The Frame

As the second season of HBO's "Westworld" approaches, we revisit our interview with actress Thandie Newton; according to the Hollywood Reporter, there's a battle going on to control the 95-year-old Lee's estate; the N.Y.-based Bedlam company performs "Hamlet" and "Saint Joan" in repertory.

“Stealing The Show: How Women are Revolutionizing Television" is a new book from journalist Joy Press that tracks 30 years in the TV business and the women who've transformed it; Facebook is in hot water over data sharing but among their new critics are viral video creators who once made money off the site.

Writer-director Lynn Shelton's latest film is a drama that stars Jay Duplass and Edie Falco; filmmaker Haifaa al-Mansour talks about the cultural changes coming to her Saudi homeland; a non-profit offers financial planning workshops for women artists.

What can we learn about Hollywood from the way female characters are described in movie screenplays? Vulture.com analyzed 50 iconic female roles to find out; in her directing debut, Kay Cannon puts a fresh spin on the teen sex comedy genre.

Production designer Paul Harrod helped oversee the design and building of Wes Anderson's fantasy version of Japan; domestic receipts were down in 2017, but foreign box office continued to grow for Hollywood movies; the L.A. version of Switzerland's Locarno Festival readies its second local event.

“First Match” is a new coming-of-age movie about a girl who tries out for her high school's boys wrestling team; the U.S. Dept. of Justice is reportedly examining Live Nation's business practices; Pinar Toprak is the rare female composer who works in the superhero genre.

"Jessica Jones" creator Melissa Rosenberg talks about her career and the show’s second season; prolific TV producer Steven Bochco died Sunday at the age of 74. Among his many hits were “Hill Street Blues,” “L.A. Law" and NYPD Blue; Song Exploder takes apart the theme song for "The Daily" podcast.

The actress and stand-up comedian draws on her experience with anxiety and depression to make audiences laugh.

The screenwriter adapted Ernest Cline's popular novel and was able to attract a filmmaker who goes by the name of Steven Spielberg.

David Collins is creator of the original "Queer Eye for the Straight Guy" and executive producer of the Netflix reboot, "Queer Eye." The new incarnation is set in the South and addresses more serious topics; Sara Holdren, theater critic at New York Magazine, reviews the revival of “Angels in America” and Disney’s new “Frozen” musical.

The actress is getting raves for her role in "Room" as a kidnap victim raising a son in captivity; Jeff Russo has gone from rock band guitarist to Emmy-nominated composer; Warner Bros.' big budget "Pan" opened badly, but the company's other divisions are performing well.

The actor/comedian is also a noted art collector and now he's curating a show of work by Canadian painter Lawren Harris; El Teatro Campesino collaborates with Center Theatre Group and Boyle Heights residents for a show at Grand Park; Jafar Panahi is banned from making films in his homeland, but that hasn't stopped him.

Julie Plec has "The Vampire Diaries" and "The Originals" on The CW Network, and she'll soon add a third show, albeit one that's fang-free; it's been two decades since the Scottish band Garbage and singer Shirley Manson burst on the scene; the EEOC is looking into hiring practices for women filmmakers.

Director Danny Boyle says tech titans like the late Apple founder have to be called into account; stage director Peter Sellars collaborated with novelist Toni Morrison on a re-imagining of "Othello"; the Church of Scientology continues its campaign against Gibney's documentary, "Going Clear."

Photographer Eilon Paz and editor Sheila Burgel collaborated on a book about obsessive vinyl fans; the L.A. Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela team up for a Beethoven marathon; can TiVo's new device make a dent in the market?

Scott directed the science fiction classics "Blade Runner" and "Alien," but he says "The Martian" is science fact; a hilarious encounter with Chinese-to-English translations inspired Hwang's play, "Chinglish"; the Chinese dissident artist Ai Wei Wei discovered listening devices in his Beijing studio.

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.