The Frame

On today's show: Olivia Milch wrote and directed the Netflix film, "Dude," and she co-wrote the much anticipated "Ocean's 8"; GLAAD's annual report says movie studios have regressed when it comes to LGBTQ representation; music producer Sebastian Krys' path from lowly intern to studio wizard.

On today's episode, filmmaker Jennifer Fox adds a personal chapter to the #MeToo movement with her film, "The Tale" (starring Laura Dern); Kyle Buchanan of Vulture.com talks about the highlights of the Cannes Film Festival; and writer Robert Gordon explores Memphis blues and R&B.

The documentary, “Bombshell,” tells the amazing life story of movie star and wartime inventor Hedy Lamarr; YouTube will compete with Spotify and Apple Music through its new streaming platform; the schlocky horror comedy, "Killer Klowns from Outer Space," turns 30.

Broadcast networks finished pitching to advertisers today, with the news that "Crazy Ex-Girlfriend" will end after next season; a look at the Billboard Top 40 charts reveals that rock just isn’t very popular these days; Canadian singer-songwriter Lindi Ortega's latest album was inspired by spaghetti Westerns, Ennio Morricone film scores and Quentin Tarantino movies.

Playwright David Henry Hwang and composer Jeanine Tesori — both Tony Award winners — created a play with music that imagines China becoming the pre-eminent world power after the 2016 presidential election; it’s that time of year in Hollywood: the season known mostly by the acronym FYC — For Your Consideration.

Ethan Hawke has three movies coming out this year: "First Reformed," "Juliet, Naked" and “Blaze." Hawke opens up about his choices to make indie films and how he's wrestled with the notion of being a celebrity; a new study from the Annenberg Public Policy Center looks at whether some movie violence should merit a new PG-15 rating.

The issue of representation for women in film has come up at the Cannes Film Festival, where the festival’s leaders have pledged to reach 50/50 parity for women filmmakers by 2020. We get a report from Rico Gagliano; In "I'm Sorry," actress Andrea Savage plays a "heightened" version of herself: a comedian with wildly inappropriate jokes who's also the mother of a young girl; We meet the Iranian singer Googoosh, who performed Saturday night at a packed Hollywood Bowl.

Director Jason Reitman has collaborated with screenwriter Diablo Cody on three films — "Juno," "Young Adult," and now, "Tully," which stars Charlize Theron; why Spotify's decision to take R. Kelly’s music off its curated playlists is so controversial; the documentary "Unrest" raises awareness about chronic fatigue syndrome, a common but poorly understood disease;

The second season of Justin Simien's "Dear White People" has a lot to say about race, truth and what it means to be an American; YouTube's foray into the original content game includes "Cobra Kai," a sequel to "Karate Kid" with original star Ralph Macchio.

Arranged marriage in modern day India is explored in "A Suitable Girl," which tries to dispel Western misconceptions about the tradition; it's that time of the year when TV networks must decide which shows are renewed and which ones are toast; Ellen Reid's new work hopes to capture the nation’s sense of urgency.

Jenny Lewis has played Coachella with her previous bands, but she’s there this year as a solo artist; the Alvin Ailey dance troupe shows middle schoolers how to turn emotion into motion (pictured); talking shop with two acclaimed narrators of audio books, llyana Kadushin and Kevin T. Collins; and a farewell to R&B singer Percy Sledge.

The Coachella music festival brought tens of thousands of music fans out to the desert for three days of fun in the sun; Trevor Noah performs in the U.S. for the first time since being named host of “The Daily Show”; Kristen Schaal's career gets a boost from her first co-starring role on a major network (pictured).

Netflix debuts the latest adaptation of Marvel Comics' "Daredevil" (pictured); women singers are not allowed to perform solo in Iran, which is partly why Delaram Kamareh came to the U.S.; the audience for electronic dance music is widely diverse, but that's not the case for the genre's DJs and producers.

"Made Men" creator Matthew Weiner (pictured, holding Emmy Award) is saying a long goodbye to his landmark series; Lauren Bon, the artist behind Metabolic Studio, looks at water and the drought through a creative lens; HBO's "Veep" is back, and so is Tony Hale as the president's personal assistant.

Whether you're attending Coachella or following via YouTube or Sirius, you need to know who's playing and when; director Jay Chandrasekhar used a crowd sourcing campaign to fund 'Super Troopers 2'; Judith Hill (pictured) goes from backup singer to releasing her debut solo album with a little help from Prince.

On the 100th anniversary of her birth, we revisit a 1948 performance by Billie Holiday (pictured) at the Shrine Auditorium; the band Night Terrors of 1927 is a Coachella Music Festival newbie; writer/director Alex Garland explores artificial intelligence in the new film, "Ex Machina."

WonderCon turned the Anaheim Convention Center into pop culture nirvana over the weekend; the hip-hop old schoolers from De La Soul (pictured) are in the studio with an album financed by their fans; getting the new TV show “American Odyssey” on the air was an odyssey unto itself.

Tips on which "Mad Men" episodes to watch before the series begins its swan song (pictured); the landmark exhibition by Chinese dissident artist Ai Wei Wei is in its last month on Alcatraz Island; animal trainer Teresa Ann Miller talks about casting and wrangling 250 dogs for the new movie, “White God"

Comic book editor Janelle Asselin is reviving the romance genre in a new magazine anthology (pictured); L.A. stage actors are voting on contract changes that would pay them more, but could result in fewer roles; 'Game of Thrones' novelist George R.R. Martin drops an excerpt from his next book. (Spoiler alert!)

Director Bob Yari (pictured, far left) recently shot the first American feature film in Cuba in more than 50 years; 2015 is already shaping up as perhaps the best year for hip-hop music ever; Amber Tamblyn's third book of poetry is about young actresses who died tragically.

Should Trevor Noah’s Tweets cost him his job as the new host of "The Daily Show"?; “Furious 7” director James Wan (pictured at left, with Vin Diesel) reveals why he needed to finish the film after the death of actor Paul Walker; The Los Angeles Philharmonic completes its tour of Asia, jet lag and all.

Comedy Central drops a surprise by announcing Trevor Noah (pictured) will replace Jon Stewart; young musicians from L.A. and Fukushima get to work with Gustavo Dudamel; Dreamworks gets a much-needed hit with "Home"; transgender actors are in demand during TV pilot season.