The Frame

Director Steven Spielberg, producer Amy Pascal and Tom Hanks discuss the present-day resonance of their new film 'The Post'; with Disney buying much of 21st Century Fox we look at what that means for Hulu; and Canadian singer Elise LeGrow taps Chicago roots in her debut album.

SAG announced its nominees for their awards and that all the presenters plus the host of the telecast will be women. How else will Hollywood awards shows amplify women's voices in this #metoo era?; Trans actress Daniela Vega from the Chilean film "A Fantastic Woman" hopes it teaches audiences empathy; watching Pixar's "Coco" in Mexico is a singular experience.

TV and film writer and producer Judd Apatow returns to his stand-up comedy roots in a special for Netflix; The Black List is an annual compilation of highly regarded, but unproduced scripts that are floating around town.

Actress Margot Robbie says she has empathy for the misunderstood skater Tonya Harding, who suffered from abuse; Disney is reportedly close to a deal to purchase Fox's movie studio and some TV assets; the art world came to Miami for Art Basel and related showcases.

Alexandra Dean's documentary, “Bombshell: The Hedy Lamarr Story,” reveals the actress' other life as an inventor; director Bryan Singer was fired and sued this week; Alynda Segarra of the band Hurray for the Riff Raff explores her Puerto Rican roots.

Morris' new documentary examines the mysterious 1953 death of a government biochemist who was given LSD by the CIA; John Adams and Peter Sellars collaborate on the opera "Girls of the Golden West"; SoCal wildfires are affecting TV and film production.

Brothers Wayne and Karey Kirkpatrick think musicals are a little absurd, so they wrote the parody, “Something Rotten!”; six women have filed a lawsuit against Harvey Weinstein and they're seeking class action status; Cornerstone marks its 25th year in L.A. with the culmination of an eight-play cycle.

"SpongeBob SquarePants" is now a Broadway musical. Playwright Kyle Jarron reveals how the beloved Nickelodeon cartoon was adapted for the stage; Russia's banishment from the 2018 Olympics is connected to Bryan Fogel's documentary "Icarus" about trying to dope his way through bicycle races.

"Beauty and the Beast" lyricist died before the original film was complete. We put together this remembrance of his life and legacy; "Call Me By Your Name" screenwriter James Ivory talks about adapting the celebrated gay love story for the screen; a pot entrepreneur takes issue with Hollywood portrayals of the pot industry.

Actor Doug Jones has made a career of playing monsters in Guillermo del Toro films. His latest is half-man, half-fish; Women in Film holds gathering to discuss how to combat sexual harassment in the workplace.

The actress is getting raves for her role in "Room" as a kidnap victim raising a son in captivity; Jeff Russo has gone from rock band guitarist to Emmy-nominated composer; Warner Bros.' big budget "Pan" opened badly, but the company's other divisions are performing well.

The actor/comedian is also a noted art collector and now he's curating a show of work by Canadian painter Lawren Harris; El Teatro Campesino collaborates with Center Theatre Group and Boyle Heights residents for a show at Grand Park; Jafar Panahi is banned from making films in his homeland, but that hasn't stopped him.

Julie Plec has "The Vampire Diaries" and "The Originals" on The CW Network, and she'll soon add a third show, albeit one that's fang-free; it's been two decades since the Scottish band Garbage and singer Shirley Manson burst on the scene; the EEOC is looking into hiring practices for women filmmakers.

Director Danny Boyle says tech titans like the late Apple founder have to be called into account; stage director Peter Sellars collaborated with novelist Toni Morrison on a re-imagining of "Othello"; the Church of Scientology continues its campaign against Gibney's documentary, "Going Clear."

Photographer Eilon Paz and editor Sheila Burgel collaborated on a book about obsessive vinyl fans; the L.A. Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela team up for a Beethoven marathon; can TiVo's new device make a dent in the market?

Scott directed the science fiction classics "Blade Runner" and "Alien," but he says "The Martian" is science fact; a hilarious encounter with Chinese-to-English translations inspired Hwang's play, "Chinglish"; the Chinese dissident artist Ai Wei Wei discovered listening devices in his Beijing studio.

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.