The Frame

Actor Jeffrey Wright produced the HBO film about a group of veterans using art to help heal their psychic wounds; L.A. Times TV critic Lorraine Ali looks at the late-night shows on election day; an exiled Iranian film composer makes his presence felt back home.

"They'll Love Me When I'm Dead" is Morgan Neville's insightful documentary about the ambitious film that Welles was unable to finish; taking a motorcycle ride with cast members from "Mayans M.C."

The story of the Colorado senator's ill-fated campaign to become the Democrats' 1988 presidential candidate is dramatized by director/co-writer Jason Reitman; NBC is being criticized for its decision to air an inflammatory anti-immigration ad.

The actor talks about his transformation into Queen's flamboyant singer in the new biopic; Netflix is amending its policy and will now release films in theaters before they hit the streaming service.

Comedy writers Merrill Markoe and Megan Koester talk about the making of their audiobook; Claire Warden on being an "intimacy director" on TV and movie sets; music veterans Dave Alvin and Jimmie Dale Gilmore celebrate their roots on the album, "Downey to Lubbock."

The filmmaker no longer sits in the director's chair, but he still composes the music for his frightful franchise; the scary voice of a four-year-old in "It"; and is the TV content boom leading to more stunt performer injuries and deaths?

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Hello from Park City! Host John Horn, editor Darby Maloney and producer Michelle Lanz check in to talk about a few of the standout films they've seen so far, as well as which filmmakers you can look forward to hearing on The Frame in the coming weeks.

The Frame host John Horn reports from Sundance on the festival's opening night and he interviews director Sydney Freeland (“Deidra and Laney Rob a Train”) and the husband-and wife team of Janicza Bravo and Brett Gelman ("Lemon").

Sundance's new initiative, "The New Climate," features documentaries that are focused on the environment; Solange Knowles dissects “Cranes In the Sky” from her breakthrough album, “A Seat at the Table.”

Composer Nicholas Britell talks about combining classical music with hip-hop production techniques to create his compelling score; the 2017 Sundance festival is expecting nearly 50,000 movie lovers, Hollywood executives, filmmakers and entertainment journalists.

After John Lewis was criticized by President-elect Donald Trump, the Congressman's grahic novel trilogy about the Civil Rights Movement shot to the top of Amazon's best-seller list; Netflix has a new version of the Norman Lear sitcom that puts a 21st Century spin on matters.

Andrew Garfield, who can be seen in two current films,"Silence" and "Hacksaw Ridge," reflects on Meryl Streep's Golden Globes speech and opens up about how he finds meaning in his work as an artist; Oscar-winning editor William Goldenberg shares secrets from the editing room; and a new exhibit at the J. Paul Getty Museum has artists turning their attention to the news as a muse.

News that filmmaker George Lucas will build a museum for his personal art collection in Los Angeles has a lot of people talking about "Star Wars" but this passion project will house more than memorabilia, says L.A. Times architecture critic Christopher Hawthorne; and Jeffrey Kahane, the musician and conductor who led the LA Chamber Orchestra for two decades now leads the Lift Every Voice music festival which challenges racial and religious injustice.

A new study reports that there is more violence in PG-13 films than ever — even more than in R-rated movies; you may not recognize Finn Wittrock by name, but you surely know his face from FX's "American Horror Story" to big films such as "The Big Short;" Sarah Megan Thomas is adapting her female-centric film, "Equity," for the small screen.

The new comic book anthology, "Love Is Love," was curated by Marc Andreyko, who marshaled an army of artists in the wake of the 2016 massacre at the Pulse nightclub in Orlando; meet a music supervisor who worked with Issa Rae and Solange Knowles on HBO's "Insecure;" the Producers Guild of America makes its picks for the best films of 2016.

Is Hollywood pushing a liberal agenda through the entertainment it makes? If you watched Meryl Streep’s speech at the Golden Globes last night you might think so. Mary McNamara of the LA Times and James Poniewozik of the New York Times join The Frame to discuss; Then theater director Pam MacKinnon shares how she turned the beloved film "Amélie" into a stage musical with "Hamilton" star Phillipa Soo in the lead.

Benj Pasek and Justin Paul are on a roll: they wrote song lyrics for "La La Land" and the music and lyrics for the Broadway hit, "Dear Evan Hansen"; more than 3,500 companies are debuting their futuristic products at the annual, massive technology trade show.

Actor and documentary filmmaker Fisher Stevens jumped at the chance to make a documentary about the iconic showbiz mother-and-daughter, Debbie Reynolds and Carrie Fisher; Sorting through the Jan/Feb TV premieres and comebacks to watch for in 2017 with TV critic Whitney Friedlander.