The Frame

The Oscar-nominated editors behind "Moonlight," Joi McMillon and Nat Sanders, discuss working with director Barry Jenkins, editing reality TV and making history at the Oscars; A new study from USC finds best picture Academy Award nominees rarely have characters over 60.; What are the trends for the current TV pilot season?

The Equal Employment Opportunity Commission is in settlement talks with all of the major movie studios after a lengthy investigation into how directors are hired in Hollywood. Is change coming? Then "La La Land" composer Justin Hurwitz reveals how he went about scoring the modern day movie musical that's become an Oscar favorite.

The off-beat show "Baskets" is much closer to the actor's own comic and storytelling sensibilities. He calls it a "slapstick drama"; Facebook is hoping to add more music content to its influential platform.

The latest Marvel TV series doesn’t look anything like a Marvel TV series. And that’s what show creator Noah Hawley had in mind for “Legion”; "4.1 Miles" is a documentary whose title refers to a small strip of the Aegean Sea where tens of thousands of migrants try to make the treacherous crossing.

The HBO documentary “Eagles of Death Metal: Nos Amis” recounts the band's experience in the Paris terrorist attacks; Sting collaborated with J. Ralph for the Oscar-nominated song, “The Empty Chair”; the Grammy Awards are like a car wreck: you can't look away.

French electronic music pioneer Jean-Michel Jarre — who's nominated for a Grammy this year — takes us on a journey through the past, present and future of the electronica genre; It's no accident that five of the last 10 films starring David Oyelowo were directed by women, including his latest, "A United Kingdom"; Hollywood studio execs and filmmakers may get a new relationship with China later this month.

Violin virtuoso Rachel Barton Pine proves that classical music and heavy metal have a whole lot in common. Solange Knowles breaks down her Grammy-nominated song “Cranes In the Sky" in a Song Exploder segment. And the Los Angeles City Attorney Mike Feuer is trying to put an end to one of the oldest scams in Hollywood- pay to play casting agencies.

Producer Dan Lin proved with "The Lego Movie" that he could make a critically and commercially successful film based on a toy. Now the pressure is on to do the same with "The Lego Batman Movie"; Dave and Pos of De La Soul reveal their innovative approach to making their latest album, which paid off with a Grammy nomination; can Warner Bros. help subvert the traditional way movies get distributed?

Lin-Manuel Miranda may have turned Alexander Hamilton's life into a hit Broadway show, but he tells us that passion, not politics, drives his art, "Your job as an artist is to chase what inspires you and finish it"; Gaby Moreno's fusion of R&B with Spanish lyrics has earned her a Grammy nomination; The FTC calls out Vizio for using their TVs to collect data on their users without their consent.

"Moonlight" director Barry Jenkins has gone from virtual unknown to eight Academy Award nominations; "Saturday Night Live" finds comedy gold in the Trump presidency; veteran R&B singer William Bell has two Grammy nods for his comeback album.

Julius Onah directed the movie about a former child soldier in Africa who seems to fully adapt to his new life in America; how and why YouTube became the world's most popular music streaming site; a new documentary tells the story of the Bay Area's thrash metal scene.

Writers and comedians Diallo Riddle and Bashir Salahuddin talk about their new IFC series that's a fake documentary about a fake "Soul Train"-like music show; N.Y. Times co-theater critic Jesse Green on the legacy of Broadway legend Harold Prince, who died at the age of 91.

Anna Konkle and Maya Erskine get a writing nomination for their comedy series set in middle school; Lucas Shaw of Bloomberg News on musicians seeking representation in Washington; Cristina Ibarra and Alex Rivera talk about their film, "The Infiltrators," which tells the true story of two undocumented immigrants who go inside America’s for-profit, immigrant detention system.

Inara George and Greg Kurstin previously released an album of Hall & Oates covers, and now they've turned to songs made famous by Eddie Van Halen and David Lee Roth; is there a rift in the Writers Guild leadership?; do faith-based movies need film critics?

How Quentin Tarantino and his team recreated 1969 Hollywood. Director Gigi Saul Guererro tells an immigration story as a horror film and the Alamo Drafthouse (finally) opens in DTLA. All that plus documentaries about Mike Wallace and Cambridge Analytica. Plus, we remember New Orleans music legends.

Veteran cinematographer Robert Richardson talks about shooting "Once Upon a Time In Hollywood"; the documentary "For Sama" is an unflinching look at the war in Syria; Michael McDonald on being the ultimate backup singer.

The Texas-based theater chain has been working on a complex here for six years and the owners are hoping audiences will connect with the in-seat food service and bar; film festival season is upon us; re-creating the streets of L.A. circa 1969 for “Once Upon a Time in Hollywood.”

The documentary by Ari Belkin examines the life and career of the famed journalist; Daniel Fienberg of The Hollywood Reporter previews Television Critics Association press tour; the indie video game market.

Writer and director Pippa Bianco talks about her first feature film, which was adapted from her 2015 short; why are artists pulling their work from the Whitney Biennial?; the host of the "Mueller, She Wrote" podcast preps for the big day.

Karim Amer and Jehane Noujaim co-directed the documentary about the Cambridge Analytica/Facebook controversy; all the news from Comic-Con; Rodrigo y Gabriel have guitars, will travel.

Marc Maron shines in a new improvised film from Lynn Shelton. Linda Ronstadt gets celebrated for a life in music. David Crosby makes a mea culpa documentary with Cameron Crowe and "Apollo 11" reveals a hidden side to the moon landing.

We mark the 50th anniversary of the moon landing by revisiting our interviews with "First Man" director Damien Chazelle and screenwriter Josh Singer, and with the film's sound editors, Ai-Ling Lee and Mildred Iatrou Morgan, who were nominated for an Academy Award; Todd Douglas Miller, director of the groundbreaking documentary, "Apollo 11."