The Frame

With the State of the Union upon us, Bill Pullman recalls his roles as Commander-in-Chief; trans actress Daniela Vega plays a groundbreaking trans role; Rachel Morrison is the first woman nominated for an Academy Award in cinematography.

The Grammys are slammed for under-representing women; a New York Times essay argues that the Time's Up movement is subverted by award shows; Aimee Mann won the Best Folk Album Grammy — one of the few women to take home a trophy.

How did Pati Jinich, the granddaughter of Eastern European immigrants, end up hosting a popular Mexican food show?; the NAMM show is a dizzying array of instruments and gadgets; The Secret Sisters are nominated for best folk album at the Grammys.

The Irish actor traverses big budget movies like "Star Wars" and indie films like “A Futile and Stupid Gesture”; a new USC study shows how women are underrepresented in pop music; Benj Pasek and Justin Paul are nominated for the Broadway musical, “Dear Evan Hansen.”

Best jazz album nominee Billy Childs talks about how L.A. inspired his hybrid style; as the music industry gathers for the Grammys, what are its challenges?; two filmmakers step out from the shadow of the legendary Hayao Miyazaki.

Kyle Buchanan of Vulture.com and film critic Amy Nicholson maintain that younger and more diverse nominees are a result of the academy broadening its membership; "Baby Driver" director is a Grammy nominee for the film's pop-heavy soundtrack.

John Horn chats with Daveed Diggs and Rafael Casal about their ode to Oakland; the SAG Awards put the spotlight on women and the road ahead to gender equality on Hollywood; PJ Morton is nominated for best R&B album (“Gumbo”) and best R&B song (“First Began”).

A report from John Horn at Sundance, where the festival offerings include a film about a certain Supreme Court justice; Pacific Standard Time LA/LA includes a performance festival with Latino/a artists from the U.S., Mexico and South America.

"Small Mouth Sounds" was inspired by the playwright's experience at a three-day silent retreat; the bro-centric Spike TV channel is re-branded as The Paramount Network; composer Gabriel Kahane took a cross-country train trip and the result was a song cycle about Trump-era America.

Matt Ingebretson and Jake Weisman's "Corporate" is a workplace comedy that heads into some very bleak territory; Rachel Morrison was behind the camera for "Mudbound" and "Black Panther"; Harvey and Bob Weinstein are reportedly pushing for their former studio, Miramax, to buy The Weinstein Co.

Kent McCord of the 1960-70s TV cop show, "Adam-12," which was produced in partnership with the LAPD. McCord says a show about cops who aren't "edgy" wouldn't sell in today's TV business; In advance of TV's big awards night, we discuss what goes into an Emmy campaign, and how valuable is a nomination or a win in this era of "too much TV"?

Cheo Hodari Coker, creator and showrunner of the Netflix series "Luke Cage," unpacks the idea of building a show around a superhero who also happens to be a "bullet-proof black man" in a hoodie; Can Pandora and Amazon be the next disruptors in the streaming music space? They hope so.

The documentary "Audrie & Daisy" examines the sexual assault and cyber-shaming of two teen girls; with its third album, the band Local Natives remains entrenched in Silver Lake's indie rock scene; a group of songwriters is challenging the Dept. of Justice's control over royalty rates.

How do unconscious biases affect hiring practices in Hollywood? To dig deeper into this issue, Cathy Schulman (Oscar-winning producer/Women In Film) and Judith Williams (Global Head of Diversity at Dropbox) put Frame host John Horn to the test as if he's a studio executive; In 2005 Jackie Lopez co-founded the hip hop troupe "Versa Style" to teach kids not only how to dance but the cultural history behind hip hop.

"Kicks" filmmakers discuss how being outsiders who didn't fit society's views of manhood fueled the making of their lyrical coming-of-age drama; A new documentary explores why Brad Bird's 1999 animated film "The Iron Giant" was a critical darling, but a box office bomb; Inside Nate Parker's "The Birth of a Nation" press conference at TIFF; Can you scream like Nicholas Cage?

Every August, cultural festivals take over the Scottish city of Edinburgh with thousands of performances taking place day and night. This year The Frame host John Horn immersed himself in shows and brings an audio postcard of his creative excursion; TV reporter Whitney Friedlander joins us to preview some new and returning television shows that are worthy of our time and DVR space this fall.

You know him from comedies like "Beverly Hills Cop" and "The Nutty Professor," but Eddie Murphy's return to the big screen is the dramatic lead role in “Mr. Church"; Vulture.com senior editor Kyle Buchanan tells us what's hot at the Toronto Film Festival, which kicks off today; Filmmaker Ryan Suffern on his new doc, "Finding Oscar," about the aftermath of the civil war in Guatemala.

"Moonlight" director Barry Jenkins adapted the script for his new movie from a Tarell McCraney play, but it's a truly personal story for him. The movie is set in the Miami neighborhood where both he and McCraney grew up and borrows from both men's biographies; A new USC study looks at 800 Hollywood films and finds the same old thing — a lack of diversity both on and off the screen.

Eastwood directs Hanks in the story of the airline pilot who safely landed his damaged plane in the Hudson River with 155 people onboard; the three-day electronic music festival at the San Manuel Amphitheater saw hundreds of arrests, mostly for drug possession or being under the influence.

The new boxing drama "Bleed For This" tells the real life story of Vinny Pazienza's rise in the boxing world, and how a car accident nearly paralyzed him. The film made its world premiere at the Telluride Film Festival.

Amy Adams is at the 43rd Telluride Film Festival for the North American premiere of her movie “Arrival." She's also being honored by the festival for her body of work. This Q&A was recorded in front of an audience and covers a wide range of topics, from how she got started doing dinner theater and her early years struggling in L.A., to her recent run of successful movies like "American Hustle" and "Her."

Casey Affleck is at the Telluride Film Festival for his new drama, "Manchester By The Sea" and a career tribute for his more than twenty years of acting. He had a live Q&A with The Frame's John Horn in which he reflected on a time when he was disillusioned with acting. He also talked about his creative partnerships with directors Gus Van Sant and Kenneth Lonergan and actors Rooney Mara, Christian Bale, and his longtime friend Joaquin Phoenix.