The Frame

Actor Jeffrey Wright produced the HBO film about a group of veterans using art to help heal their psychic wounds; L.A. Times TV critic Lorraine Ali looks at the late-night shows on election day; an exiled Iranian film composer makes his presence felt back home.

"They'll Love Me When I'm Dead" is Morgan Neville's insightful documentary about the ambitious film that Welles was unable to finish; taking a motorcycle ride with cast members from "Mayans M.C."

The story of the Colorado senator's ill-fated campaign to become the Democrats' 1988 presidential candidate is dramatized by director/co-writer Jason Reitman; NBC is being criticized for its decision to air an inflammatory anti-immigration ad.

The actor talks about his transformation into Queen's flamboyant singer in the new biopic; Netflix is amending its policy and will now release films in theaters before they hit the streaming service.

Comedy writers Merrill Markoe and Megan Koester talk about the making of their audiobook; Claire Warden on being an "intimacy director" on TV and movie sets; music veterans Dave Alvin and Jimmie Dale Gilmore celebrate their roots on the album, "Downey to Lubbock."

The filmmaker no longer sits in the director's chair, but he still composes the music for his frightful franchise; the scary voice of a four-year-old in "It"; and is the TV content boom leading to more stunt performer injuries and deaths?

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Actor Jason Segel made his career in big studio comedies such as “Forgetting Susan Marshall," the TV sitcom, “How I Met Your Mother," and as author David Foster Wallace in the film “The End of the Tour,” which won him a lot of acclaim. Now he's taking that new image into his latest movie, the sci-fi love story “The Discovery,” which co-stars Rooney Mara and Robert Redford.

Jessica Williams was a correspondent on "The Daily Show" and now co-hosts the popular podcast, “2 Dope Queens." And this summer she can be seen in the Netflix movie, “The Incredible Jessica James"; movie theater owners are gathered in Las Vegas for CinemaCon. While movie studios preview their big 2017 releases, hovering over the party is the looming threat of streaming and video-on-demand.

The Wooster Group’s latest stage show, “The Town Hall Affair,” re-creates an infamous 1971 public debate about feminism moderated by – of all people – the chauvinistic writer Norman Mailer. Now on stage at the REDCAT in downtown Los Angeles, the show has resonance in an era when a presidential candidate can get away with ugly talk about women and millions of women took to the streets on the day after his inauguration.

Film producers Bonnie Curtis and Julie Lynn have made several small budget, character-driven movies together including “Albert Nobbs” with Glenn Close and “Last Days in the Desert” with Ewan McGregor. But "Life" is completely different. They talk with The Frame about managing a bigger budget –with special effects and zero gravity– and what makes their partnership work.

Caro's latest film is “The Zookeeper’s Wife," but her next project, the live-action version of “Mulan,” will make her only the 4th woman to have a budget over $100 million; The Writer’s Guild is negotiating its next contract, and there has been talk of a strike over wages for TV writers; children’s book author/illustrator Claire Keane worked with her Disney animator father on a story about Rapunzel that is being turned into a TV series.

"The Americans" creator Joe Weisberg and fellow showrunner Joel Fields talk about creating their 1980's Russian espionage show in the era of Russian hacking. The two are joined by director Chris Long– who shot some of the show in Moscow– to talk about creating a family drama that's also a secret agent story.

The 1991 Disney animated film "Beauty and the Beast," is considered by many to be a classic. But the man behind the lyrics of some of our favorite songs never got to see the final film. We put together this oral history/remembrance of his life and legacy; “Good Grief" is a new play by LA-based playwright Ngozi Anyanwu that can help people cope with their own losses; Drake’s new album "More Life” was the soundtrack to this past weekend. Literally.

Deborah Borda is leaving her post as CEO of the L.A. Philharmonic to run the N.Y. Philharmonic; filmmaker Taylor Hackford recalls making his 1987 documentary about Chuck Berry; Discostan is a monthly club night that features Middle Eastern music.

A new Japanese American National Museum (JANM) exhibit remembers the dark history of legalized discrimination in the US. Classical music composer Julia Adolphe is a rising star with a new work at the Los Angeles Chamber Orchestra. Director Sydney Freeland discusses her coming-of-age movie "Deidra & Laney Rob a Train."

What does President Trump's budget proposal to eliminate the NEA, NEH and CPB actually mean? New York Magazine art critic Jerry Saltz finds hope in the political messages and diverse voices at the Whitney Biennal. And director Ferne Pearlstein and Holocaust survivor Renee Firestone discuss the new documentary "The Last Laugh."

LA Phil chief Deborah Borda will depart to head the NY philharmonic. She leaves behind a flourishing institution, a happy orchestra, and a charismatic artistic director. Documentarian Marina Zenovich tries to uncover who owns California's water supply in "Water & Power: A California Heist." And filmmaker Ritesh Batra goes from "The Lunchbox" to "The Sense of an Ending."

Misha Green, co-creator of the WGN series "Underground," talks about how characters like Harriet Tubman are real-life superheroes and how she's sometimes mistaken for an assistant on set; Goldenvoice—the promoters behind Coachella, Stagecoach and Desert Trip—bring their latest fest to Pasadena, called Arroyo Seco Weekend.