The Frame

With rock 'n' roll bands no longer headlining top music festivals, is the genre finally dead?; what to expect from this year's Cannes festival; comedic actor Drew Droege came to L.A. with glamorous dreams of making it in Hollywood, only to find success with a viral video.

Writer Tanya Saracho talks about her arc in the TV business — from being a "diversity hire" on "Devious Maids" to creating her own show "Vida" about two Latinx sisters who move back home after their mother's death; and Goldenvoice, the concert promoter of FYF Fest has canceled this year's festival because of low ticket sales. Is it a case of festival fatigue or something else?

Jim DeRogatis has been reporting on allegations of sexual abuse against R. Kelly for nearly two decades including a new report in Buzzfeed today – why this singer may be finally facing his #metoo moment; and as costume designer for "The Crown," Jane Petrie discusses the pressure to get the look of the royal family just right.

A new exhibit at the Skirball Cultural Arts Center celebrates the life and work of composer Leonard Bernstein; the Academy of Motion Picture Arts and Sciences votes to expel Bill Cosby and Roman Polanski; and Memphis-based author and filmmaker Robert Gordon captures the grit of his hometown's music in his new book “Memphis Rent Party.”

Actor Martin Freeman goes from 'The Office,' to 'Black Panther,' into two small-scale horror films; Billionaire businessman Wang Jailin of the Dalian Wanda Group hoped that Hollywood studios would see China as a location for making movies, but the Wall Street Journal reveals that’s not happening; We go inside the new production called, “theater is a blank space,” which takes you from Powell Library to the rafters of UCLA’s Royce Hall, literally.

"Mean Girls” and “SpongeBob” led this year’s Tony nominations with 12 picks each. New York Times theater reporter Michael Paulson helped break down the nominations for us; We talk with 'RBG' co-director Betsy West about convincing Justice Ginsburg to give them access to her life; “Spongebob Squarepants the Musical” snagged 12 Tony nominations today, including the top prize, best musical. We talk with playwright Kyle Jarrow.

The screenwriters of "Avengers: Infinity War" explain how the sitcom "Frasier" influenced the film; the Hulu documentary “Tiny Shoulders: Rethinking Barbie” shows how executives at Mattel went about changing the body shape of their iconic and controversial doll.

Alia Shawkat co-wrote and stars in “Duck Butter," a movie about two women who spend 24 hours doing nothing but being with each other and having sex; San Francisco's Grace Cathedral holds a Beyoncé-themed service; YouTube struggles to clean up its act.

With her new film, "Disobedience," Rachel Weisz found something she had been seeking but couldn't find: a story with two female leads; former comedian and TV host Byron Allen has quietly built a company with interests in both film and television.

Movie theater owners look beyond popcorn to find new concessions at CinemaCon; Chicano photographer George Rodriguez captures two very different L.A.'s over a 50-year period; CalArts celebrates world music with its own salsa band.

We discuss some of the films that screened at TIFF and look at how the triad of fall film festivals (which includes Venice and Telluride) have already begun to shape the awards races; Reality TV veteran Jonathan Murray's latest show "Born This Way," follows a group of seven young adults with Down syndrome and their families.

The Pacific Standard Time art extravaganza features more than 60 institutions across Southern California presenting Latino art; Hollywood Reporter TV critic Daniel Fienberg chats about who will win at the Emmy Awards; actress Natalie Portman has helped turn Jonathan Safran Foer’s book, “Eating Animals," into a documentary of the same name.

Artist Ai Wei Wei, now no longer under house arrest in China, spent a year traveling around the world to track the global refugee crisis for his documentary, "Human Flow." He tells The Frame he wants audiences to realize this crisis is a human crisis that cannot be ignored. And actor Giancarlo Esposito reveals the personal reasons he wanted to direct, produce and star in "The Show"– a satire about society's obsession with sensationalized reality TV.

Actress Greta Gerwig goes behind the camera for her directing debut, "Lady Bird"; despite claims from studios, there's no apparent corollary between Rotten Tomatoes scores and box office performance; the Diaz sisters, aka Ibeyi, break down their song, "Deathless."

For his new movie, "Brad's Status," writer-director Mike White taps into his relationship with his father. The Whites discuss how their social anxieties are reflected in Ben Stiller's character in the film; we revisit conversations with Creative Arts Emmy winners: songwriter Common, voiceover actor Ashly Burch and "Fargo" composer Jeff Russo.

Actor and producer Nnamdi Asomugha ("Crown Heights") reveals how he made the transition from pro football player to Hollywood; the Toronto International Film Festival (TIFF) begins with hot movies starring the likes of Jennifer Lawrence and Shia LeBoeuf; how the Venezuelan artist Carlos Cruz-Diez and High School students turned the crosswalks outside the Broad museum into colorful art.

The French street artist JR has installed a provocative image on the U.S.-Mexico border; Oscar's new president, John Bailey, inherits big challenges; "Trophy" examines the politics and controversy of big-game hunting.

The filmmaker debuted his new movie at the Telluride Film Festival — an unlikely love story between a cleaning lady and an amphibious creature being held by the government; DACA recipient Christian Hurtado is included in a documentary about abuse of construction workers in Texas.

The Telluride Film Festival premiered the movie about the 1973 tennis match between Billie Jean King and Bobby Riggs; "Dolores" tells the story of the woman who co-founded the United Farm Workers union.

Several venues in Houston's downtown theater district suffered flood damage from Hurricane Harvey; director Scott Cooper debuts his period western, "Hostiles," at the Telluride Film Festival; a new virtual reality experience puts you in flatline mode.

The Telluride festival has become a reliable bellwether for Academy Award attention; Kira Kelly is a Hollywood rarity: an African-American female cinematographer; behind the scenes with the sound engineers at the Bowl.

In the wake of Hurricane Harvey, we revisit our recent interview with former Vice-President Al Gore about his latest climate change documentary; in "Patti Cake$," Danielle MacDonald plays a rapper from New Jersey whose rocky road is not unlike the path traveled by the actress herself.