The Frame

Hello from Park City! Host John Horn, editor Darby Maloney and producer Michelle Lanz check in to talk about a few of the standout films they've seen so far, as well as which filmmakers you can look forward to hearing on The Frame in the coming weeks.

The Frame host John Horn reports from Sundance on the festival's opening night and he interviews director Sydney Freeland (“Deidra and Laney Rob a Train”) and the husband-and wife team of Janicza Bravo and Brett Gelman ("Lemon").

Sundance's new initiative, "The New Climate," features documentaries that are focused on the environment; Solange Knowles dissects “Cranes In the Sky” from her breakthrough album, “A Seat at the Table.”

Composer Nicholas Britell talks about combining classical music with hip-hop production techniques to create his compelling score; the 2017 Sundance festival is expecting nearly 50,000 movie lovers, Hollywood executives, filmmakers and entertainment journalists.

After John Lewis was criticized by President-elect Donald Trump, the Congressman's grahic novel trilogy about the Civil Rights Movement shot to the top of Amazon's best-seller list; Netflix has a new version of the Norman Lear sitcom that puts a 21st Century spin on matters.

Andrew Garfield, who can be seen in two current films,"Silence" and "Hacksaw Ridge," reflects on Meryl Streep's Golden Globes speech and opens up about how he finds meaning in his work as an artist; Oscar-winning editor William Goldenberg shares secrets from the editing room; and a new exhibit at the J. Paul Getty Museum has artists turning their attention to the news as a muse.

News that filmmaker George Lucas will build a museum for his personal art collection in Los Angeles has a lot of people talking about "Star Wars" but this passion project will house more than memorabilia, says L.A. Times architecture critic Christopher Hawthorne; and Jeffrey Kahane, the musician and conductor who led the LA Chamber Orchestra for two decades now leads the Lift Every Voice music festival which challenges racial and religious injustice.

A new study reports that there is more violence in PG-13 films than ever — even more than in R-rated movies; you may not recognize Finn Wittrock by name, but you surely know his face from FX's "American Horror Story" to big films such as "The Big Short;" Sarah Megan Thomas is adapting her female-centric film, "Equity," for the small screen.

The new comic book anthology, "Love Is Love," was curated by Marc Andreyko, who marshaled an army of artists in the wake of the 2016 massacre at the Pulse nightclub in Orlando; meet a music supervisor who worked with Issa Rae and Solange Knowles on HBO's "Insecure;" the Producers Guild of America makes its picks for the best films of 2016.

Is Hollywood pushing a liberal agenda through the entertainment it makes? If you watched Meryl Streep’s speech at the Golden Globes last night you might think so. Mary McNamara of the LA Times and James Poniewozik of the New York Times join The Frame to discuss; Then theater director Pam MacKinnon shares how she turned the beloved film "Amélie" into a stage musical with "Hamilton" star Phillipa Soo in the lead.

The British actor stars as the leader of child soldiers in the West African civil war that is the first feature release from Netflix. Elba talks about how he taught non-actors to become professionals on set, and his personal connection to the film.

The director of "He Named Me Malala" reveals how making the documentary about the young Pakistani activist impacted him as a father.

The director says his biopic is a father-daughter story that reflects on screenwriter Aaron Sorkin as well as Boyle. He says it's important to tell stories about men like Jobs who now have more power than governments and who are humanized by the women in their lives.

"Spotlight" centers around the true story of how the Boston Globe uncovered the massive scandal of child molestation within that city's Catholic archdiocese. The Frame's John Horn spoke with the people behind the film about keeping true to the real story, which Keaton and McCarthy have personal connections to.

The actress talks with John Horn about the British suffragette movement as depicted in her new film, the courage of Pakistani activist Malala, and women in Hollywood.

Rooney Mara is 30 and has only been in a handful of films, but she's worked with some top directors, including Spike Jonze, Steven Soderbergh and now Todd Haynes for "Carol." Mara talks about how she never was good at anything until she found acting, how her moods affect what roles she chooses, and why getting a tribute at a young age is still a shock.

The filmmaker's film, set in the 1950s, stars Cate Blanchett and Rooney Mara and is based on the Patricia Highsmith novel. Haynes talks about why he makes movies about women, how the gay rights movements impacted his creativity, and how he left his hometown of L.A. to come into his own as a filmmaker.

The 42nd edition of the Telluride Film Festival begins today and John Horn and The Frame are there. We'll be talking with many of the filmmakers and stars and updating the feed a few times a day with our interviews with director Danny Boyle, actor Rooney Mara, screenwriter Charlie Kaufman and others.

David Newman performed on the score to "E.T." and now he's conducting the music with the L.A. Philharmonic; Telluride festival is a showcase for Oscar hopefuls; Should drug-fueled electronic dance festivals be allowed on county property?

Writer Jonathan Ames turns the erudite actor Patrick Stewart into a rambunctious TV news anchor in "Blunt Talk"; Emails from the hack of Sony Pictures reveal the studio's concern over alienating the NFL with its film, "Concussion"; Kera and the Lesbians calls its sound "bi-polar folk."

The duo Black Violin mixes strings with hip hop beats and challenges stereotypes; Could Apple get into the film and TV game?; Diane Coffee (aka Shaun Fleming) is the drummer for Foxygen, but finds his own voice on a side project.

Lake Bell talks about balancing personal and professional life in Hollywood; Emergency room physicians say electronic music festivals should not be held on county-owned property; Gigmor is a new website for musicians seeking kindred spirits.