The Frame

Director Steven Spielberg, producer Amy Pascal and Tom Hanks discuss the present-day resonance of their new film 'The Post'; with Disney buying much of 21st Century Fox we look at what that means for Hulu; and Canadian singer Elise LeGrow taps Chicago roots in her debut album.

SAG announced its nominees for their awards and that all the presenters plus the host of the telecast will be women. How else will Hollywood awards shows amplify women's voices in this #metoo era?; Trans actress Daniela Vega from the Chilean film "A Fantastic Woman" hopes it teaches audiences empathy; watching Pixar's "Coco" in Mexico is a singular experience.

TV and film writer and producer Judd Apatow returns to his stand-up comedy roots in a special for Netflix; The Black List is an annual compilation of highly regarded, but unproduced scripts that are floating around town.

Actress Margot Robbie says she has empathy for the misunderstood skater Tonya Harding, who suffered from abuse; Disney is reportedly close to a deal to purchase Fox's movie studio and some TV assets; the art world came to Miami for Art Basel and related showcases.

Alexandra Dean's documentary, “Bombshell: The Hedy Lamarr Story,” reveals the actress' other life as an inventor; director Bryan Singer was fired and sued this week; Alynda Segarra of the band Hurray for the Riff Raff explores her Puerto Rican roots.

Morris' new documentary examines the mysterious 1953 death of a government biochemist who was given LSD by the CIA; John Adams and Peter Sellars collaborate on the opera "Girls of the Golden West"; SoCal wildfires are affecting TV and film production.

Brothers Wayne and Karey Kirkpatrick think musicals are a little absurd, so they wrote the parody, “Something Rotten!”; six women have filed a lawsuit against Harvey Weinstein and they're seeking class action status; Cornerstone marks its 25th year in L.A. with the culmination of an eight-play cycle.

"SpongeBob SquarePants" is now a Broadway musical. Playwright Kyle Jarron reveals how the beloved Nickelodeon cartoon was adapted for the stage; Russia's banishment from the 2018 Olympics is connected to Bryan Fogel's documentary "Icarus" about trying to dope his way through bicycle races.

"Beauty and the Beast" lyricist died before the original film was complete. We put together this remembrance of his life and legacy; "Call Me By Your Name" screenwriter James Ivory talks about adapting the celebrated gay love story for the screen; a pot entrepreneur takes issue with Hollywood portrayals of the pot industry.

Actor Doug Jones has made a career of playing monsters in Guillermo del Toro films. His latest is half-man, half-fish; Women in Film holds gathering to discuss how to combat sexual harassment in the workplace.

Kamau Bell's new CNN docu-series gets off to a wild start when he spends time with some Ku Klux Klan members on their turf; on a new episode of Song Exploder, punk legend Iggy Pop and Josh Homme of Queens of the Stone Age dissect their collaboration.

Rachel Bloom, star and co-creator of the CW show, “Crazy Ex-Girlfriend,” reveals how she took her love of musical theater and made it into a modern day commentary on sex and the single woman; Plus, electronic music rules at Coachella this year. We'll hear a wrap-up of the first weekend and a review of some wearable tech aimed at audiophiles.

Former "Daily Show" correspondent puts a twisted spin on the family sitcom with "The Detour"; at CinemaCon in Las Vegas, vendors tease movie theater ideas, including a robotic bar; L.A. theater veteran Diane Rodriguez takes her expertise to a national stage.

Eric Spitznagel's new book chronicles his quest for prized albums he disposed of over the years; Pacific Symphony tries to find new audiences in bars and restaurants; Amazon lays out its plans in the original feature film arena.

Screenwriter Susannah Grant revisits the 1991 hearings that pitted Supreme Court nominee Clarence Thomas against law professor Anita Hill; the spokesman for movie theater owners says theaters should remain the first venue for film releases; Arctic Monkeys frontman Alex Turner teams up with Miles Kane on a side project.

Rob Delaney and Sharon Horgan, the stars and creators of the Amazon series "Catastrophe" explain why they may push the boundaries of language but not of nudity. Musician Mayer Hawthorne muses on his upbringing and his Detroit roots. Host John Horn reports from CinemaCon in Las Vegas-- where theater owners and movie studio execs strategize ways to generate box office boffo.

Ben Falcone opens up about directing his wife, Melissa McCarthy, in "The Boss"; Karyn Kusama made her new movie with support from a group of investors who fund movies made by women; N.W.A. injects some West Coast rap style into the Rock and Roll Hall of Fame.

The Pulitzer Prize-winning playwright once again ties history to the present day in "Father Comes Home From The Wars."

Ben Harper & The Innocent Criminals have reunited for their first album in nine years. The singer talks about taking on police brutality in the title track, and he reveals how his family’s music shop in Claremont shaped his life, his passion for social justice and his music career.

Country music icon Merle Haggard died today on his 79th birthday. Filmmaker Gandulf Hennig talks about the Haggard documentary he made for PBS' “American Masters"; Jesse Eisenberg is a true multi-tasker. The actor plays Lex Luthor in “Batman v. Superman” and he’s also a playwright whose “The Revisionist” is currently at The Wallis in Beverly Hills.

Kulap Vilaysack is the creator of the Seeso original show "Bajillion Dollar Propertie$." Her husband, Scott Aukerman (host of IFC's "Comedy Bang! Bang!"), serves as executive producer on the series. The pair talk about collaborating on the show and their other projects.

The singer and guitarist's latest album, "Dig In Deep," is a collection of original songs plus covers of tunes by INXS and Los Lobos; Jessie Kahnweiler wasn’t sure anyone would want to watch “The Skinny” — her web series about her eating disorder. But then the Sundance Film Festival came calling.