The Frame

Actor Jeffrey Wright produced the HBO film about a group of veterans using art to help heal their psychic wounds; L.A. Times TV critic Lorraine Ali looks at the late-night shows on election day; an exiled Iranian film composer makes his presence felt back home.

"They'll Love Me When I'm Dead" is Morgan Neville's insightful documentary about the ambitious film that Welles was unable to finish; taking a motorcycle ride with cast members from "Mayans M.C."

The story of the Colorado senator's ill-fated campaign to become the Democrats' 1988 presidential candidate is dramatized by director/co-writer Jason Reitman; NBC is being criticized for its decision to air an inflammatory anti-immigration ad.

The actor talks about his transformation into Queen's flamboyant singer in the new biopic; Netflix is amending its policy and will now release films in theaters before they hit the streaming service.

Comedy writers Merrill Markoe and Megan Koester talk about the making of their audiobook; Claire Warden on being an "intimacy director" on TV and movie sets; music veterans Dave Alvin and Jimmie Dale Gilmore celebrate their roots on the album, "Downey to Lubbock."

The filmmaker no longer sits in the director's chair, but he still composes the music for his frightful franchise; the scary voice of a four-year-old in "It"; and is the TV content boom leading to more stunt performer injuries and deaths?

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Writer Lena Waithe and director Melina Matsoukas talk about their provocative film about a tragic incident involving a black couple and a white policeman; five years later, what has Hollywood learned from the Sony hack?

L.A.'s Marachi Arcoiris bills itself as the first LGBTQ group that plays traditional Mexican music; what should we make of the Golden Globes?; the Huntington Museum turns 100 with a centennial exhibition.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics," is on the shortlist for best international feature film at the Academy Awards.

Greta Gerwig shares her passion for "Little Women"; one TV journalist surveys how Jewish women are portrayed on TV; Jonathan Pryce dons the robes of Pope Francis for "The Two Popes"; a photographer turns objects confiscated from detainees at the border into art; The Black List turns 15; the ambitious filming of "1917".

The actress not only stars in the movie about the downfall of Roger Ailes at Fox News, she is also credited as a producer; assistants in Hollywood want better pay and treatment; "Not at the Dinner Table" is a release valve for uncomfortable holiday gatherings.

Director Sam Mendes and cinematographer Roger Deakins collaborated to film the movie in a single, continuous shot; will "Cats" snuggle up to moviegoers?; songwriter Kathryn Bostic is on the shortlist of nominees for the Academy Awards best original song.

Jonathan Pryce talks about playing the reluctant Pope Francis and screenwriter Anthony McCarten talks about mixing fact and fiction; top screenplays in The Black List.

The director willed her way onto the project to tell the 1868 Louisa May Alcott story in a new way; a photographer turns items confiscated at the U.S.-Mexico border into subjects for an exhibition.

Abby McEnany stars in and co-created the series, which tells the tragi-comic story of a gender non-conforming woman struggling with her lot in life. She and executive producer Lilly Wachowski talk about the series; Kyle Buchanan, who writes The Carpetbagger blog for The New York Times, on awards season in Hollywood.

Charlize Theron produces and stars in "Bombshell"; Lilly Wachowski and Abby McEnany find comedy and connection on their series "Work In Progress"; Matthew Bourne brings "Swan Lake" back to LA; Jad Abumrad argues that Dolly Parton is the great unifier in our fractured country with his new podcast.

The podcast from Radiolab host Jad Abumrad explores the amazing career of "The Backwoods Barbie"; Netflix is accused of breaching awards etiquette and journalism ethics in its courting of Critics Choice Association members; the Australian band Good Morning has a surprising following in the U.S.

Choreographer Matthew Bourne, who shocked the dance world with his staging of the classic ballet, brings the production back to L.A.; why are insurance companies willing to offer policies that protect behavior of figures like Harvey Weinstein?; the podcast, “Prince the Story of 1999,” takes us inside the making of the landmark album.