The Frame

The new Hulu series, co-created by Moira Buffini, has been likened to Sofia Coppola’s "Marie Antoinette" and the sharply modern feminist commentary of “Orange Is the New Black.”

Danger Mouse is an adventurous music producer whose 2004 project, “The Grey Album,” put him on the map. Since then he’s won six Grammy Awards and worked with some of the biggest names in pop. Now he has a collection of songs he imagined would be heard on the radio station on Amazon’s dystopian WWII series, “The Man in the High Castle.”

Actor Jason Segel made his career in big studio comedies such as “Forgetting Susan Marshall," the TV sitcom, “How I Met Your Mother," and as author David Foster Wallace in the film “The End of the Tour,” which won him a lot of acclaim. Now he's taking that new image into his latest movie, the sci-fi love story “The Discovery,” which co-stars Rooney Mara and Robert Redford.

Jessica Williams was a correspondent on "The Daily Show" and now co-hosts the popular podcast, “2 Dope Queens." And this summer she can be seen in the Netflix movie, “The Incredible Jessica James"; movie theater owners are gathered in Las Vegas for CinemaCon. While movie studios preview their big 2017 releases, hovering over the party is the looming threat of streaming and video-on-demand.

The Wooster Group’s latest stage show, “The Town Hall Affair,” re-creates an infamous 1971 public debate about feminism moderated by – of all people – the chauvinistic writer Norman Mailer. Now on stage at the REDCAT in downtown Los Angeles, the show has resonance in an era when a presidential candidate can get away with ugly talk about women and millions of women took to the streets on the day after his inauguration.

Film producers Bonnie Curtis and Julie Lynn have made several small budget, character-driven movies together including “Albert Nobbs” with Glenn Close and “Last Days in the Desert” with Ewan McGregor. But "Life" is completely different. They talk with The Frame about managing a bigger budget –with special effects and zero gravity– and what makes their partnership work.

Caro's latest film is “The Zookeeper’s Wife," but her next project, the live-action version of “Mulan,” will make her only the 4th woman to have a budget over $100 million; The Writer’s Guild is negotiating its next contract, and there has been talk of a strike over wages for TV writers; children’s book author/illustrator Claire Keane worked with her Disney animator father on a story about Rapunzel that is being turned into a TV series.

"The Americans" creator Joe Weisberg and fellow showrunner Joel Fields talk about creating their 1980's Russian espionage show in the era of Russian hacking. The two are joined by director Chris Long– who shot some of the show in Moscow– to talk about creating a family drama that's also a secret agent story.

The 1991 Disney animated film "Beauty and the Beast," is considered by many to be a classic. But the man behind the lyrics of some of our favorite songs never got to see the final film. We put together this oral history/remembrance of his life and legacy; “Good Grief" is a new play by LA-based playwright Ngozi Anyanwu that can help people cope with their own losses; Drake’s new album "More Life” was the soundtrack to this past weekend. Literally.

Deborah Borda is leaving her post as CEO of the L.A. Philharmonic to run the N.Y. Philharmonic; filmmaker Taylor Hackford recalls making his 1987 documentary about Chuck Berry; Discostan is a monthly club night that features Middle Eastern music.

Did Conan O'Brien steal jokes from another comedian? A jury may soon deliberate over that very question. Actor and playwright Wallace Shawn wrote "The Designated Mourner" in 1996. Now the play, which is about totalitarianism and anti-intellectualism, is being remounted by director André Gregory. And the artist known as Perfume Genius breaks down a song off his new album in an episode of Song Exploder.

Bryan Fuller and Michael Green open up about turning the Neil Gaiman book 'American Gods' into the new television series for Starz. They discuss how they approached issues of religion, race, immigration, sex and violence in the show. And Brad Grey, the former CEO of Paramount Pictures, passed away last night. In the wake of his death we discuss his legacy and the fact that he was the sort of movie mogul that Hollywood studios don't hire anymore.

Eleanor Coppola writes and directs her first feature film 'Paris Can Wait.' She opens up about her marriage with Francis, her daughter Sophia, and her lifelong struggle to find artistic fulfillment. An LA actor takes his Trump impersonation into the land of improv. A star-studded cast in NY engages in "documentary theater" with a reading of the play “All the President’s Men?”

Yes, there is too much TV content these days, but the field is winnowing; Graham Nash says he's found a new life at the ripe young age of 75; Diane Rodriguez's play, "The Sweetheart Deal," looks at labor politics and personal sacrifice in California, circa 1970.

Actress Mary Elizabeth Winstead has coveted a part in FX's "Fargo," and she finally got her wish in the current third season; Summer will bring the usual slate of remakes and sequels, but there are also some promising original films on the horizon.

Now that ABC is resurrecting "American Idol," we discuss why the network would do such a thing; how will TV networks prove that they're still the best place for advertisers to spend their ad money?; playwright Dan O'Brien tells us how he created a play out of his family’s history of betrayal, isolation and secrets.

A new documentary aims to give proper credit to storyboard artist Harold Michelson and his researcher wife, Lillian; John Oliver once again goes after the FCC over net neutrality debate; San Miguel Perez recorded his debut album in L.A. with help from Colin Hay of Men at Work.

“The Lost City of Z,” writer/director James Gray talks about how he approached adapting the source book for the screen; Facebook announced it’s shutting down its in-house virtual reality studio; “The Circle” director James Ponsoldt about his film and his own social media habits.

Does the Netflix series, “13 Reasons Why,” glorify teen suicide? How can the streaming service better warn audiences about sensitive topics?; Why Frank Lloyd Wright’s Hollyhock House in L.A. was built for theater but didn't stage a play until now; Brett Berns makes "Bang! The Bert Berns Story," a documentary tracking his father's legendary career in the music business.

Debra Winger co-stars in the new movie "The Lovers" with Tracy Letts. It's the kind of character-driven film that Hollywood movie studios might have made in the 1980's when Winger was racking up Oscar nominations. She reflects on the changing business and her place in it. Hulu made news today at the Newfronts with streaming deals for "This is Us" and "Atlanta" and their live TV bundle.

Justin Simien reflects on how the 2016 election factored into the TV version of "Dear White People"; a tentative deal has been reached between the Writers Guild of America and TV/film producers, averting a strike; bass saxophonist Colin Stetson on the intricate method for recording his latest album and the physical demands of his sound.

In the new documentary "Risk," Oscar-winning filmmaker Laura Poitras grapples with unexpected contradictions about Julian Assange and Wikileaks. And as talks between the WGA and AMPTP come close to an end, the creators of two new TV shows, "Dear White People" and "Downward Dog," weigh in on what a strike could mean.