The Frame

Andrew Form and Bradley Fuller, producers of the hit horror movie, "A Quiet Place," talk about the film's surprising box office success; movie studios at CinemaCon tout sequels, more sequels, and a Tarantino movie; meet poet and singer-songwriter Jamila Woods.

Married comedians Natasha Leggero and Moshe Kasher turned their honeymoon into a comedy tour a three-part series for Netflix; Harry Potter mania arrives on Broadway with the opening of the two-part play, “Harry Potter and the Cursed Child.”

Former "Daily Show" correspondent Wyatt Cenac has a new, weekly HBO show that examines pressing social issues; movie theater owners are trying to fight the popularity of streaming services; Hasan Minhaj's "Homecoming King" wins a Peabody Award.

Prince died two years ago without leaving behind a will and now his estate is in disarray. Washington Post reporter Karen Heller fills us in on where things stand with Prince’s estate; In the podcast “Dear Franklin Jones,” producer Jonathan Hirsch revisits his childhood and how it was dominated by his parents’ guru; A play by Tim Robbins' Actors’ Gang forces audience members to ask themselves if America is still a welcome place for immigrants.

With Earth Day approaching, "FernGully" director Bill Kroyer and KPCC environment reporter Emily Guerin talk about the 1992 film's impact; Barry Avrich made a second documentary about Harvey Weinstein after a struggle with the mogul thwarted his first.

How director Joshua Marston and screenwriter Marcus Hinchey made "Come Sunday"– a movie about a Pentecostal bishop's spiritual epiphany first documented by This American Life; could MoviePass be the next film industry disruptor?; Moses Sumney dissects his song, "Quarrel."

Queen Bey's performance at Coachella set a new standard; The HBO documentary "I Am Evidence" examines the backlog of untested rape kits around the country; Kendrick Lamar is the first winner of the Pulitzer Prize for music who is not a classical or jazz artist.

Zhao takes stories and events from her untrained actors’ real lives and writes them into a fictionalized script; Hari Kondabolu’s documentary, “The Problem with Apu,” gets a response from "The Simpsons"; “Will & Grace” and “Roseanne” are hits again, but how strong is the appetite for reunion shows?

"Still Dreaming" follows a group of retired actors who mount a Shakespeare play; Netflix pulls its movies from the Cannes Film Festival in a disagreement over screening policy; composer and producer Gustavo Santaolalla returns to the concert stage.

Al Madrigal, who got his break from Mitzi Shore at The Comedy Store, pays tribute to the late patron; actor Michael K. Williams digs into the juvenile justice system; Canadian singer & songwriter Lindi Ortega on her new album, "Liberty."

The British actor stars as the leader of child soldiers in the West African civil war that is the first feature release from Netflix. Elba talks about how he taught non-actors to become professionals on set, and his personal connection to the film.

The director of "He Named Me Malala" reveals how making the documentary about the young Pakistani activist impacted him as a father.

The director says his biopic is a father-daughter story that reflects on screenwriter Aaron Sorkin as well as Boyle. He says it's important to tell stories about men like Jobs who now have more power than governments and who are humanized by the women in their lives.

"Spotlight" centers around the true story of how the Boston Globe uncovered the massive scandal of child molestation within that city's Catholic archdiocese. The Frame's John Horn spoke with the people behind the film about keeping true to the real story, which Keaton and McCarthy have personal connections to.

The actress talks with John Horn about the British suffragette movement as depicted in her new film, the courage of Pakistani activist Malala, and women in Hollywood.

Rooney Mara is 30 and has only been in a handful of films, but she's worked with some top directors, including Spike Jonze, Steven Soderbergh and now Todd Haynes for "Carol." Mara talks about how she never was good at anything until she found acting, how her moods affect what roles she chooses, and why getting a tribute at a young age is still a shock.

The filmmaker's film, set in the 1950s, stars Cate Blanchett and Rooney Mara and is based on the Patricia Highsmith novel. Haynes talks about why he makes movies about women, how the gay rights movements impacted his creativity, and how he left his hometown of L.A. to come into his own as a filmmaker.

The 42nd edition of the Telluride Film Festival begins today and John Horn and The Frame are there. We'll be talking with many of the filmmakers and stars and updating the feed a few times a day with our interviews with director Danny Boyle, actor Rooney Mara, screenwriter Charlie Kaufman and others.

David Newman performed on the score to "E.T." and now he's conducting the music with the L.A. Philharmonic; Telluride festival is a showcase for Oscar hopefuls; Should drug-fueled electronic dance festivals be allowed on county property?

Writer Jonathan Ames turns the erudite actor Patrick Stewart into a rambunctious TV news anchor in "Blunt Talk"; Emails from the hack of Sony Pictures reveal the studio's concern over alienating the NFL with its film, "Concussion"; Kera and the Lesbians calls its sound "bi-polar folk."

The duo Black Violin mixes strings with hip hop beats and challenges stereotypes; Could Apple get into the film and TV game?; Diane Coffee (aka Shaun Fleming) is the drummer for Foxygen, but finds his own voice on a side project.

Lake Bell talks about balancing personal and professional life in Hollywood; Emergency room physicians say electronic music festivals should not be held on county-owned property; Gigmor is a new website for musicians seeking kindred spirits.