The Frame

The actress makes her directing debut with a film about two young girls on a journey to avenge their mother's death; the National Hispanic Media Coalition is targeting movie studios over lack of Latino representation; teenaged jazz bassist Anna Abondolo is going places.

The company that revolutionized moviegoing is floundering as movie theater chains launch similar pass programs; first-time novelist Elizabeth Klehfoth sold her book to Hollywood before she even had a publisher; Taj Mahal and Keb' Mo' bring their blues collaboration to the Hollywood Bowl.

The director and co-writer of "The Spy Who Dumped Me" turns the action-comedy genre on its head; what's the fate of CBS chief Les Moonves?; Netflix and Amazon preview their coming attractions at the TV Critics Assn. press tour.

The Texas native shot her indie feature in her home state, with a script based on her own teenage years there; the Idyllwild Arts Academy appears to have escaped the fire that's ravaging the area; the use of "white voice" by black characters in current films is a comment on white privilege.

On her latest album, the French singer and actress pays tribute to her family legacy and also mourns her sister's death; Spotify is paying advances to some artists, but says it's not actually signing artists the way record labels do. But if it walks like a duck and quacks like a duck ...

The photographer has shot virtually every famous face for Rolling Stone, Vanity Fair and other magazines; the Venice and Toronto film festivals have released their schedules — let the award campaigning begin!; streaming services aren't as encyclopedic as you might think.

The veteran singer/guitarist's lifelong passion for the genre is evident on his new album, "Out of the Blues"; playwright Young Jean Lee's provocative "Straight White Men" opens on Broadway; composer Max Richter plans to put Grand Park campers to "Sleep."

"Guardians of the Galaxy" director James Gunn is the latest figure to come under fire in an industry that no longer tolerates an "anything goes" culture; the documentary, "Far From the Tree," examines what happens to a family when one child has a difference that sets them apart; Naia Izumi, winner of NPR's Tiny Desk Concert competition.

The annual pop culture extravaganza in San Diego is nirvana for movie, TV and comic book fans; the documentary "Game Girls" follow a lesbian couple trying to escape life on L.A.'s Skid Row; what have been the best depictions of Russian spies in movies and TV shows?

The British musician and composer Anna Meredith dips into movies with her score for "Eighth Grade"; voiceover actors are threatening a strike against streaming services that would affect all TV animation production; Liz Phair marks the 25th anniversary of "Exit to Guyville."

Lena Dunham's love-it-or-hate-it HBO series is ending its six-season run; Icelandic music is more than just Björk and Sigur Rós. Composers Valgeir Sigurdsson, Nico Muhly and other members of their music collective are also part of an ongoing showcase at Disney Hall.

The 14th Factory is a massive warehouse filled with installations by artists from around the world; major life changes contributed to the latest album by Tift Merritt; the Cannes Film Festival lineup is short on blockbusters, but brimming with politics.

Ever wonder what musicians hear during a concert? We sit onstage at Disney Hall during a rehearsal to find out; comic book artist Dash Shaw has made his first animated feature, “My Entire High School Sinking Into The Sea”; we help you sort through the conflicts on the Coachella Music Festival schedule.

After almost 40 years as front man of the band T.S.O.L., Jack Grisham retains his punk spirit; "The Encounter" is Simon McBurney's tour de force about an explorer of the Amazon jungle; 'Finding Oscar' looks at fallout from Guatemala's civil war.

Photographer and filmmaker Lauren Greenfield spent years documenting wealth throughout the world. Now her work is featured in a multimedia exhibit titled “Generation Wealth"; We get an update on the Writer’s Guild contract negotiations, which resumed today; With its third album, the L.A. band Jungle Fire is solidifying its tropical funk sound.

We visit a rehearsal for the CW show "Crazy Ex-Girlfriend" and meet choreographer Kat Burns, the woman behind the comedic dance routines on the show; Two correspondents for Vice on HBO talk about what it's like to cover such dangerous and emotional stories; A Middle East scholar reflects on changes "Homeland" has made to respond to criticism of the show's depiction of Muslims.

Gina Prince-Bythewood and Reggie Rock Bythewood reveal that it was a conversation with their sons about Trayvon Martin and Emmett Till that gave them the idea for the Fox event series "Shots Fired." And Andrew McCarthy found his true calling as an actor when he was a teenager, but later in life he's found that writing is his preferred form of creative expression.

Mandolin virtuoso Chris Thile balances a busy recording career with his new role as host of "A Prairie Home Companion"; How can a big company like Pepsi make such a tone-deaf ad?; The storm clouds at Disney Hall have nothing to do with the orchestra's emotional state.

Aimee Mann happily talks about her new album, "Mental Illness"; revenue was up in 2016 for record companies, but it's still half what it was at its peak; in a new episode of "Song Exploder," Norah Jones breaks down the title song from her latest album, "Day Breaks."

“Building the Wall" is a new Robert Schenkkan play that imagines the effects of President Donald Trump's immigration policies; in the era of Instagram and Snapchat, art museums are harnessing the power of their visitors' social media feeds; the Emmys are not until September, but award campaigning is underway.

The new Hulu series, co-created by Moira Buffini, has been likened to Sofia Coppola’s "Marie Antoinette" and the sharply modern feminist commentary of “Orange Is the New Black.”

Danger Mouse is an adventurous music producer whose 2004 project, “The Grey Album,” put him on the map. Since then he’s won six Grammy Awards and worked with some of the biggest names in pop. Now he has a collection of songs he imagined would be heard on the radio station on Amazon’s dystopian WWII series, “The Man in the High Castle.”