The Frame

"Twilight" actor Robert Pattinson hopes to shake-off his heartthrob rep with the new movie "Good Time"; filmmaker Alejandro Iñárritu uses virtual reality to replicate a border crossing through the desert; "Whose Streets?" documents how the shooting death of Michael Brown inspired grassroots activism in Ferguson, Missouri.

The band Spoon formed in Austin, TX 25 years ago. Lead singer Britt Daniel talks about the band’s new album, “Hot Thoughts," and the many changes in the music industry; YouTube has created a new breed of reviewer: TV and movie superfans; We all gravitate toward different kinds of music, but there is one album we found with sounds that are literally out of this world.

The filmmakers of 'Brigsby Bear' discuss their off-beat comedy and their rise from youtube stars, to SNL, to feature film. The Television Critics Association summer press tour (aka TCA's) continues this week where the subject of who is included in the TV universe – on and off screen– was debated and discussed. And the fallout continues from the cyber attack on HBO which could be larger that the one that hit Sony in 2014.

In the new documentary "Step", filmmaker Amanda Lipitz shows the power of sisterhood, school and stepping in a Baltimore girls inner city school. She and the subjects of her movie tell The Frame what they hope people take away from their story. The French band Phoenix breaks down a song off their new album.

Filmmaker Bryan Fogel set out to make a documentary about performance enhancing drugs and cycling. But once a prominent Russian doping expert got involved, things got really weird; HBO is the latest Hollywood victim of a cyber crime.

The actor and Pulitzer Prize-winning playwright is remembered by longtime collaborators, Ed Harris and Peter Coyote; USC researchers watched 900 movies and found women are often sidelined, sexualized or outright invisible; La Cuneta puts its small country on the musical map.

Filmmaker Joshua Weinstein used non-professional actors for his film set inside an insular Jewish community; TV journalists gather to get the lowdown on shows premiering in the coming months; a new opera digs into the life story of the Apple icon.

The former vice president is back with the timely “An Inconvenient Sequel: Truth to Power"; American Ballet Theater dancer Tiler Peck has curated a showcase called BalletNow; June Foray voiced Rocky the Flying Squirrel and the Russian spy Natasha on the Bullwinkle cartoons.

Mary-Louise Parker and Denis Arndt on the spare staging of "Heisenberg" at the Mark Taper Forum; inside a rehearsal with Nancy Keystone – a theater artist from L.A. whose new production will open the REDCAT's New Original Works Festival; Hollywood Reporter film writer Tatiana Siegel discusses the rocky relationship between Hollywood studios and outside financiers.

“Atomic Blonde" director David Leitch is a former stunt man and coordinator, but this is his first solo directing effort; Musician Flying Lotus called on British animator David Firth to help him make his debut film, "Kuso"; Film composer Michael Giacchino has written scores for every reboot and remake from his childhood, including “Star Trek,” “Star Wars” and “Mission Impossible."

In "The Handmaid's Tale" Yvonne Strahovski plays Serena Joy. Her cruelty and coldness toward Offred (Elisabeth Moss) — who is essentially a sex slave — made her easy to hate. But as the Hulu series unfolds so do the layers of her character. Dwain Worrell was living an expat's life in China when he submitted his script for "The Wall" to an online Amazon contest. Quickly it got greenlit and now it's a film, starring John Cena and Aaron Taylor-Johnson.

Sam Hodges and Michael Killen are commercial directors turned TV showrunners whose debut series “Downward Dog" premieres tonight on ABC; Playwright Anna Ziegler puts a microscope on the issue of consent and sexual assault on college campuses in her provocative new play, "Actually."

Did Conan O'Brien steal jokes from another comedian? A jury may soon deliberate over that very question. Actor and playwright Wallace Shawn wrote "The Designated Mourner" in 1996. Now the play, which is about totalitarianism and anti-intellectualism, is being remounted by director André Gregory. And the artist known as Perfume Genius breaks down a song off his new album in an episode of Song Exploder.

Bryan Fuller and Michael Green open up about turning the Neil Gaiman book 'American Gods' into the new television series for Starz. They discuss how they approached issues of religion, race, immigration, sex and violence in the show. And Brad Grey, the former CEO of Paramount Pictures, passed away last night. In the wake of his death we discuss his legacy and the fact that he was the sort of movie mogul that Hollywood studios don't hire anymore.

Eleanor Coppola writes and directs her first feature film 'Paris Can Wait.' She opens up about her marriage with Francis, her daughter Sophia, and her lifelong struggle to find artistic fulfillment. An LA actor takes his Trump impersonation into the land of improv. A star-studded cast in NY engages in "documentary theater" with a reading of the play “All the President’s Men?”

Yes, there is too much TV content these days, but the field is winnowing; Graham Nash says he's found a new life at the ripe young age of 75; Diane Rodriguez's play, "The Sweetheart Deal," looks at labor politics and personal sacrifice in California, circa 1970.

Actress Mary Elizabeth Winstead has coveted a part in FX's "Fargo," and she finally got her wish in the current third season; Summer will bring the usual slate of remakes and sequels, but there are also some promising original films on the horizon.

Now that ABC is resurrecting "American Idol," we discuss why the network would do such a thing; how will TV networks prove that they're still the best place for advertisers to spend their ad money?; playwright Dan O'Brien tells us how he created a play out of his family’s history of betrayal, isolation and secrets.

A new documentary aims to give proper credit to storyboard artist Harold Michelson and his researcher wife, Lillian; John Oliver once again goes after the FCC over net neutrality debate; San Miguel Perez recorded his debut album in L.A. with help from Colin Hay of Men at Work.

“The Lost City of Z,” writer/director James Gray talks about how he approached adapting the source book for the screen; Facebook announced it’s shutting down its in-house virtual reality studio; “The Circle” director James Ponsoldt about his film and his own social media habits.

Does the Netflix series, “13 Reasons Why,” glorify teen suicide? How can the streaming service better warn audiences about sensitive topics?; Why Frank Lloyd Wright’s Hollyhock House in L.A. was built for theater but didn't stage a play until now; Brett Berns makes "Bang! The Bert Berns Story," a documentary tracking his father's legendary career in the music business.

Debra Winger co-stars in the new movie "The Lovers" with Tracy Letts. It's the kind of character-driven film that Hollywood movie studios might have made in the 1980's when Winger was racking up Oscar nominations. She reflects on the changing business and her place in it. Hulu made news today at the Newfronts with streaming deals for "This is Us" and "Atlanta" and their live TV bundle.