The Frame

On today's show: Olivia Milch wrote and directed the Netflix film, "Dude," and she co-wrote the much anticipated "Ocean's 8"; GLAAD's annual report says movie studios have regressed when it comes to LGBTQ representation; music producer Sebastian Krys' path from lowly intern to studio wizard.

On today's episode, filmmaker Jennifer Fox adds a personal chapter to the #MeToo movement with her film, "The Tale" (starring Laura Dern); Kyle Buchanan of Vulture.com talks about the highlights of the Cannes Film Festival; and writer Robert Gordon explores Memphis blues and R&B.

The documentary, “Bombshell,” tells the amazing life story of movie star and wartime inventor Hedy Lamarr; YouTube will compete with Spotify and Apple Music through its new streaming platform; the schlocky horror comedy, "Killer Klowns from Outer Space," turns 30.

Broadcast networks finished pitching to advertisers today, with the news that "Crazy Ex-Girlfriend" will end after next season; a look at the Billboard Top 40 charts reveals that rock just isn’t very popular these days; Canadian singer-songwriter Lindi Ortega's latest album was inspired by spaghetti Westerns, Ennio Morricone film scores and Quentin Tarantino movies.

Playwright David Henry Hwang and composer Jeanine Tesori — both Tony Award winners — created a play with music that imagines China becoming the pre-eminent world power after the 2016 presidential election; it’s that time of year in Hollywood: the season known mostly by the acronym FYC — For Your Consideration.

Ethan Hawke has three movies coming out this year: "First Reformed," "Juliet, Naked" and “Blaze." Hawke opens up about his choices to make indie films and how he's wrestled with the notion of being a celebrity; a new study from the Annenberg Public Policy Center looks at whether some movie violence should merit a new PG-15 rating.

The issue of representation for women in film has come up at the Cannes Film Festival, where the festival’s leaders have pledged to reach 50/50 parity for women filmmakers by 2020. We get a report from Rico Gagliano; In "I'm Sorry," actress Andrea Savage plays a "heightened" version of herself: a comedian with wildly inappropriate jokes who's also the mother of a young girl; We meet the Iranian singer Googoosh, who performed Saturday night at a packed Hollywood Bowl.

Director Jason Reitman has collaborated with screenwriter Diablo Cody on three films — "Juno," "Young Adult," and now, "Tully," which stars Charlize Theron; why Spotify's decision to take R. Kelly’s music off its curated playlists is so controversial; the documentary "Unrest" raises awareness about chronic fatigue syndrome, a common but poorly understood disease;

The second season of Justin Simien's "Dear White People" has a lot to say about race, truth and what it means to be an American; YouTube's foray into the original content game includes "Cobra Kai," a sequel to "Karate Kid" with original star Ralph Macchio.

Arranged marriage in modern day India is explored in "A Suitable Girl," which tries to dispel Western misconceptions about the tradition; it's that time of the year when TV networks must decide which shows are renewed and which ones are toast; Ellen Reid's new work hopes to capture the nation’s sense of urgency.

Actress Isabelle Huppert and writer/director Mia Hansen-Løve talk about their film, "Things To Come," about a middle-aged philosophy teacher who's forced to reconsider her life; we talk with filmmakers Jeff Orlowski ("Chasing Coral") and Marina Zenovich ("Water & Power") about their climate change docs screening at the Sundance Film Festival.

Alena Smith’s new play, “Icebergs,” tackles climate change, infertility, hate crimes, sexism and divorce — and it’s a comedy; actress Zooey Deschanel and singer/songwriter M. Ward, aka She & Him, have a new Christmas album; with critically-acclaimed films such as "Moonlight" and "Loving," the next Oscar nominations should be more diverse than in recent years.

Natalie Portman talks about playing Jacqueline Kennedy in "Jackie," which follows her in the days and weeks following the assassination of JFK; now that Fidel Castro is dead, how might things change for Cuba's artists?; Leo Matsuda's "Inner Workings" is a short animated Disney film that is screening with "Moana."

Actress Jenny Slate and her father talk about their book of stories inspired by their family life in Massachusetts; we break down the nominations for the Independent Spirit Awards; in the 1940s, a Silicon Valley start-up came up with an invention that revolutionized pop music.

Brian K. Vaughan, author of the popular sci-fi comics "Saga" and "Y: The Last Man," uses the medium to talk about issues such as immigration, the Cold War, and being a father; The Gilmore Guys talk about the return of "The Gilmore Girls;" Amazon wants to replace your cable with its own bundle.

Erin McKeown had never written a musical, but she couldn’t turn down the offer to work on "Miss You Like Hell"; N.Y. Times theater critic Ben Brantley on the impact of the incident between the cast of "Hamilton" and VP-elect Mike Pence; composer Jóhann Jóhannsson talks about his score for the movie, “Arrival."

Ford's 2009 directing debut, "A Single Man," was no lark. He's back with "Nocturnal Animals," a moody drama that stars Jake Gyllenhaal and Amy Adams.

Kelly Craig's directing debut on “The Edge of Seventeen" was made with the help of her mentor, James L. Brooks; now that Donald Trump is headed to the White House, is it possible the presidential election could also change the fortunes of movies that are competing for the Academy Awards?

Actress Ruth Negga may be Irish, but she says she related to Ruth Loving, the American woman she plays in “Loving.” Both women are of mixed race, a fact that got Ruth and her husband, Richard, into legal trouble when interracial marriage was illegal in some states.

Eric Heisserer, screenwriter for the new film "Arrival" (starring Amy Adams), reflects on why it was so important to him that the scientists in the movie speak the way real scientists do. He talks about working with director Denis Villeneuve and how the themes tribalism and fear of the "other" resonate with issues in the real world today.

The eight-part PBS documentary series presents "Stories from the Cutting Edge of Recorded Music," from the 1950s to present day. Featured artists include Sly Stone, The Beach Boys, The Beatles, Beck, Bon Iver, and Public Enemy.

Fifty years ago, Judy Collins recorded Leonard Cohen's “Suzanne” and introduced him to the wider world; music producer Hal Willner talks about the project that pulled Cohen out of semi-retirement; Pussy Riot co-founder Nadya Tolokno discusses artists' activism in the U.S. and Russia in the wake of Trump’s election; a visit to an open mic night where veterans jam and bond.