The Frame

A new Japanese American National Museum (JANM) exhibit remembers the dark history of legalized discrimination in the US. Classical music composer Julia Adolphe is a rising star with a new work at the Los Angeles Chamber Orchestra. Director Sydney Freeland discusses her coming-of-age movie "Deidra & Laney Rob a Train."

What does President Trump's budget proposal to eliminate the NEA, NEH and CPB actually mean? New York Magazine art critic Jerry Saltz finds hope in the political messages and diverse voices at the Whitney Biennal. And director Ferne Pearlstein and Holocaust survivor Renee Firestone discuss the new documentary "The Last Laugh."

LA Phil chief Deborah Borda will depart to head the NY philharmonic. She leaves behind a flourishing institution, a happy orchestra, and a charismatic artistic director. Documentarian Marina Zenovich tries to uncover who owns California's water supply in "Water & Power: A California Heist." And filmmaker Ritesh Batra goes from "The Lunchbox" to "The Sense of an Ending."

Misha Green, co-creator of the WGN series "Underground," talks about how characters like Harriet Tubman are real-life superheroes and how she's sometimes mistaken for an assistant on set; Goldenvoice—the promoters behind Coachella, Stagecoach and Desert Trip—bring their latest fest to Pasadena, called Arroyo Seco Weekend.

Filmmaker Danny Boyle has reunited with the original cast of his 1996 movie "Trainspotting" to find out where those drug-addled young adults are now that they're in full-blown adulthood; Cuban Singer Daymé Arocena releases a new album with a little help from friends in LA; The Writers Guild of America starts contract talks, could it lead to a strike?

Walt Disney’s creative genius and his personal dark side are explored in the Philip Glass opera, “The Perfect American”; religious scholar Reza Aslan talks about his new CNN series, “Believer,” in which he focuses on fringe elements of certain religions; Mohsen Namjoo revives the pre-revolution rock music of his native Iran.

When the Alvin Ailey American Dance Theater performs in downtown LA this weekend the consistent theme throughout the nine pieces is social justice. One dance making its West Coast debut is inspired by Martin Luther King Jr. speeches. And the SXSW confab of music, movies, TV and tech turns 30 years old this weekend. The CEO joins us to discuss its evolution and the controversial contract clause that have some artists upset over perceived threats of deportation.

ReFrame is a new initiative by Women in Film/Sundance Institute that comes after years of research into why Hollywood is dominated by men. Oscar-winning producer Cathy Schulman and Keri Putnam of the Sundance Institute discuss how ReFrame plans to create systematic change in the industry; The National Museum for Women in the Arts in Washington DC is nearly 30 years old, and its mission is as timely as ever.

Writer-director Luis Valdez, Center Theater Group artistic director Michael Ritchie, actress Rose Portillo and historian Tomás Summers Sandoval discuss the revival of "Zoot Suit" and the play's modern-day resonance; the documentary 'Cries from Syria' will air just as the U.S.' new ban on refugees takes effect.

Timothy Olyphant has had a string of memorable TV roles – from “Deadwood” to his starring role in “Justified” and now “Santa Clarita Diet.” Not bad for an art major from Modesto, Calif.; Donald Trump’s presidency has been a boon for late night talk show hosts, especially for Stephen Colbert. But every late night host faces a quandary: how political should they be?

Apple changed its tune after Taylor Swift (pictured) called out the company for not compensating labels and artists during the upcoming three-month trial for its streaming service; Patrick Clair, who won an Emmy for creating the main titles for the first season of "True Detective," is once again setting the mood for the dark subject matter at hand.

Comedian and podcaster Marc Maron tells us about his interview with President Obama. The brothers in the documentary "The Wolfpack" grew up worshipping movies — now they're the subject of one. We also talk with KPCC's Kevin Ferguson about our new "True Detective" podcast.

Is Apple the big bad wolf of the music streaming world? The tech giant will withhold all payments to labels and artists for the first three months of Apple Music. Runaway film score production leads Hollywood composers and musicians to take action. How the Pixar filmmakers created the world of a little girls mind and the character based on her emotions for "Inside Out." Arnold is back and scaring people on Hollywood Blvd.

Filmmaker Maya Forbes cast Mark Ruffalo to play her likable bipolar dad in "Infinitely Polar Bear" and shows the human side of mental illness. Singer/Songwriter Ryn Weaver's quick rise to fame and the internet haters that came with it. Report from the floor of the massive video game trade show E3; Neil Young v. Donald Trump

"Dope" filmmaker Rick Famuyiwa was influenced by Inglewood, Hip Hop and John Hughes movies. Author Jillian Lauren and her Weezer bassist husband share tales of a rock 'n' roll tour life with their young son. E3 Day one: Star Wars and virtual reality. Is Jeb Bush a "Die Hard" fan?

The 5 lessons to be learned from 'Jurassic World''s $500 million weekend. An experimental comedy show puts comedians in purgatory. Filmmaker Zoe Cassavetes takes on ageism in Hollywood. What the heck are Will Ferrell and Kristen Wiig doing in a Lifetime movie?

Pete Docter and Ronnie Del Carmen talk about depicting the inner life of a child’s mind in "Inside Out" (pictured); on our latest "Song Exploder" segment, the composer for "Game of Thrones" deconstructs his theme music; FIFA invested $32 million in a film that virtually no one will see.

Alfonso Gomez-Rejon used his film, "Me and Earl and the Dying Girl" (pictured), to process his father’s death; a long-lost silent cartoon by Walt Disney finally gets a musical score; Rupert Murdoch takes the next step for his sons' future at 21st Century Fox.

As Pixar readies the release of "Inside Out," we visit the animation studio's Bay Area campus (pictured); former NBA star Baron Davis co-directed a documentary that takes him back to his basketball roots; the Ojai Music Festival presents the West Coast premiere of a work by Pulitzer Prize-winning composer John Luther Adams.

'The Wolfpack' is a documentary about six brothers, sheltered in a New York apartment, who look to movies as their refuge (pictured); FFS is a new supergroup that combines the bands Franz Ferdinand and Sparks; the Charles Manson case continues to reverberate in pop culture through a TV series, feature film and podcast.

Apple finally announced its streaming service, with a little help from Drake (pictured); the 21st annual Los Angeles Film Festival will once again include a showcase called LA Muse; the Tony Awards made some Broadway history with a first-time win for women composers.

Popular comics are tackling more serious issues these days, says Megan Garber in her essay, "How Comedians Became Public Intellectuals" (pictured: John Oliver); Joan Scheckel is a popular teacher for many directors, writers and actors, but what goes on inside her studio?; Australian singer Vance Joy talks about the ups and downs of life on tour.