The Frame

A new Japanese American National Museum (JANM) exhibit remembers the dark history of legalized discrimination in the US. Classical music composer Julia Adolphe is a rising star with a new work at the Los Angeles Chamber Orchestra. Director Sydney Freeland discusses her coming-of-age movie "Deidra & Laney Rob a Train."

What does President Trump's budget proposal to eliminate the NEA, NEH and CPB actually mean? New York Magazine art critic Jerry Saltz finds hope in the political messages and diverse voices at the Whitney Biennal. And director Ferne Pearlstein and Holocaust survivor Renee Firestone discuss the new documentary "The Last Laugh."

LA Phil chief Deborah Borda will depart to head the NY philharmonic. She leaves behind a flourishing institution, a happy orchestra, and a charismatic artistic director. Documentarian Marina Zenovich tries to uncover who owns California's water supply in "Water & Power: A California Heist." And filmmaker Ritesh Batra goes from "The Lunchbox" to "The Sense of an Ending."

Misha Green, co-creator of the WGN series "Underground," talks about how characters like Harriet Tubman are real-life superheroes and how she's sometimes mistaken for an assistant on set; Goldenvoice—the promoters behind Coachella, Stagecoach and Desert Trip—bring their latest fest to Pasadena, called Arroyo Seco Weekend.

Filmmaker Danny Boyle has reunited with the original cast of his 1996 movie "Trainspotting" to find out where those drug-addled young adults are now that they're in full-blown adulthood; Cuban Singer Daymé Arocena releases a new album with a little help from friends in LA; The Writers Guild of America starts contract talks, could it lead to a strike?

Walt Disney’s creative genius and his personal dark side are explored in the Philip Glass opera, “The Perfect American”; religious scholar Reza Aslan talks about his new CNN series, “Believer,” in which he focuses on fringe elements of certain religions; Mohsen Namjoo revives the pre-revolution rock music of his native Iran.

When the Alvin Ailey American Dance Theater performs in downtown LA this weekend the consistent theme throughout the nine pieces is social justice. One dance making its West Coast debut is inspired by Martin Luther King Jr. speeches. And the SXSW confab of music, movies, TV and tech turns 30 years old this weekend. The CEO joins us to discuss its evolution and the controversial contract clause that have some artists upset over perceived threats of deportation.

ReFrame is a new initiative by Women in Film/Sundance Institute that comes after years of research into why Hollywood is dominated by men. Oscar-winning producer Cathy Schulman and Keri Putnam of the Sundance Institute discuss how ReFrame plans to create systematic change in the industry; The National Museum for Women in the Arts in Washington DC is nearly 30 years old, and its mission is as timely as ever.

Writer-director Luis Valdez, Center Theater Group artistic director Michael Ritchie, actress Rose Portillo and historian Tomás Summers Sandoval discuss the revival of "Zoot Suit" and the play's modern-day resonance; the documentary 'Cries from Syria' will air just as the U.S.' new ban on refugees takes effect.

Timothy Olyphant has had a string of memorable TV roles – from “Deadwood” to his starring role in “Justified” and now “Santa Clarita Diet.” Not bad for an art major from Modesto, Calif.; Donald Trump’s presidency has been a boon for late night talk show hosts, especially for Stephen Colbert. But every late night host faces a quandary: how political should they be?

Show biz veterans run a TV channel at an industry retirement home (pictured); the head of UCLA's Center for African American Studies weighs in on e-mails from studio executives joking about President Obama's taste in films; and acclaimed photographer Sebastião Salgado gets the documentary treatment from his son.

Julianne Moore talks about her role as an Alzheimer's patient in "Still Alice" (pictured); the British holiday stage tradition known as panto comes to the Pasadena Playhouse; and a movie marketing executive assesses Sony's challenge with "The Interview."

Several Screen Actors Guild award nominees took risky bets that paid off; Singer-songwriter Gaby Moreno rewrites some holiday classics; and director Laura Poitras talks about her Edward Snowden documentary, "Citizenfour."

There's some casting controversy over Ridley Scott's Biblical tale, "Exodus" (pictured); Sean Rameswaram of the Sideshow podcast leads us through the gems and lumps of coal among this year's holiday albums; and playwright Rebecca Gale mines the social welfare system in "Luna Gale."

World premieres at next month's Sundance Festival include Paul Weitz's "Grandma," starring Lily Tomlin (pictured); as "Boyhood" garners more praise, Ethan Hawke talks about the film's effect on audiences; artist Jennifer Moon gets her inspiration behind the wheel; and Jean-Marc Vallee says he didn't choose "Wild," the project chose him.

Grammy nominations are out: What did voters get right/wrong?; LACMA curator Franklin Sirmans attends Art Basel Miami and lives to tell the story; Chadwick Boseman has played Jackie Robinson, James Brown (pictured) and soon will play Marvel’s first black superhero; Robert Downey Sr. on his film retrospective.

NBC's coverage of the Rockefeller Plaza Christmas tree lighting ceremony was almost disrupted by protests (pictured); Alexandre Desplat is one of Hollywood’s busiest and most celebrated composers; a neuroscientist on how cinema manipulates our minds; and why the current dearth of great sitcoms?

Filmmaker Kyle Alvarez on the thrill of being invited to the Sundance Film Festival; why Kevin Costner reached into his own pocketbook for "Black or White" (pictured); “Into the Woods” is back onstage and headed for the multiplex; and Daniel Catán's operatic legacy won't end with 'Florencia en el Amazonas.'

As movie award season gets underway, talk inevitably returns to the novelty of "Boyhood," which was named 2014's best film by New York critics; the Wende Museum in Culver City turns East German artifacts into artwork; and Carmen Esposito may be the hardest-working comedian in show biz.

Sony Pictures computers were hacked last week, resulting in several unreleased films being leaked. We also talk about the wider effects of film piracy; actress Reese Witherspoon (pictured in "Wild") and her producing partner, Bruna Papandrea, talk about how they're working to change the film industry.

CalTech physicist Kip Thorne talks about getting the science right for "Interstellar"; Tim Robbins' Actors' Gang theater company works to rehabilitate inmates; and Margaret Lyons of Vulture.com has some viewing suggestions after the mashed potatoes turn you into a couch potato.

Killer Mike talks about performing in St. Louis on the night the Ferguson decision came down; actor Benedict Cumberbatch shares the tragic story of the genius who broke the Enigma code; the indie film version of the Oscars unveils its nominations; and musician Ben Watt talks about his solo career.