The Frame

At the age of 23, Saoirse Ronan already has two Academy Award nominations as a lead actress, including for "Lady Bird"; Barack and Michelle Obama's official portraits have people talking; inside an audition for "America's Got Talent."

Actress Allison Janney has an Oscar nomination for playing Tonya Harding's mother in "I, Tonya"; several Olympic ice skaters are using songs from Baz Luhrmann's "Moulin Rouge"; the N.Y. attorney general filed a civil rights lawsuit that could halt sale of The Weinstein Co.

Kumail Nanjiani and Emily V. Gordon, the Oscar-nominated co-writers of "The Big Sick," talk about the eventful year since their semi-autobiographical film debuted; Oscar-nominated actor Willem Dafoe explains why the first-time actors in "The Florida Project" had a leg up on him.

How much does The Peacock Network have riding on the Winter Games? A lot.; "The Trade" is Showtime's bracing documentary series about the opiod epidemic; James Ivory's screenplay for "Call Me By Your Name" could finally give him his first Oscar.

Dee Rees on her film "Mudbound," about the harsh reality of life in the Jim Crow South, and its new resonance today; morality clauses meant to curb workplace harassment enter Hollywood contracts; after years of estrangement, photographers (and brothers) Andrew and Stuart Douglas reunite with an LA photo exhibition.

The rapper and veteran songwriter collaborated on the Oscar-nominated "Stand Up for Something"; playwright Quiara Alegría Hudes trilogy of plays get a concurrent staging in L.A.; this year's Havana Jazz Fest featured first-time performances by a few expats.

Salim Akil, creator of the CW series, "Black Lightning," says black superheroes are needed more than ever; after Uma Thurman accused Tarantino of abusing her and putting her at risk on a movie set, will his next film proceed as planned?; hardcore movie fans now have a fantasy league of their own.

Justin Timberlake is back at the Super Bowl, but why isn't Janet Jackson?; Jennifer Fox's "The Tale" is the true story of the sexual abuse inflicted by her riding coach when she was a teen; women in the music industry are calling for Grammy president Neil Portnow to resign.

2017 was a breakout year for writer/actress Lena Waithe and she's already off to bigger things in the new year; the Producers Guild of America has developed a code of conduct for its members, who wield a lot of power in the industry.

The latest show from Cirque looks to Mexican history and culture for inspiration; the L.A. Phil marks Leonard Bernstein's centennial with his sprawling 'Mass'; the National Gallery of Art indefinitely postponed a show by Chuck Close because of allegations of inappropriate behavior against the artist.

Writer/director David O. Russell has completed a trifecta with Jennifer Lawrence and Bradley Cooper in his latest film, "Joy"; the Producers Guild and the Writers Guild have announced their award nominees, one week before the Motion Picture Academy does the same; there really is a company called Central Casting that's been casting extras for 90 years.

Sarah Silverman's career took a serious turn when she took on the lead role in "I Smile Back," and now she's getting award buzz; Phyllis Nagy worked for 18 years to adapt a Patricia Highsmith novel for the movie, "Carol"; composer and conductor Pierre Boulez had a long connection to the Ojai Music Festival.

Diane Warren's latest success is “Til It Happens to You,” which Lady Gaga performed for the documentary, “The Hunting Ground”; Coachella's headliners include Guns N' Roses and LCD Soundsystem; The Discovery Channel is scaling back on reality shows to get back to its original mission.

HBO chief Michael Lombardo joins us for an intimate chat about what he learned from "True Detective" and more; Then, 2015 was a record year at the box office, but most of the ticket sales came from just a handful of movies. Ben Fritz of the Wall Street Journal helps shed light on this trend.

We put together a special episode of The Frame, featuring interviews with George Clooney, "Empire" creator Lee Daniels, musician Jenny Lewis, actress Julianne Moore, "Transparent" creator Jill Soloway and the R&B singer Miguel.

Don Randi's memoir, "You've Heard These Hands," details his years with the L.A. studio band that played on hundreds of hits in the 1960s and '70s; Kelly Sue DeConnick revamped the "Captain Marvel" series, but her "Bitch Planet" titles are with a smaller publisher that allows her to control her work.

Comic strip artist Lalo Alcaráz draws on his own border upbringing as a writer/producer on Fox's typically irreverent animated comedy, "Bordertown"; writer/director László Nemes breaks away from the usual Hollywood treatment of Holocaust movies with his debut, "Son of Saul"

The screenwriter Charlie Kaufman wrote a play that ended up being turned into the stop-motion animated film, "Anomalisa"; filmmaker Evgeny Afineevsky relied heavily on footage shot by Ukrainian protestors for the documentary, "Winter on Fire"

Carter Burwell had a busy 2015, scoring five films including Todd Haynes' "Carol" and Charlie Kaufman's "Anomalisa"; Haskell Wexler had a long and illustrious career as a cinematographer and documentary filmmaker; musician Blair Tindall's memoir is the basis for the Amazon series, "Mozart In the Jungle."

We put together a show with some of our favorite conversations of 2015. Hear interviews with Meryl Streep, composer Philip Glass, "Orange is the New Black" actors Uzo Aduba and Lea DeLaria, "Hamilton" creator Lin-Manuel Miranda and "Mad Men" creator Matthew Weiner.

After more than 40 years as a recording artist, James Taylor had an album debut atop the Billboard charts for the first time this year; Tom Hooper is getting praise for directing “The Danish Girl," the true story of one of the first gender confirmation surgeries in the world, which took place in the 1920s.

Stacey Sher worked with Quentin Tarantino on “Pulp Fiction” and “Django Unchained,” so she's familiar with his methods and madness; "The Hateful Eight" was mostly filmed on a scenic ranch in Telluride, Colorado; holiday music to enjoy and avoid.