The Frame

The Telluride Film Festival premiered the movie about the 1973 tennis match between Billie Jean King and Bobby Riggs; "Dolores" tells the story of the woman who co-founded the United Farm Workers union.

Several venues in Houston's downtown theater district suffered flood damage from Hurricane Harvey; director Scott Cooper debuts his period western, "Hostiles," at the Telluride Film Festival; a new virtual reality experience puts you in flatline mode.

The Telluride festival has become a reliable bellwether for Academy Award attention; Kira Kelly is a Hollywood rarity: an African-American female cinematographer; behind the scenes with the sound engineers at the Bowl.

In the wake of Hurricane Harvey, we revisit our recent interview with former Vice-President Al Gore about his latest climate change documentary; in "Patti Cake$," Danielle MacDonald plays a rapper from New Jersey whose rocky road is not unlike the path traveled by the actress herself.

The Playhouse's new producing artistic director inherits a theater organization at a crossroads; KC Green created the "On Fire" comic that's become a popular meme; Apple TV is having trouble negotiating movie rights with studios.

Actor Lakeith Stanfield caps a busy year with his starring role in "Crown Heights"; Annie Clark, aka St. Vincent, breaks down her song, "New York," for Song Exploder; Cinefamily is temporarily closed while it deals with sexual harassment complaints and resignations.

Comedians Cameron Esposito and Rhea Butcher join discuss their Seeso comedy series "Take My Wife," and what they hope happens to the show now that NBC is shutting Seeso down; musicians Jimmy Hendrix, Link Wray and Robbie Robertson are all part American Indian. They're featured in a new documentary about the contributions of Native Americans to pop music called "Rumble," co-directed by Alfonso Maiorana.

Gregg Allman's manager, Michael Lehman, and the late musician's youngest daughter, Layla, reveal how he confronted life and death at the end; "Master of None" music supervisor Zach Cowie may be new to the field, but his history in the record business, and as a DJ, prepped him well for the work.

Character actress Ann Dowd gets some Emmy love for her complicated roles on "The Leftovers" and "The Handmaids' Tale"; The National Latino Media Council has embarked on a campaign to pressure the four major broadcast TV networks into hiring more Latinos; Don McLeod uses his training in mime for a career as a living statue.

Venezuelan President Nicolás Maduro canceled a U.S. tour by that nation's youth orchestra in response to criticism from L.A. Philharmonic conductor Gustavo Dudamel; most Americans have likely never encountered a trans person, aside from maybe on TV. We hear from three people who talk about what goes into telling authentic stories of trans people in Hollywood.

With her new film, "Disobedience," Rachel Weisz found something she had been seeking but couldn't find: a story with two female leads; former comedian and TV host Byron Allen has quietly built a company with interests in both film and television.

Movie theater owners look beyond popcorn to find new concessions at CinemaCon; Chicano photographer George Rodriguez captures two very different L.A.'s over a 50-year period; CalArts celebrates world music with its own salsa band.

Andrew Form and Bradley Fuller, producers of the hit horror movie, "A Quiet Place," talk about the film's surprising box office success; movie studios at CinemaCon tout sequels, more sequels, and a Tarantino movie; meet poet and singer-songwriter Jamila Woods.

Married comedians Natasha Leggero and Moshe Kasher turned their honeymoon into a comedy tour a three-part series for Netflix; Harry Potter mania arrives on Broadway with the opening of the two-part play, “Harry Potter and the Cursed Child.”

Former "Daily Show" correspondent Wyatt Cenac has a new, weekly HBO show that examines pressing social issues; movie theater owners are trying to fight the popularity of streaming services; Hasan Minhaj's "Homecoming King" wins a Peabody Award.

Prince died two years ago without leaving behind a will and now his estate is in disarray. Washington Post reporter Karen Heller fills us in on where things stand with Prince’s estate; In the podcast “Dear Franklin Jones,” producer Jonathan Hirsch revisits his childhood and how it was dominated by his parents’ guru; A play by Tim Robbins' Actors’ Gang forces audience members to ask themselves if America is still a welcome place for immigrants.

With Earth Day approaching, "FernGully" director Bill Kroyer and KPCC environment reporter Emily Guerin talk about the 1992 film's impact; Barry Avrich made a second documentary about Harvey Weinstein after a struggle with the mogul thwarted his first.

How director Joshua Marston and screenwriter Marcus Hinchey made "Come Sunday"– a movie about a Pentecostal bishop's spiritual epiphany first documented by This American Life; could MoviePass be the next film industry disruptor?; Moses Sumney dissects his song, "Quarrel."

Queen Bey's performance at Coachella set a new standard; The HBO documentary "I Am Evidence" examines the backlog of untested rape kits around the country; Kendrick Lamar is the first winner of the Pulitzer Prize for music who is not a classical or jazz artist.

Zhao takes stories and events from her untrained actors’ real lives and writes them into a fictionalized script; Hari Kondabolu’s documentary, “The Problem with Apu,” gets a response from "The Simpsons"; “Will & Grace” and “Roseanne” are hits again, but how strong is the appetite for reunion shows?

"Still Dreaming" follows a group of retired actors who mount a Shakespeare play; Netflix pulls its movies from the Cannes Film Festival in a disagreement over screening policy; composer and producer Gustavo Santaolalla returns to the concert stage.

Al Madrigal, who got his break from Mitzi Shore at The Comedy Store, pays tribute to the late patron; actor Michael K. Williams digs into the juvenile justice system; Canadian singer & songwriter Lindi Ortega on her new album, "Liberty."