as they rehearse their improvised holiday play that spoofs those 1960's variety shows;

Tori Amos discusses "Flicker" the song she wrote for the documentary "Audrie & Daisy," a film about sexual assault, an issue that is close to Amos' heart; Franklin Leonard, founder of The Black List, discusses the topics and trends of his 2016 list of the best unproduced screenplays, and screenwriter Cat Vasko shares what getting on the list has meant for her career.

Gael García Bernal discusses his most recent movies, "Neruda" and "Desierto," provoking a dynamic conversation about poetry, politics, and migration; musician Kim Gordon opens up about her life after Sonic Youth with her new band, Body/Head; with awards season in full swing, we check in with Vulture.com's Kyle Buchanan for an update on the race.

While Denis Villeneuve awaits awards news for "Arrival," he's busy editing "Bladerunner 2049"; what does it mean that Donald J. Trump will remain as executive producer on NBC's "The Celebrity Apprentice"?; there's a particular glass ceiling for women who work in animation.

The film festival high in the Rocky Mountains has an amazing track record of debuting movies that end up as Academy Award nominees and winners; singer Snoh Aalegra is an unlikely R&B artist, having grown up in Sweden as the daughter of Iranian immigrants; finding the spirit at Ambient Church.

The actor's Emmy-nominated role in "When They See Us" and his latest solo stage show, “Latin History for Morons,” have important messages about Latino history; even Martin Scorsese's "The Irishman" can't convince movie theater owners to soften their stance on Netflix releases.

The actor already has Academy Awards for "Moonlight" and "Green Book," and now he has an Emmy nomination for "True Detective"; China is a huge and growing market for music streaming, but its biggest platform is under scrutiny by the government there.

A new report by the USC Annenberg Inclusion Initiative shows an absence of Latino actors and directors; director Gavin Hood on his new film, "Official Secrets"; the summer box office report card for the studios.

We visit with Ava DuVernay at her company Array where she's disrupting the old Hollywood system; NYT culture critic Wesley Morris; 'Jawline' documentarian; filmmaker Issa López and more...

The former publicist is creating her own empire as a director, producer and distributor, housed in a rehabbed compound on the edge of downtown L.A.; the future of the Spider-Man film franchise.

The documentary by Liza Mandelup follows a 16-year-old on his journey to become a successful live-streamer; how TikTok became a powerful platform for music and pop culture; filmmaker Sacha Gervasi and actor Peter Dinklage on their Emmy-nominated movie, "My Dinner With Hervé."

The first release from their Higher Ground production company is a documentary by Julia Reichert and Steven Bognar about the cultural struggles that surfaced in the takeover of a gutted GM factory in Ohio; the outsized influence of Colombian artists in the Latin music scene.

The filmmaker's latest is dark fairytale about a group of orphans, living on the streets amidst drug-related violence in their Mexican town; 'Chernobyl' has some present-day resonance; The Rolling Stones 1964 U.S. debut in San Bernardino.

Sian Clifford, who plays the sister of series star and creator Phoebe Waller-Bridge, talks about their off-screen friendship; we also hear from Waller-Bridge's real-life sister, Isobel, who writes the music for the show; Variety senior film writer Matt Donnelly on the Fall movie season.

Richard Linklater on Texas pride and getting political. Taylor McFerrin sings on his new album. Bruce Springsteen love on the big screen in "Blinded By The Light." "Luce" Filmmaker confronts assumptions around race and privilege. We remember Peter Fonda.

The actor had directed several movies and TV projects, but never anything as grim as the Showtime series, and it paid off with an Emmy nomination for him; Latinos in the entertainment industry speak out on recent events.