The Frame

"Saturday Church" is a coming-of-age film inspired by LGBTQ teens who Cardasis met at his mother's church; Sundance organizers are taking steps to protect festival attendees from inappropriate behavior; Ruby Ibarra draws from her Filipino-American roots.

When Laurie Metcalf agreed to “Lady Bird,” she had no idea the film would become so popular; James Franco is the latest Hollywood figure to face accusations of improper behavior; Johnny Cash's landmark show at Folsom Prison included a fateful meeting with an inmate.

Greta Gerwig, Jordan Peele, Guillermo del Toro and Christopher Nolan are among the nominees for the Directors Guild Awards, which often predict the Oscars; then Mark Mangini and Theo Green created the soundscape for the "Blade Runner" sequel.

Writer/producer Kenya Barris just launched “grown-ish,” a spinoff of “black-ish” that centers around that show’s oldest child; Linda Perhacs left her music career behind when her 1970 debut album failed to catch on with audiences. Now her career is revived, with two new albums in the past few years.

"Foxtrot" director Samuel Maoz's film is about the cycle of trauma that he says permeates Israeli society; does awards campaigning seem a little trivial in the age of “Time’s Up”?; beat maker Tokimonsta talks about incorporating traditional sounds from her Korean heritage into her decidedly hip music.

Nicole Kidman ("Big Little Lies") was one of the Golden Globe winners who thanked dialect coach Liz Himelstein from the stage; men's voices were noticeably silent from the #MeToo chorus at the Globes; John Horn reports from the Palm Springs fest where foreign films rule.

Musician and composer Jon Brion's latest challenge was writing the score to Greta Gerwig's "Lady Bird"; TV producers and network chiefs are touting their shows for the new year; artists respond to the first year of the Trump presidency in a show at Glendale's Brand Library.

The Pacific Asia Museum in Pasadena reopens with a show that examines how Mexican artists influenced their Chinese counterparts; researchers from FiveThirtyEight have new ways to examine the representation of women in movies; Alex Heffes scored a day in the life of the planet for a BBC documentary.

Mark Bridges created the gorgeous '50s-era dresses in Paul Thomas Anderson's film about an exacting fashion designer; Ava DuVernay is one of the prominent filmmakers involved with the "Time's Up" initiative; artist Zachary Aronson uses fire to create his work.

Barbara Broccoli has worked for 22 years to make "Film Stars Don't Die in Liverpool"; prominent women in Hollywood launch an anti-harassment initiative; a big music publishing company sued Spotify for $1.6 billion.

Actress Brit Marling and director Zal Batmanglij talk about their mysterious new Netflix series, "The OA"; comedian Chonda Pierce has built a huge career outside the show biz mainstream; Hollywood and the gun industry have a mutually beneficial relationship.

Mills' movie is a tribute to his mother, a unconventional woman who raised him in '70s Santa Barbara; "The Joy Luck Club," released in 1993, was supposed to usher in a new era for Asian-American storytelling in Hollywood. That hasn't been the case.

The song cycle, "Notes of a Native Song," by the duo Stew & Heidi, plays like a love letter to James Baldwin; SAG Award noms are out! Alex Jung of Vulture.com discusses the TV categories; We visit members of the L.A. theater troupe, Impro, as they rehearse their improvised holiday play that spoofs those 1960's variety shows;

Tori Amos discusses "Flicker" the song she wrote for the documentary "Audrie & Daisy," a film about sexual assault, an issue that is close to Amos' heart; Franklin Leonard, founder of The Black List, discusses the topics and trends of his 2016 list of the best unproduced screenplays, and screenwriter Cat Vasko shares what getting on the list has meant for her career.

Gael García Bernal discusses his most recent movies, "Neruda" and "Desierto," provoking a dynamic conversation about poetry, politics, and migration; musician Kim Gordon opens up about her life after Sonic Youth with her new band, Body/Head; with awards season in full swing, we check in with Vulture.com's Kyle Buchanan for an update on the race.

While Denis Villeneuve awaits awards news for "Arrival," he's busy editing "Bladerunner 2049"; what does it mean that Donald J. Trump will remain as executive producer on NBC's "The Celebrity Apprentice"?; there's a particular glass ceiling for women who work in animation.

The Oscar-winning rapper, actor and producer talks about the importance of artists using their passions to bring about social change; music streaming is no longer the future of the industry, it is the industry.

A new documentary web series, "The Secret Lives of Muslims," aims for true and often humorous portrayals of American Muslims; Shane Smith says Vice is just like other big media companies, just "weirder" and "younger."

Writer-director Damien Chazelle talks about directing Ryan Gosling and Emma Stone in his musical love letter to L.A.; Beyoncé leads the pack with nine nominations as hip-hop, rap and R&B dominate the Grammy list; an annual holiday musical at the Falcon Theatre adapts pop music into Christmas carols.

After Nick Cave's son died in a tragic accident, he asked filmmaker Andrew Dominik to document the recording of his next album. The result: the haunting documentary, “One More Time With Feeling"; Emilie Friedlander of Vice Media says the fire-ravaged warehouse in Oakland that was home to artists is not a rarity; Sandra Bernhard on blending comedy, music and commentary in her new cabaret-style stage show.

Pharrell Williams is mainly known for his music career, but he's branched out into producing films and his latest is "Hidden Figures"; China’s increasing involvement in Hollywood is an issue both Democrats and Republicans actually agree on; The Secret City is a theater experience that's part cabaret, part joyful tent revival, and all about worshipping art;

Actress Emma Stone sings, tap dances and floats among the stars in the new movie musical, “La La Land"; film critics are making their best-of-the-year picks. But who are these critics and how do their biases play a role?; one movie poster artist has played a big role in pop culture — and many people consider his posters not ads, but art.