The Frame

The new Hulu series, co-created by Moira Buffini, has been likened to Sofia Coppola’s "Marie Antoinette" and the sharply modern feminist commentary of “Orange Is the New Black.”

Danger Mouse is an adventurous music producer whose 2004 project, “The Grey Album,” put him on the map. Since then he’s won six Grammy Awards and worked with some of the biggest names in pop. Now he has a collection of songs he imagined would be heard on the radio station on Amazon’s dystopian WWII series, “The Man in the High Castle.”

Actor Jason Segel made his career in big studio comedies such as “Forgetting Susan Marshall," the TV sitcom, “How I Met Your Mother," and as author David Foster Wallace in the film “The End of the Tour,” which won him a lot of acclaim. Now he's taking that new image into his latest movie, the sci-fi love story “The Discovery,” which co-stars Rooney Mara and Robert Redford.

Jessica Williams was a correspondent on "The Daily Show" and now co-hosts the popular podcast, “2 Dope Queens." And this summer she can be seen in the Netflix movie, “The Incredible Jessica James"; movie theater owners are gathered in Las Vegas for CinemaCon. While movie studios preview their big 2017 releases, hovering over the party is the looming threat of streaming and video-on-demand.

The Wooster Group’s latest stage show, “The Town Hall Affair,” re-creates an infamous 1971 public debate about feminism moderated by – of all people – the chauvinistic writer Norman Mailer. Now on stage at the REDCAT in downtown Los Angeles, the show has resonance in an era when a presidential candidate can get away with ugly talk about women and millions of women took to the streets on the day after his inauguration.

Film producers Bonnie Curtis and Julie Lynn have made several small budget, character-driven movies together including “Albert Nobbs” with Glenn Close and “Last Days in the Desert” with Ewan McGregor. But "Life" is completely different. They talk with The Frame about managing a bigger budget –with special effects and zero gravity– and what makes their partnership work.

Caro's latest film is “The Zookeeper’s Wife," but her next project, the live-action version of “Mulan,” will make her only the 4th woman to have a budget over $100 million; The Writer’s Guild is negotiating its next contract, and there has been talk of a strike over wages for TV writers; children’s book author/illustrator Claire Keane worked with her Disney animator father on a story about Rapunzel that is being turned into a TV series.

"The Americans" creator Joe Weisberg and fellow showrunner Joel Fields talk about creating their 1980's Russian espionage show in the era of Russian hacking. The two are joined by director Chris Long– who shot some of the show in Moscow– to talk about creating a family drama that's also a secret agent story.

The 1991 Disney animated film "Beauty and the Beast," is considered by many to be a classic. But the man behind the lyrics of some of our favorite songs never got to see the final film. We put together this oral history/remembrance of his life and legacy; “Good Grief" is a new play by LA-based playwright Ngozi Anyanwu that can help people cope with their own losses; Drake’s new album "More Life” was the soundtrack to this past weekend. Literally.

Deborah Borda is leaving her post as CEO of the L.A. Philharmonic to run the N.Y. Philharmonic; filmmaker Taylor Hackford recalls making his 1987 documentary about Chuck Berry; Discostan is a monthly club night that features Middle Eastern music.

Kent McCord of the 1960-70s TV cop show, "Adam-12," which was produced in partnership with the LAPD. McCord says a show about cops who aren't "edgy" wouldn't sell in today's TV business; In advance of TV's big awards night, we discuss what goes into an Emmy campaign, and how valuable is a nomination or a win in this era of "too much TV"?

Cheo Hodari Coker, creator and showrunner of the Netflix series "Luke Cage," unpacks the idea of building a show around a superhero who also happens to be a "bullet-proof black man" in a hoodie; Can Pandora and Amazon be the next disruptors in the streaming music space? They hope so.

The documentary "Audrie & Daisy" examines the sexual assault and cyber-shaming of two teen girls; with its third album, the band Local Natives remains entrenched in Silver Lake's indie rock scene; a group of songwriters is challenging the Dept. of Justice's control over royalty rates.

How do unconscious biases affect hiring practices in Hollywood? To dig deeper into this issue, Cathy Schulman (Oscar-winning producer/Women In Film) and Judith Williams (Global Head of Diversity at Dropbox) put Frame host John Horn to the test as if he's a studio executive; In 2005 Jackie Lopez co-founded the hip hop troupe "Versa Style" to teach kids not only how to dance but the cultural history behind hip hop.

"Kicks" filmmakers discuss how being outsiders who didn't fit society's views of manhood fueled the making of their lyrical coming-of-age drama; A new documentary explores why Brad Bird's 1999 animated film "The Iron Giant" was a critical darling, but a box office bomb; Inside Nate Parker's "The Birth of a Nation" press conference at TIFF; Can you scream like Nicholas Cage?

Every August, cultural festivals take over the Scottish city of Edinburgh with thousands of performances taking place day and night. This year The Frame host John Horn immersed himself in shows and brings an audio postcard of his creative excursion; TV reporter Whitney Friedlander joins us to preview some new and returning television shows that are worthy of our time and DVR space this fall.

You know him from comedies like "Beverly Hills Cop" and "The Nutty Professor," but Eddie Murphy's return to the big screen is the dramatic lead role in “Mr. Church"; Vulture.com senior editor Kyle Buchanan tells us what's hot at the Toronto Film Festival, which kicks off today; Filmmaker Ryan Suffern on his new doc, "Finding Oscar," about the aftermath of the civil war in Guatemala.

"Moonlight" director Barry Jenkins adapted the script for his new movie from a Tarell McCraney play, but it's a truly personal story for him. The movie is set in the Miami neighborhood where both he and McCraney grew up and borrows from both men's biographies; A new USC study looks at 800 Hollywood films and finds the same old thing — a lack of diversity both on and off the screen.

Eastwood directs Hanks in the story of the airline pilot who safely landed his damaged plane in the Hudson River with 155 people onboard; the three-day electronic music festival at the San Manuel Amphitheater saw hundreds of arrests, mostly for drug possession or being under the influence.

The new boxing drama "Bleed For This" tells the real life story of Vinny Pazienza's rise in the boxing world, and how a car accident nearly paralyzed him. The film made its world premiere at the Telluride Film Festival.

Amy Adams is at the 43rd Telluride Film Festival for the North American premiere of her movie “Arrival." She's also being honored by the festival for her body of work. This Q&A was recorded in front of an audience and covers a wide range of topics, from how she got started doing dinner theater and her early years struggling in L.A., to her recent run of successful movies like "American Hustle" and "Her."

Casey Affleck is at the Telluride Film Festival for his new drama, "Manchester By The Sea" and a career tribute for his more than twenty years of acting. He had a live Q&A with The Frame's John Horn in which he reflected on a time when he was disillusioned with acting. He also talked about his creative partnerships with directors Gus Van Sant and Kenneth Lonergan and actors Rooney Mara, Christian Bale, and his longtime friend Joaquin Phoenix.