The Frame

As the second season of HBO's "Westworld" approaches, we revisit our interview with actress Thandie Newton; according to the Hollywood Reporter, there's a battle going on to control the 95-year-old Lee's estate; the N.Y.-based Bedlam company performs "Hamlet" and "Saint Joan" in repertory.

“Stealing The Show: How Women are Revolutionizing Television" is a new book from journalist Joy Press that tracks 30 years in the TV business and the women who've transformed it; Facebook is in hot water over data sharing but among their new critics are viral video creators who once made money off the site.

Writer-director Lynn Shelton's latest film is a drama that stars Jay Duplass and Edie Falco; filmmaker Haifaa al-Mansour talks about the cultural changes coming to her Saudi homeland; a non-profit offers financial planning workshops for women artists.

What can we learn about Hollywood from the way female characters are described in movie screenplays? Vulture.com analyzed 50 iconic female roles to find out; in her directing debut, Kay Cannon puts a fresh spin on the teen sex comedy genre.

Production designer Paul Harrod helped oversee the design and building of Wes Anderson's fantasy version of Japan; domestic receipts were down in 2017, but foreign box office continued to grow for Hollywood movies; the L.A. version of Switzerland's Locarno Festival readies its second local event.

“First Match” is a new coming-of-age movie about a girl who tries out for her high school's boys wrestling team; the U.S. Dept. of Justice is reportedly examining Live Nation's business practices; Pinar Toprak is the rare female composer who works in the superhero genre.

"Jessica Jones" creator Melissa Rosenberg talks about her career and the show’s second season; prolific TV producer Steven Bochco died Sunday at the age of 74. Among his many hits were “Hill Street Blues,” “L.A. Law" and NYPD Blue; Song Exploder takes apart the theme song for "The Daily" podcast.

The actress and stand-up comedian draws on her experience with anxiety and depression to make audiences laugh.

The screenwriter adapted Ernest Cline's popular novel and was able to attract a filmmaker who goes by the name of Steven Spielberg.

David Collins is creator of the original "Queer Eye for the Straight Guy" and executive producer of the Netflix reboot, "Queer Eye." The new incarnation is set in the South and addresses more serious topics; Sara Holdren, theater critic at New York Magazine, reviews the revival of “Angels in America” and Disney’s new “Frozen” musical.

Writer Lena Waithe and director Melina Matsoukas talk about their provocative film about a tragic incident involving a black couple and a white policeman; five years later, what has Hollywood learned from the Sony hack?

L.A.'s Marachi Arcoiris bills itself as the first LGBTQ group that plays traditional Mexican music; what should we make of the Golden Globes?; the Huntington Museum turns 100 with a centennial exhibition.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics," is on the shortlist for best international feature film at the Academy Awards.

Greta Gerwig shares her passion for "Little Women"; one TV journalist surveys how Jewish women are portrayed on TV; Jonathan Pryce dons the robes of Pope Francis for "The Two Popes"; a photographer turns objects confiscated from detainees at the border into art; The Black List turns 15; the ambitious filming of "1917".

The actress not only stars in the movie about the downfall of Roger Ailes at Fox News, she is also credited as a producer; assistants in Hollywood want better pay and treatment; "Not at the Dinner Table" is a release valve for uncomfortable holiday gatherings.

Director Sam Mendes and cinematographer Roger Deakins collaborated to film the movie in a single, continuous shot; will "Cats" snuggle up to moviegoers?; songwriter Kathryn Bostic is on the shortlist of nominees for the Academy Awards best original song.

Jonathan Pryce talks about playing the reluctant Pope Francis and screenwriter Anthony McCarten talks about mixing fact and fiction; top screenplays in The Black List.

The director willed her way onto the project to tell the 1868 Louisa May Alcott story in a new way; a photographer turns items confiscated at the U.S.-Mexico border into subjects for an exhibition.

Abby McEnany stars in and co-created the series, which tells the tragi-comic story of a gender non-conforming woman struggling with her lot in life. She and executive producer Lilly Wachowski talk about the series; Kyle Buchanan, who writes The Carpetbagger blog for The New York Times, on awards season in Hollywood.

Charlize Theron produces and stars in "Bombshell"; Lilly Wachowski and Abby McEnany find comedy and connection on their series "Work In Progress"; Matthew Bourne brings "Swan Lake" back to LA; Jad Abumrad argues that Dolly Parton is the great unifier in our fractured country with his new podcast.

The podcast from Radiolab host Jad Abumrad explores the amazing career of "The Backwoods Barbie"; Netflix is accused of breaching awards etiquette and journalism ethics in its courting of Critics Choice Association members; the Australian band Good Morning has a surprising following in the U.S.

Choreographer Matthew Bourne, who shocked the dance world with his staging of the classic ballet, brings the production back to L.A.; why are insurance companies willing to offer policies that protect behavior of figures like Harvey Weinstein?; the podcast, “Prince the Story of 1999,” takes us inside the making of the landmark album.