The Frame

Simmonds stars in the new film, "Wonderstruck" and Harvard is featured in the Deaf West Theatre production of "Our Town"; Netflix will spend $8 billion on content in 2018; low budget horror films like "Happy Death Day" are a bright spot for movie studios.

Mexican jazz drummer Antonio Sánchez has made a career of composing for film ("Birdman") and TV ("Get Shorty"). His new album is called "Bad Hombre"; WSJ reporter Ben Fritz discusses the Weinstein Company's possible sale to Colony Capital; Film producer Emily Best on the power dynamics that foster a culture of abuse in Hollywood.

"Lore" creator Aaron Mahnke reveals how he adapted his horror legend podcast into a new Amazon TV show; country music artist Jason Aldean performed last night for the first time since the Las Vegas shooting. We hear from one person who was at the show; and New York Times film critic Manohla Dargis puts the Harvey Weinstein story of alleged sexual misdeeds into the context of Hollywood history which has kept men in positions of power, women marginalized and many silenced.

Why did Ronan Farrow, a reporter for NBC News, publish his story about Harvey Weinstein in The New Yorker?; over the past 25 years, Geoff Elliott and Julia Rodriguez-Elliott, co-producing directors of A Noise Within, have built a respected, classical repertory company from the ground up; musician Rostam breaks down a song from his first solo album since leaving the band Vampire Weekend.

Agnes Varda and JR travel through their native France to photograph their fellow citizens in the documentary, "Faces Places"; IMAX is trying to lure audiences to its new virtual reality experience centers; experimental opera director Yuval Sharon is among this year's MacArthur Fellowship honorees.

Published reports of Harvey Weinstein's predatory behavior spotlight the non-disclosure agreements that prevent whistleblowers and victims from telling their stories; Brandon Micheal Hall is the lead in ABC's new comedy "The Mayor." He's happy to combine politics and rap in his first big acting gig.

Veteran actor Joe Morton talks about his stage portrayal of the late comedian and activist, Dick Gregory; producer Amy Ziering, whose documentary "The Hunting Ground" was distributed by The Weinstein Company, wants to make a film about sexual harassment in Hollywood; can The Weinstein Company survive without Harvey?

The published report of Harvey Weinstein's history of sexual harassment begs the questions: How did his behavior go unchecked for so long? And how are Democratic politicians trying to distance themselves from Weinstein?; Larry David's "Curb Your Enthusiasm" once helped exonerate a murder suspect. The story is told in the documentary, "Long Shot."

Filmmaker Brett Morgen's "Jane" uses never-seen footage that National Geographic had stored for decades; there are more than usual women among this year's nominees for the Rock and Roll Hall of Fame; from Amish country to Hollywood, and classical piano to Dolly Parton: the evolution of singer-songwriter Our Lady J.

Lukas Nelson learned a lot from his dad, Willie, but he's making his own musical way; David Geffen has pledged $150 million for the planned new building at the L.A. County Museum of Art; movie studios are increasingly trying to limit what critics can divulge in a review.

“GLOW” (Gorgeous Ladies of Wrestling) is a new Netflix series loosely based on women’s wrestling from the 1980s. Creators Liz Flahive and Carly Mensch reveal some behind-the-scenes stories from the set; Kirsten Tan's debut film, "Pop-Aye," is a road movie where the buddies on the surreal journey are an aging architect and his long lost elephant.

Filmmaker Edgar Wright has made an action movie that revolves around an extensive playlist of pop, rock and R&B songs; the National Geographic channel presents "Earth Live," a real-time special broadcast from six continents.

Writer-director David Lowery had a tiny budget for "A Ghost Story," but he managed to attract Casey Affleck and Rooney Mara to the cast; Errol Morris is known for his serious documentaries, but he switches gears with The B-Side," a profile of photographer Elsa Dorfman.

Jay-Z's new album, "4:44," may be a hit, but the business model behind his music streaming service Tidal is in question; Two leaders of Outfest — the Los Angeles LGBT film festival — discuss how far has event has come and the history of queer cinema in Hollywood; How the New York Times became an outlet for documentary filmmakers.

Comedian Hasan Minhaj is doing more with his stand-up act than just making people laugh. He’s representing a vision of America. With the release of the album "The Hamilton Instrumentals," super fans like the people behind Hamiltunes LA get their wish. And keyboardist Benmont Tench, plays his ode to LA in the backseat of a car.

Two music supervisors who work on TV shows like "Fargo" and "Breaking Bad" say they love what they do but they discourage others from going into the field. And 50 years later, a new book looks at the legacy of the Summer of Love.

This year, the Emmy Awards will finally recognize music supervision. In the first of a two-part interview, John Horn chats with Maggie Phillips (“Fargo”) and Thomas Golubic (“Breaking Bad”) about their work; Andrew Jay Cohen makes the leap from writing to directing with “The House,” a comedy starring Will Ferrell and Amy Poehler.

“The Big Sick” tells the true story of how comedian Kumail Nanjiani and writer Emily V. Gordon became a couple; The Academy of Motion Picture Arts and Sciences invited a record 744 actors, writers, directors and other movie industry workers; Ginnifer Goodwin and Allen Leech star in “Constellations," a play that combines a love story with physics.

Writer-director Jeff Baena turned a series of 14th-Century novellas set in a convent into a bawdy sex comedy; The Kronos Quartet is expanding the repertoire of contemporary music for string quartets; American movie studios benefit from taking on Chinese partners.

Paul Dano stars in “Okja,” the story of a seemingly benevolent conglomerate working to help feed the world through genetically modified animals. Dano speaks about the issues raised in the film, and about working with director Bong Joon-Ho; The Arroyo Seco Weekend attracted about 24,000 people for each day of the two-day music festival on the grounds of the Rose Bowl. Two L.A. Times music writers have different takes.

Broken Social Scene wants to make music memories. They talk about their love of festivals and bringing music "to the people." And Pasadena City Councilmember Steve Madison says why he wanted to bring music to his city with the Arroyo Seco Weekend. And where are all the film scoring jobs going these days? Two people in the industry tell us why California needs to include film scoring in its production incentive program.

Coal magnate sues John Oliver for defamation just days have the HBO host's scathing "Last Week Tonight" segment. The tumultuous love story of Frida Kahlo and Diego Rivera is now a bilingual opera called "Frida." And two of the lead actors in the play "The Pride" open up about the personal and political reasons they wanted to tell this story of gay men in love.