The Frame

On today's show: Olivia Milch wrote and directed the Netflix film, "Dude," and she co-wrote the much anticipated "Ocean's 8"; GLAAD's annual report says movie studios have regressed when it comes to LGBTQ representation; music producer Sebastian Krys' path from lowly intern to studio wizard.

On today's episode, filmmaker Jennifer Fox adds a personal chapter to the #MeToo movement with her film, "The Tale" (starring Laura Dern); Kyle Buchanan of Vulture.com talks about the highlights of the Cannes Film Festival; and writer Robert Gordon explores Memphis blues and R&B.

The documentary, “Bombshell,” tells the amazing life story of movie star and wartime inventor Hedy Lamarr; YouTube will compete with Spotify and Apple Music through its new streaming platform; the schlocky horror comedy, "Killer Klowns from Outer Space," turns 30.

Broadcast networks finished pitching to advertisers today, with the news that "Crazy Ex-Girlfriend" will end after next season; a look at the Billboard Top 40 charts reveals that rock just isn’t very popular these days; Canadian singer-songwriter Lindi Ortega's latest album was inspired by spaghetti Westerns, Ennio Morricone film scores and Quentin Tarantino movies.

Playwright David Henry Hwang and composer Jeanine Tesori — both Tony Award winners — created a play with music that imagines China becoming the pre-eminent world power after the 2016 presidential election; it’s that time of year in Hollywood: the season known mostly by the acronym FYC — For Your Consideration.

Ethan Hawke has three movies coming out this year: "First Reformed," "Juliet, Naked" and “Blaze." Hawke opens up about his choices to make indie films and how he's wrestled with the notion of being a celebrity; a new study from the Annenberg Public Policy Center looks at whether some movie violence should merit a new PG-15 rating.

The issue of representation for women in film has come up at the Cannes Film Festival, where the festival’s leaders have pledged to reach 50/50 parity for women filmmakers by 2020. We get a report from Rico Gagliano; In "I'm Sorry," actress Andrea Savage plays a "heightened" version of herself: a comedian with wildly inappropriate jokes who's also the mother of a young girl; We meet the Iranian singer Googoosh, who performed Saturday night at a packed Hollywood Bowl.

Director Jason Reitman has collaborated with screenwriter Diablo Cody on three films — "Juno," "Young Adult," and now, "Tully," which stars Charlize Theron; why Spotify's decision to take R. Kelly’s music off its curated playlists is so controversial; the documentary "Unrest" raises awareness about chronic fatigue syndrome, a common but poorly understood disease;

The second season of Justin Simien's "Dear White People" has a lot to say about race, truth and what it means to be an American; YouTube's foray into the original content game includes "Cobra Kai," a sequel to "Karate Kid" with original star Ralph Macchio.

Arranged marriage in modern day India is explored in "A Suitable Girl," which tries to dispel Western misconceptions about the tradition; it's that time of the year when TV networks must decide which shows are renewed and which ones are toast; Ellen Reid's new work hopes to capture the nation’s sense of urgency.

Taking the train to Comic-Con (pictured) means avoiding traffic and mingling with fans, comic book artists and even studio execs; The Hero Initiative is a charity that helps pioneer comic book artists who didn't have salaries or benefits; “10,000 Km," a film by Carlos Marques-Marcet, is about negotiating a long-distance relationship.

Alison Faulk worked with Channing Tatum to design the sexy dance moves in “Magic Mike XXL” (pictured); Nerdstrong Gym is where pop culture geeks are changing the image of flabby, couch-bound obsessives; Paramount Pictures and Hulu make the latest moves in the streaming world.

Comic book writer Kelly Sue DeConnick previews Comic-Con; "Cartel Land" director Matthew Heineman embedded himself with vigilante groups to document their fight against drug cartels in Mexico and Arizona (pictured); composer J. Ralph on writing music for "Shark Week"

Leon Russell (pictured) was unhappy with a documentary he financed in the early '70s. The film by Les Blank is finally getting released; the Getty Conservation Institute is preserving original animation cels from classic Disney movies; the music industry has agreed to move the release day for new music from Tuesdays to Fridays.

“Orange is the New Black” actress Lea DeLaria (pictured) has a jazzy side career; The Grateful Dead play three final shows in Chicago this weekend to overwhelming demand; a classical music composer takes inspiration from California’s drought; Amy Winehouse’s record producer on the new documentary about the late singer.

Fox's big bet on the women's World Cup is paying off with record-setting ratings; when a new dinosaur was created for "Jurassic World" (pictured), the film's sound designers had to come up with new terrifying sounds; on "Song Exploder," Bono dissects U2's "Cedarwood Road"

The international terminal at the L.A. airport has debuted three permanent art installations, including one by Mark Bradford (pictured); Apple Music's streaming service debuted today without the Beatles, but with Taylor Swift.

After Donald Trump's controversial comments about Mexicans, NBC is dumping the Miss USA and Miss Universe pageants (pictured); the 30th anniversary of "Back to the Future" is being marked with a screening and live orchestral performance; comedian and actress Julie Brister says she's tired of being seen as fat first and as a performer second.

The brilliant but troubled singer and pianist Nina Simone (pictured) is the subject of a new documentary, "What Happened, Miss Simone?"; after the U.S. Supreme Court's ruling on gay marriage, we examine whether TV has swayed American attitudes on the matter.

Jazz saxophonist and composer Kamasi Washington (pictured) is adding a new chapter to L.A.'s storied jazz history with his 3-disc album, "The Epic"; veteran TV director Lesli Linka Glatter's career has ranged from "Twin Peaks" to her current show, "Homeland."

Writer and performer Tim Minchin talks about creating songs for the stage adaptation of Roald Dahl's "Matilda" (pictured); director Patricia Riggen recalls working with composer James Horner on one of his last films, "The 33"; songs by the '70s gay, glam rock act, Smokey, have been re-issued.

The stage musical "Recorded in Hollywood" (pictured) tells the story of John Dolphin and his landmark record stores in Los Angeles; a song from the solo album by Will Butler (Arcade Fire) is taken apart in a new installment of Song Exploder.