The Frame

Taylor Mac is the theater artist, drag performer, MacArthur fellow and creative mind behind a 24-hour-long retelling of American history through popular songs; was James Levine allowed to remain in power at the Metropolitan Opera because of "maestro worship"?

Boots Riley of the hip-hop group The Coup talks about his directing debut, "Sorry To Bother You" – a satire about race in America; “High Maintenance” co-creator Katja Blichfeld says she and fellow co-creator Ben Sinclair kept the show intact despite their breakup; the massive SxSW tech, film and music fest is underway in Austin.

"A Wrinkle In Time" author Madeleine L'Engle mixed spirituality and science in her controversial book, now it's a big Disney movie; filmmaker Alma Har'el challenges the advertising business to hire more women to direct commercials; Spotify promises to expand your musical choices, but does it?

Hiro Murai had only directed music videos when Donald Glover tapped him to direct "Atlanta"; Amy Adrion's documentary, "Half the Picture," takes an empowering view of women in filmmaking; Tom Brosseau's latest album is titled "Treasures Untold."

The company that produced "The Wolf of Wall Street" is fined $60 million in embezzlement case; Shawn Colvin's new album is made for kids and their parents; Quiara Alegría Hudes' trilogy of plays gets a first-ever simultaneous staging.

Aparna Nancherla manages to find comic relief in her own depression and anxiety; how to fix an Academy Awards broadcast that hit an all-time ratings low; Tamar-kali's score for "Mudbound" is "the blood beneath the mud."

From the diversity seen on the red carpet and onstage, to the pointed messages delivered during the ceremony, the movie industry is at a tipping point.

We take one last look at the nominees and the larger cultural and political issues surrounding the ceremony; talent agencies have been in the middle of Hollywood's abuse scandals. Maha Dakhil talks about what role the agencies should play to protect their clients.

Wall Street Journal reporter Ben Fritz's book, “The Big Picture: The Fight for the Future of Movies,” examines the fallout from Sony's computers being hacked; Spotify seeks cash infusion as it prepares to sell stocks in the company; the Independent Spirit Awards take place on the eve of the Oscars.

John Horn & Rebecca Keegan of Vanity Fair look at key Academy Award nominees in a year that saw significant contributions by women. And, at least this year, it's not #OscarsSoWhite.

Margot Robbie goes for the gold in the Tonya Harding biopic; "Black Panther" appealed to a diverse audience rarely seen in Hollywood; in the new season of “Mozart in the Jungle,” women are the authors of musical compositions far more than in real life.

Danish actor Claes Bang stars in "The Square," nominated for foreign language film; sound editor Richard King is nominated for his work on the WWII epic, "Dunkirk"; USA Today surveyed women in the entertainment industry and found that 94% have encountered sexual harassment or abuse; Disney exec Tom Schumacher is the latest to face such accusations.

Costume designer Ruth Carter and production designer Hannah Beachler played key roles in creating the look of "Black Panther"; singer/songwriter Moses Sumney breaks down his song, "Quarrel."

Filmmaker Agnes Varda and the street artist JR joined forces to capture faces from the French countryside; "Aleppo" director Feras Fayyad hopes his partners can attend the Oscars; the musical "Allegiance," starring George Takei, is finally coming to Los Angeles.

Gary Oldman convinced Kazuhiro Tsuji to transform the actor into Winston Churchill for "Darkest Hour"; "Black Panther" is a phenomenon before it even opens; “Cruzar la Cara de la Luna” (To Cross the Face of the Moon) is believed to be the first mariachi opera.

Mary J. Blige is the first person to get an Academy Award acting nomination and a best song nod for the same film ("Mudbound”); married songwriters Kristen Anderson-Lopez and Robert Lopez have an Oscar nomination for “Remember Me” from “Coco”; Ryan Murphy, the producer behind the “American Horror Story” and “American Crime Story” franchises, is leaving Fox for Netflix.

At the age of 23, Saoirse Ronan already has two Academy Award nominations as a lead actress, including for "Lady Bird"; Barack and Michelle Obama's official portraits have people talking; inside an audition for "America's Got Talent."

Actress Allison Janney has an Oscar nomination for playing Tonya Harding's mother in "I, Tonya"; several Olympic ice skaters are using songs from Baz Luhrmann's "Moulin Rouge"; the N.Y. attorney general filed a civil rights lawsuit that could halt sale of The Weinstein Co.

Kumail Nanjiani and Emily V. Gordon, the Oscar-nominated co-writers of "The Big Sick," talk about the eventful year since their semi-autobiographical film debuted; Oscar-nominated actor Willem Dafoe explains why the first-time actors in "The Florida Project" had a leg up on him.

How much does The Peacock Network have riding on the Winter Games? A lot.; "The Trade" is Showtime's bracing documentary series about the opiod epidemic; James Ivory's screenplay for "Call Me By Your Name" could finally give him his first Oscar.

Dee Rees on her film "Mudbound," about the harsh reality of life in the Jim Crow South, and its new resonance today; morality clauses meant to curb workplace harassment enter Hollywood contracts; after years of estrangement, photographers (and brothers) Andrew and Stuart Douglas reunite with an LA photo exhibition.

The rapper and veteran songwriter collaborated on the Oscar-nominated "Stand Up for Something"; playwright Quiara Alegría Hudes trilogy of plays get a concurrent staging in L.A.; this year's Havana Jazz Fest featured first-time performances by a few expats.