The Frame

Eleanor Coppola writes and directs her first feature film 'Paris Can Wait.' She opens up about her marriage with Francis, her daughter Sophia, and her lifelong struggle to find artistic fulfillment. An LA actor takes his Trump impersonation into the land of improv. A star-studded cast in NY engages in "documentary theater" with a reading of the play “All the President’s Men?”

Yes, there is too much TV content these days, but the field is winnowing; Graham Nash says he's found a new life at the ripe young age of 75; Diane Rodriguez's play, "The Sweetheart Deal," looks at labor politics and personal sacrifice in California, circa 1970.

Actress Mary Elizabeth Winstead has coveted a part in FX's "Fargo," and she finally got her wish in the current third season; Summer will bring the usual slate of remakes and sequels, but there are also some promising original films on the horizon.

Now that ABC is resurrecting "American Idol," we discuss why the network would do such a thing; how will TV networks prove that they're still the best place for advertisers to spend their ad money?; playwright Dan O'Brien tells us how he created a play out of his family’s history of betrayal, isolation and secrets.

A new documentary aims to give proper credit to storyboard artist Harold Michelson and his researcher wife, Lillian; John Oliver once again goes after the FCC over net neutrality debate; San Miguel Perez recorded his debut album in L.A. with help from Colin Hay of Men at Work.

“The Lost City of Z,” writer/director James Gray talks about how he approached adapting the source book for the screen; Facebook announced it’s shutting down its in-house virtual reality studio; “The Circle” director James Ponsoldt about his film and his own social media habits.

Does the Netflix series, “13 Reasons Why,” glorify teen suicide? How can the streaming service better warn audiences about sensitive topics?; Why Frank Lloyd Wright’s Hollyhock House in L.A. was built for theater but didn't stage a play until now; Brett Berns makes "Bang! The Bert Berns Story," a documentary tracking his father's legendary career in the music business.

Debra Winger co-stars in the new movie "The Lovers" with Tracy Letts. It's the kind of character-driven film that Hollywood movie studios might have made in the 1980's when Winger was racking up Oscar nominations. She reflects on the changing business and her place in it. Hulu made news today at the Newfronts with streaming deals for "This is Us" and "Atlanta" and their live TV bundle.

Justin Simien reflects on how the 2016 election factored into the TV version of "Dear White People"; a tentative deal has been reached between the Writers Guild of America and TV/film producers, averting a strike; bass saxophonist Colin Stetson on the intricate method for recording his latest album and the physical demands of his sound.

In the new documentary "Risk," Oscar-winning filmmaker Laura Poitras grapples with unexpected contradictions about Julian Assange and Wikileaks. And as talks between the WGA and AMPTP come close to an end, the creators of two new TV shows, "Dear White People" and "Downward Dog," weigh in on what a strike could mean.

Jon Robin Baitz's "Vicuña" now has a different resonance for actor Harry Groener, who plays a Donald Trump-like character; the final part of Richard Nelson’s trilogy, “Women of a Certain Age,” was set on election day and it premiered at N.Y.'s Public Theater as Americans voted; Serj Tankian of the metal band System of a Down is also a symphonic composer.

If Hillary Clinton is elected, she probably won't want to emulate the women presidents depicted on TV and in films; The Second City comedy troupe and Slate magazine teamed up for a “completely unbiased political revue”; which late night shows have benefitted most from the wild presidential campaign?

Benjamin Millepied opens up about why he abandoned a lifetime appointment at the Paris Opera Ballet to return full-time to the L.A. Dance Project; 'Doctor Strange' is the latest Marvel movie that will dominate the box office, but there's a casting controversy around Tilda Swinton in a role that originated in the comic book as an Asian character.

"The Ivory Game" directors used hidden cameras and bulletproof vests as they captured the underground ivory trade for the documentary that they hope will save elephants from extinction; writer-director Barry Jenkins opens up about the personal backstory to making his hit film, "Moonlight"; GLAAD releases its annual study of how LGBTQ characters are portrayed on TV.

Actor Aaron Eckhart says he’s come to terms with the reality of aging in Hollywood; it’s no longer rare to come across a women’s mariachi group, so the accomplished musicians of La Victoria are making their mark in different ways; the annual American Film Market in Santa Monica is crucial to the financing of independent movies.

The podcast network Gimlet Media's new shows include a radio drama with Oscar Isaac, Catherine Keener and David Schwimmer and a docuseries from the producers of HBO's The Jinx; Filmmaker Janicza Bravo got her first TV break directing the most recent episode of "Atlanta"; Playwright Donald Margulies on the origin story of his play "The Model Apartment."

The film “Loving” is about the couple behind the landmark 1967 Supreme Court case that legalized interracial marriage in the U.S. Writer-director Jeff Nichols says he decided to concentrate on the relationship between Mildred and Richard Loving, instead of the case; Playwright Jon Robin Baitz’s talks about his new play, “Vicuña,” conceived just seven months ago when it became likely that Trump would be the GOP’s nominee.

British actress Phoebe Waller-Bridge turned her solo stage show, "Fleabag," into a hit TV series for the BBC and Amazon; comedian and rapper Pedro Herrera put his marketing degree to use when he created his stage persona, Chingo Bling; Vine is being shut down, but those six-second videos helped launch many careers.

Did you know 'The Good Place' is a tutorial on good and evil disguised as a network sit-com? Creator Mike Schur shares his hopes for his new NBC comedy starring Kristen Bell; The Frame gets a rare fly on the wall view of how the filmmakers of "Ouija: Origin of Evil" created the scary soundscape of the movie; CA film commissioner says the production economy in the Golden State is strong.

The co-creator of "The Blair Witch Project” talks about the genre of "found footage" movies that followed the 1999 hit; Hollywood's awards season is underway and it looks like there could be a diverse slate of actor nominees; execs from top tech and entertainment companies meet to figure out their next moves.

The legendary TV producer is going strong at the age of 94, with a remake of "One Day at a Time" set for Netflix; Janelle Monáe takes a break from music to act in her debut feature film, “Moonlight”; could Facebook challenge TV networks and YouTube as a platform for live streaming?

Prentice Penny, showrunner of "Insecure," shares his passion for making a slice-of-life comedy about young African-American women; a look inside USC's Glorya Kaufman International Dance Center; is AT&T's play for Time Warner a good business move?