The Frame

It's a rarity for a woman to direct a big budget, comic superhero movie, but Jenkins has torn down the walls with her critically-acclaimed box office smash.

Broadway will honor the best in theater on Sunday night at the 71st annual Tony Awards. But there's one group of performers who will not be recognized, despite the fact that they often make up the majority of the cast in a musical. The Ojai Music Festival highlights an arts collective from the South Side of Chicago that launched 50 years ago by giving the west coast premiere of an opera about the collective titled "Afterward."

“Beatriz at Dinner” is set at a dinner party in a Southern California mansion. The filmmakers and long-time collaborators open up about how they sought to use the setting as a means to unpack "casual racism," and comparisons between John Lithgow's character and Donald Trump.

Movie trailers are both art and advertising. A co-founder of the annual Golden Trailer Awards breaks down what goes into the making of a trailer and why they honor the best and the worst each year. And filmmaker Trey Edward Shults says that dealing with his father's death and his own fear of dying informed his new thriller "It Comes At Night."

Bill Maher’s use of a racial epithet on his HBO show has led to calls for Maher's firing and ignited debate over who can say the N-word. We get reaction from NPR's Karen Grigsby Bates and "Dear White People" filmmaker Justin Simien; Brett Haley's new movie, “The Hero," looks at our admiration of cinematic heroes through the life of an aging actor whose public persona is defined by a role he played on screen.

Artist Jeff Koons has his detractors, but he is an undeniable force in contemporary art; blues veterans Taj Mahal and Keb' Mo' have finally made an album together; George Pérez is the DC Comics writer and artist who revived "Wonder Woman" in the 1980s.

Between the White House Correspondents Dinner, his "Daily Show" gig and Netflix special, comedian Hasan Minjaj is having a good year; a playwriting workshop tries to help veterans re-connect with civilian life; Spotify settles a class action lawsuit that was filed by songwriters claiming they weren’t being properly compensated.

Sheila Nevins talks about how she navigated the workforce early in her career as assumptions about women were changing in America; Now that the DGA and WGA contracts are signed, it’s time for SAG-AFTRA to step to the negotiating table; Mexican-American singer Lila Downs has a new album that takes the romantic ballad genre known as bolero and pairs it with topical lyrics.

After a performance in blackface at an inaugural gala for President Ronald Reagan in 1981, Ben Vereen's career suffered. Artist Edgar Arceneaux has written an experimental play that explores the Broadway legend's intent; Vulture.com's Kyle Buchanan gives a recap on the most striking moments of this year's Cannes Film Festival.

Reed Morano talks about being executive producer and director for the first three episodes of "The Handmaid's Tale"; Zoe Lister-Jones' directed "Band Aid" with marriage and music in mind.

The film festival high in the Rocky Mountains has an amazing track record of debuting movies that end up as Academy Award nominees and winners; singer Snoh Aalegra is an unlikely R&B artist, having grown up in Sweden as the daughter of Iranian immigrants; finding the spirit at Ambient Church.

The actor's Emmy-nominated role in "When They See Us" and his latest solo stage show, “Latin History for Morons,” have important messages about Latino history; even Martin Scorsese's "The Irishman" can't convince movie theater owners to soften their stance on Netflix releases.

The actor already has Academy Awards for "Moonlight" and "Green Book," and now he has an Emmy nomination for "True Detective"; China is a huge and growing market for music streaming, but its biggest platform is under scrutiny by the government there.

A new report by the USC Annenberg Inclusion Initiative shows an absence of Latino actors and directors; director Gavin Hood on his new film, "Official Secrets"; the summer box office report card for the studios.

We visit with Ava DuVernay at her company Array where she's disrupting the old Hollywood system; NYT culture critic Wesley Morris; 'Jawline' documentarian; filmmaker Issa López and more...

The former publicist is creating her own empire as a director, producer and distributor, housed in a rehabbed compound on the edge of downtown L.A.; the future of the Spider-Man film franchise.

The documentary by Liza Mandelup follows a 16-year-old on his journey to become a successful live-streamer; how TikTok became a powerful platform for music and pop culture; filmmaker Sacha Gervasi and actor Peter Dinklage on their Emmy-nominated movie, "My Dinner With Hervé."

The first release from their Higher Ground production company is a documentary by Julia Reichert and Steven Bognar about the cultural struggles that surfaced in the takeover of a gutted GM factory in Ohio; the outsized influence of Colombian artists in the Latin music scene.

The filmmaker's latest is dark fairytale about a group of orphans, living on the streets amidst drug-related violence in their Mexican town; 'Chernobyl' has some present-day resonance; The Rolling Stones 1964 U.S. debut in San Bernardino.

Sian Clifford, who plays the sister of series star and creator Phoebe Waller-Bridge, talks about their off-screen friendship; we also hear from Waller-Bridge's real-life sister, Isobel, who writes the music for the show; Variety senior film writer Matt Donnelly on the Fall movie season.

Richard Linklater on Texas pride and getting political. Taylor McFerrin sings on his new album. Bruce Springsteen love on the big screen in "Blinded By The Light." "Luce" Filmmaker confronts assumptions around race and privilege. We remember Peter Fonda.

The actor had directed several movies and TV projects, but never anything as grim as the Showtime series, and it paid off with an Emmy nomination for him; Latinos in the entertainment industry speak out on recent events.