The Frame

On today's show: Olivia Milch wrote and directed the Netflix film, "Dude," and she co-wrote the much anticipated "Ocean's 8"; GLAAD's annual report says movie studios have regressed when it comes to LGBTQ representation; music producer Sebastian Krys' path from lowly intern to studio wizard.

On today's episode, filmmaker Jennifer Fox adds a personal chapter to the #MeToo movement with her film, "The Tale" (starring Laura Dern); Kyle Buchanan of Vulture.com talks about the highlights of the Cannes Film Festival; and writer Robert Gordon explores Memphis blues and R&B.

The documentary, “Bombshell,” tells the amazing life story of movie star and wartime inventor Hedy Lamarr; YouTube will compete with Spotify and Apple Music through its new streaming platform; the schlocky horror comedy, "Killer Klowns from Outer Space," turns 30.

Broadcast networks finished pitching to advertisers today, with the news that "Crazy Ex-Girlfriend" will end after next season; a look at the Billboard Top 40 charts reveals that rock just isn’t very popular these days; Canadian singer-songwriter Lindi Ortega's latest album was inspired by spaghetti Westerns, Ennio Morricone film scores and Quentin Tarantino movies.

Playwright David Henry Hwang and composer Jeanine Tesori — both Tony Award winners — created a play with music that imagines China becoming the pre-eminent world power after the 2016 presidential election; it’s that time of year in Hollywood: the season known mostly by the acronym FYC — For Your Consideration.

Ethan Hawke has three movies coming out this year: "First Reformed," "Juliet, Naked" and “Blaze." Hawke opens up about his choices to make indie films and how he's wrestled with the notion of being a celebrity; a new study from the Annenberg Public Policy Center looks at whether some movie violence should merit a new PG-15 rating.

The issue of representation for women in film has come up at the Cannes Film Festival, where the festival’s leaders have pledged to reach 50/50 parity for women filmmakers by 2020. We get a report from Rico Gagliano; In "I'm Sorry," actress Andrea Savage plays a "heightened" version of herself: a comedian with wildly inappropriate jokes who's also the mother of a young girl; We meet the Iranian singer Googoosh, who performed Saturday night at a packed Hollywood Bowl.

Director Jason Reitman has collaborated with screenwriter Diablo Cody on three films — "Juno," "Young Adult," and now, "Tully," which stars Charlize Theron; why Spotify's decision to take R. Kelly’s music off its curated playlists is so controversial; the documentary "Unrest" raises awareness about chronic fatigue syndrome, a common but poorly understood disease;

The second season of Justin Simien's "Dear White People" has a lot to say about race, truth and what it means to be an American; YouTube's foray into the original content game includes "Cobra Kai," a sequel to "Karate Kid" with original star Ralph Macchio.

Arranged marriage in modern day India is explored in "A Suitable Girl," which tries to dispel Western misconceptions about the tradition; it's that time of the year when TV networks must decide which shows are renewed and which ones are toast; Ellen Reid's new work hopes to capture the nation’s sense of urgency.

The glitzy film festival has no insurance coverage to cover a cancellation; "Never Rarely Sometimes Always" is a timely film about access to abortion; The Moth en español.

Co-writers Damon Lindelof and Nick Cuse talk about overcoming inaccurate press reports to finally have their film released; "Onward" director Dan Scanlon on how his film began with the loss of his own father.

Hillary Clinton on why she agreed to go deep with for a new doc; H.G. Wells reimagined as a metaphor for abuse; actor Steve Coogan uses comedy to highlight extreme gaps in wealth around the world.

Haley Bennett talks about playing a woman with a dangerous psychological disorder; more musical fallout from the coronavirus; keeping L.A.'s Pan Afrikan People’s Arkestra alive.

The avant-garde opera director's new work is about colonialism and displacement; where is Pete Buttigieg's and Elizabeth Warren's Hollywood support going now that they've exited the nomination race?; theater artist Geoff Sobelle explores the notion of "Home" onstage.

The British actor talks about how his latest comedy is a comment on income inequality; will the massive SxSW conference be canceled?; an emotional connection to the band KISS.

The four-part Hulu series includes the former First Lady and Secretary of State talking about the Democratic primaries and the presidential election; the coronavirus could be a disaster for the movie industry, but a boon for streaming services.

Director and screenwriter Leigh Whannel talks about his update of the H.G. Wells story; comedians who are feeling the Bern; the singer Vagabon breaks down her song, "Water Me Down."

"It's Always Sunny in Philadelphia" teams makes an Apple TV+ show; Comedian Maria Bamford masters the impersonation; Alex Newell brings his unique voice to "Zoey's Extraordinary Playlist"; After Weinstein's conviction, what's left to do?

Tamar-kali is a film composer with unique musical roots; Linas Phillips is a rideshare driver/spiritual coach in "The Ride"; what comes next for Hollywood after the Weinstein verdict?

Alex Newell plays a nonbinary character and Mary Steenburgen is Zoey's mother on the new NBC show; Hollywood is bracing for fallout from the coronavirus.

Filmmaker Benh Zeitlin returns to directing for the first time since "Beasts of the Southern Wild" with "Wendy"; Dr. Shari Fink, executive producer of "Pandemic: How to Prevent an Outbreak"; Gabriel Roth, the man behind The Daptone Sound.