The Frame

"Saturday Church" is a coming-of-age film inspired by LGBTQ teens who Cardasis met at his mother's church; Sundance organizers are taking steps to protect festival attendees from inappropriate behavior; Ruby Ibarra draws from her Filipino-American roots.

When Laurie Metcalf agreed to “Lady Bird,” she had no idea the film would become so popular; James Franco is the latest Hollywood figure to face accusations of improper behavior; Johnny Cash's landmark show at Folsom Prison included a fateful meeting with an inmate.

Greta Gerwig, Jordan Peele, Guillermo del Toro and Christopher Nolan are among the nominees for the Directors Guild Awards, which often predict the Oscars; then Mark Mangini and Theo Green created the soundscape for the "Blade Runner" sequel.

Writer/producer Kenya Barris just launched “grown-ish,” a spinoff of “black-ish” that centers around that show’s oldest child; Linda Perhacs left her music career behind when her 1970 debut album failed to catch on with audiences. Now her career is revived, with two new albums in the past few years.

"Foxtrot" director Samuel Maoz's film is about the cycle of trauma that he says permeates Israeli society; does awards campaigning seem a little trivial in the age of “Time’s Up”?; beat maker Tokimonsta talks about incorporating traditional sounds from her Korean heritage into her decidedly hip music.

Nicole Kidman ("Big Little Lies") was one of the Golden Globe winners who thanked dialect coach Liz Himelstein from the stage; men's voices were noticeably silent from the #MeToo chorus at the Globes; John Horn reports from the Palm Springs fest where foreign films rule.

Musician and composer Jon Brion's latest challenge was writing the score to Greta Gerwig's "Lady Bird"; TV producers and network chiefs are touting their shows for the new year; artists respond to the first year of the Trump presidency in a show at Glendale's Brand Library.

The Pacific Asia Museum in Pasadena reopens with a show that examines how Mexican artists influenced their Chinese counterparts; researchers from FiveThirtyEight have new ways to examine the representation of women in movies; Alex Heffes scored a day in the life of the planet for a BBC documentary.

Mark Bridges created the gorgeous '50s-era dresses in Paul Thomas Anderson's film about an exacting fashion designer; Ava DuVernay is one of the prominent filmmakers involved with the "Time's Up" initiative; artist Zachary Aronson uses fire to create his work.

Barbara Broccoli has worked for 22 years to make "Film Stars Don't Die in Liverpool"; prominent women in Hollywood launch an anti-harassment initiative; a big music publishing company sued Spotify for $1.6 billion.

Writer/director David O. Russell has completed a trifecta with Jennifer Lawrence and Bradley Cooper in his latest film, "Joy"; the Producers Guild and the Writers Guild have announced their award nominees, one week before the Motion Picture Academy does the same; there really is a company called Central Casting that's been casting extras for 90 years.

Sarah Silverman's career took a serious turn when she took on the lead role in "I Smile Back," and now she's getting award buzz; Phyllis Nagy worked for 18 years to adapt a Patricia Highsmith novel for the movie, "Carol"; composer and conductor Pierre Boulez had a long connection to the Ojai Music Festival.

Diane Warren's latest success is “Til It Happens to You,” which Lady Gaga performed for the documentary, “The Hunting Ground”; Coachella's headliners include Guns N' Roses and LCD Soundsystem; The Discovery Channel is scaling back on reality shows to get back to its original mission.

HBO chief Michael Lombardo joins us for an intimate chat about what he learned from "True Detective" and more; Then, 2015 was a record year at the box office, but most of the ticket sales came from just a handful of movies. Ben Fritz of the Wall Street Journal helps shed light on this trend.

We put together a special episode of The Frame, featuring interviews with George Clooney, "Empire" creator Lee Daniels, musician Jenny Lewis, actress Julianne Moore, "Transparent" creator Jill Soloway and the R&B singer Miguel.

Don Randi's memoir, "You've Heard These Hands," details his years with the L.A. studio band that played on hundreds of hits in the 1960s and '70s; Kelly Sue DeConnick revamped the "Captain Marvel" series, but her "Bitch Planet" titles are with a smaller publisher that allows her to control her work.

Comic strip artist Lalo Alcaráz draws on his own border upbringing as a writer/producer on Fox's typically irreverent animated comedy, "Bordertown"; writer/director László Nemes breaks away from the usual Hollywood treatment of Holocaust movies with his debut, "Son of Saul"

The screenwriter Charlie Kaufman wrote a play that ended up being turned into the stop-motion animated film, "Anomalisa"; filmmaker Evgeny Afineevsky relied heavily on footage shot by Ukrainian protestors for the documentary, "Winter on Fire"

Carter Burwell had a busy 2015, scoring five films including Todd Haynes' "Carol" and Charlie Kaufman's "Anomalisa"; Haskell Wexler had a long and illustrious career as a cinematographer and documentary filmmaker; musician Blair Tindall's memoir is the basis for the Amazon series, "Mozart In the Jungle."

We put together a show with some of our favorite conversations of 2015. Hear interviews with Meryl Streep, composer Philip Glass, "Orange is the New Black" actors Uzo Aduba and Lea DeLaria, "Hamilton" creator Lin-Manuel Miranda and "Mad Men" creator Matthew Weiner.

After more than 40 years as a recording artist, James Taylor had an album debut atop the Billboard charts for the first time this year; Tom Hooper is getting praise for directing “The Danish Girl," the true story of one of the first gender confirmation surgeries in the world, which took place in the 1920s.

Stacey Sher worked with Quentin Tarantino on “Pulp Fiction” and “Django Unchained,” so she's familiar with his methods and madness; "The Hateful Eight" was mostly filmed on a scenic ranch in Telluride, Colorado; holiday music to enjoy and avoid.